Category Archives: Camera

DJI MIC is the Next Best Thing for Video Audio Solutions

They say that a good audio adds a whole lot of value to your videos. They also say that even if your video looks bad, your audio can more than make up for it. It does sound counterintuitive, but it can be quite true.  

While it is true that the first thing that should stand out in a video is the visuals itself, bad audio can destroy a perfectly good video experience. Audio is one of the most underrated tools in a video production that people sometimes do not pay too much attention to it, especially when it is good. When it is bad though, you just cannot bear to watch the video for too long because the audio just annoys you. 

Audio gear is not exactly cheap or straightforward to work with though. Cheap solutions are out there, but they usually come with a whole slew of compromises that makes you think twice about using them sometimes, especially cables. Cabled set-ups, while are some of the most reliable and easily the best sounding while remaining relatively cheap to work with, is rather restrictive. That is also why plenty of productions have preferred to work with wireless microphone systems.  

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Source: DJI

There are plenty of good choices out there too in this department. One of the most popular choices out there is made by RODE. Plenty have also sort of followed suite in the same form factor. All of them are similar kits too with one receiver and two mic transmitter combos. Each item must be charged individually and kept separately though. There are a few risks to that, obviously.  

What if you can just put them in a single place, and charge them simultaneously? What if you can just work with them like most true wireless earbuds now? They are sort of the same thing are they not? 

Oddly enough, the first manufacturer that does this is not RODE or Shure. It is DJI with their new DJI MIC. DJI should not be an unfamiliar name to content creators at this point. They make some of the most interesting video recording hardware to date. A lot of them are also targeted to independent and small-time content creators. Most of them are video recording gears though, not really audio recording dedicated items until the DJI MIC.  

It is a unique product, this DJI MIC. It will set you back US$ 329 (MYR 1,386*), which is just a little bit more expensive than the RODE Wireless Go II. It is a little smaller than the RODE alternatives. In concept, they work similarly. But there is one fundamental difference between the two. The DJI can be charged on a single platform and that single platform also works as their battery extenders, very much like true wireless headphones today. 

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Source: DJI

Obviously, coming from DJI, it also comes with a slew of adapters for maximum recording flexibility. There is a USB Type-C adapter and a Lightning adapter that comes with the set if you prefer to shoot with your smartphones. Because it is made primarily with DSLRs to mind, of course it comes with a hot shoe mount adapter and a matching 3.5mm audio cable.  

According to DJI, the audio is transmitted via 2.4GHz frequency band that allows audio to be transmitted to the receiver from up to 250m away, which also means long lens shooting is not out of the question. DJI’s clever technologies have also ensured that the signals are free of interference for when your shoot locations get busy. 

DJI also says that the entire package allows you to record videos at up to 15 hours in total (5 + 10 from charging case). That means that an entire day worth of shoot will be a non-issue with the DJI MIC. You are not going to be shooting five hours at a time as well, so you are not going to need to worry about the MIC running out of battery. If you need to, you can also record audio directly on to the receiver itself at up to 14 hours, either for backup, or when you are recording a podcast outside.  

The DJI MIC is available now in select regions. As mentioned, it will set you back US$ 329. It is not officially available in Malaysia just yet. You can pre-order it in Malaysia for MYR 1,599. For more information on the DJI MIC, you can visit their website.  

*Approximately based on exchange rate of US$ 1 = MYR 4.21 on xe.com as of 05/04/2022 

Panasonic Launches the new Lumix GH6 with 25-Megapixel Micro Four Thirds Sensor and 5.7K ProRes V-Log Video Recording

While the Panasonic Lumix line-up cameras may not be a popular choice for photographers, it is a well-known name in the content creation industry still. That was all thanks to the Panasonic GH4, their first micro four thirds camera with 4K resolution video recording. It was so popular even larger scale production would use the GH4 as a B Camera or stick it in places where space is a premium. We know that BBC were using the GH4 to get certain footages in one of their most popular motoring show, Top Gear.

The compact, high-resolution video capable camera was then replaced with the Panasonic Lumix GH5 which also proved popular among content creators. It packed more resolution than before at 20.3-Megapixel versus the original 16. It still shot at 4K resolution, but now it shoots at 4:2:2 10-bit colours internally, a feature most professional videographers would appreciate. It packs some new features like a speedier auto focus mechanism to make it a better all-around camera than before.

Today, there is a follow up to the GH5. Meet the Panasonic Lumix GH6, the new standard in compact DSLRs.

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Source: Panasonic

Like its predecessors, the Panasonic Lumix GH6 packs a micro four thirds sensor. If you have not known yet, micro four thirds sensor are smaller than APS-C sensors developed by Olympus. But it also packs more resolution than before at 25.2-Megapixel over the older 20. Like before as well, it is a mirrorless camera. There are a few new things on this new camera that might you consider swapping your GH5 for one of these too.

Aside from the higher Megapixel count, the video recording capabilities also got a massive upgrade. The sensor now can shoot videos at a maximum resolution of 5.7K at up to 60p. It still shoots at 4K if you want it to, but now at up to 120p for those satisfying slow-motion videos. Of course, you can record your videos if you want with unlimited video recording on the GH6, like its predecessors. You also get 4:2:2 10-bit colours like before, which is always a big welcome when colour contrast is important. You can even record at Apple ProRes HQ codec, important for the professional workflow these days.

Shooting videos without a gimbal or some form of stabiliser is usually frowned upon, even with the stellar video stabilisation mechanism built into cameras these days. That may not be a problem with the GH6 since it features 7.5-stops in their lens correction and stabilisation mechanism. With enough practice, you might just be okay leaving the gimbal behind.

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Source: Panasonic

You might be thinking of packing even lighter without your external monitor too since the rotating monitor now features tilt function to make it even more versatile. This allows your monitor to swing around freely even if an HDMI or USB cable is attached to the side of the camera. On that subject, this takes on a full HDMI TypeA cable and a USB Type-C cable for external recording or monitors.

A powerful video camera needs to record on a speedy medium. For that, the Panasonic GH6 can take on a CFExpress Type B memory card and a regular SD card. You can program the videos to shoot on the faster medium while photos can be stored in the regular SD card for example. If photos are not your thing, your SD card can work as a redundancy for your videos too. It is always good to have backups.

All of these will not work though if you do not have a powerful enough processor. For that, Panasonic introduced the Venus engine. Because this is a video first camera, the Venus is made with improved video capabilities like Intelligent Detail Processing and 3D Noise Reduction. It also offers better video output, hence the 5.7K capability.

The Panasonic Lumix GH6 is now available in select regions. There are no confirmations on when the Panasonic Lumix GH6 will come to Malaysia just yet. Currently, the Panasonic Lumix GH6 body retails for AU$ 3,699 (MYR 11,127*), more than some of the full-frame cameras you can get your hands on today. It is a piece of kit that even professionals stand by though. more information on the Panasonic Lumix GH6 can be found on their website.

*Approximately based on the conversion rate of AU$ 1 = MYR 3.01 as of 22/02/2022 on xe.com

Instax at the Next Level with the Fujifilm instax mini Evo

Fujifilm’s instax series is truly a wonder in the modern digital world today. Fujifilm not only single-handedly revived a retro technology to fit today’s odd world. They also made the retro format of instax’s instant film segment more popular than ever. Of course, you can also thank the ‘hipster’ trend for that.

Let us be very honest with the technology that is instax. It is not a modern technology by any measurements today. We generally refer to this instant film camera technology as the Polaroid technology. Polaroid is not a technology though; it was a brand. They were, however, the first to make a commercially viable and available instant film cameras was introduced in 1948 by Polaroid themselves in the Polaroid Model 95. Many companies follow suit in 1948 onward. You see large names like Kodak, Keystone, Konica, Minolta, and of course, Fujifilm.

Plenty of these names have moved on from this aging technology and started getting into the digital imaging game though. All of them did, except for Kodak, which went bust eventually. Fujifilm went hybrid though, which might explain their longevity in the business.

The Fujifilm instax then is based on a technology that is nearly 75 years old. But it was never marketed as a serious camera for serious photographers anyway. We think that could by why it stayed in business. They started with simple analogue cameras that required AA batteries to run. Now though, the instax brand is a worldwide phenomenon and there is a game changer on the block.

They call it the instax mini Evo. “Evo” as in evolution, and we kind of think it is sort of one. The device is a cross between a true wireless printer and a camera.

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We have seen this kind of implementation before when Fujifilm introduced their square formatted films. The instax min Evo is not that much different, but at the same time it is a completely new product that could really drive the instant film photography industry forward.

The Fujifilm instax mini Evo is still a camera. The design is based on Fujifilm’s highly acclaimed X-T series cameras. The design language and material choice add a certain luxury and premium feel to it. It is no longer just a plastic toy; the heft actually feels like it is worth your every penny now.

It is not just a camera though, it is an instant film printer for your smartphone as well, which makes it even more useful and cleverer than ever before. Instead of having to take a new photo everytime or using the camera all the time, you can simply pick photos from your smartphone and be happy with the result in no time.

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The Fujifilm instax mini Evo will be available 3rd of December 2021 onward in Japan. When it is available in Malaysia, it will set you back MYR 928. Alongside the instax mini Evo, Fujifilm is also introducing a new Stone Gray film with grey frames instead of the usual white. That will be available in the same day for MYR 99. Each pack contains 10 films. More information on the Fujifilm instax mini Evo can be found on their website.  

The DJI Revolution is Here in the Form of the Mavic 3 with Prices from MYR 9,799

Rarely today you get a product that is leaps and bound from its previous generation product that it would replace. Then again, there is the NVIDIA GeForce RTX, the new 12th Generation Intel Core Alder Lake processors, and even AMD’s Ryzen processors. Maybe a huge generational gap is not that unique after all. This DJI Mavic 3 though, is a special one.

The DJI Mavic 3 is meant to replace the DJI Mavic 2 series of drones. If you remember, the DJI Mavic 2 came in two flavours; the Pro and Zoom. The Pro variant comes with a Hasselblad engineered camera module while the Zoom variant comes with a camera module with optical zoom lens, you get the idea. The DJI Mavic 3 does not follow the same path with the Mavic 2 series though. Instead, DJI introduced one Mavic 3, and one Mavic 3 Cine edition.

An Aerial Video Powerhouse

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The Mavic 3 series has more in common with the DJI Mavic 2 Pro than the Zoom variant. It packs a 4/3 CMOS Hasselblad engineered camera. The only traces of the Zoom variant is its 28x hybrid zoom capability.

The camera module, to be fair, is not that big of an improvement compared to the older Mavic 2 Pro to be fair. It records videos at up to 5.1K resolution at 50 fps. The biggest improvement is on its 4K resolution recording though. Now you can record 4K videos at 120fps for even better-looking slow-motion videos. This is where the Mavic 3 stops and where the Cine edition starts.

The Mavic 3 Cine edition is truly a special thing. It offers Apple ProRes 422 HQ encoding for even higher quality videos for post processing. It is not RAW, but it is the first integrated drone system that can record at ProRes 422 HQ format. Of course, if you choose to record at that format, ou are going to run out of storage space pretty quickly if you use a humble SDXC memory card. The Cine edition has a 1TB internal SSD storage for all your recording needs though.

Longer, Smarter Flights

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To ensure that your Mavic 3 does not get tumbled around mid-air, it has even more sensors than before too. It now packs omnidirectional sensors that can detect objects up to 200 meters away just so that it knows where and when to stop or how to avoid the obstacle. It is the easiest full-sized Mavic to fly. It is even cleverer too. It can track a subject, lose it if it goes out of frame, and pick it back up as soon as the subject comes back into the frame with ActiveTrack 5.0. It can even follow the subject wherever it moves. Of course, it also comes with the array of other precision sensors to ensure that it knows where it is at any given time. With the help of GPS, GLONASS< and BeiDou satellites too, it knows where to return to when you call it home or when its battery is running out.

It boasts 15km of remote range with DJI O3+. Even with interference, you are not going to lose remote signal or even clear video signal from 15km away. DJI boasts that this drone can transmit 1080p Full HD/60fps live feed over that distance without loss or lag. Of course, you might not fly the DJI Mavic 3 to that full range, but it is nice to know it can. What is more impressive is that DJI managed to extend the battery life of the Mavic 3 to up to 46 minutes instead of the mere 30 minutes the previous versions used to boast.

Price and Availability

The DJI Mavic 3 and Mavic 3 Cine edition is now available in Malaysia. You can get your hands on either from DJI’s authorised retailers across Malaysia or from DJI’s official stores on Shopee and Lazada. The DJI Mavic 3 starts at MYR 9,799, which is quite a little bit more expensive compared to the Mavic 2 Pro. The Mavic 3 Cine edition however starts at MYR 22,899. For that money you are getting the drone itself with a few extra ND filters, two extra Intelligent Flight batteries, a charging hub, and a special carrying bag. For more information on the DJI Mavic 3, you can visit their website.

The DJI Action 2 Takes Things at the Next Level

You might have not heard of the DJI Action. That is because there was no such product. It sounded like a DJI action camera though. That existed.

They called it the DJI Osmo Action and it looked almost like any other action camera that was popular at its launch. It was launched in 2019 and it was designed after the gold standard in action cameras for the longest time. It was modelled after the GoPro cameras that was so popular at the time. Say what you will, the GoPro cameras were the most popular for good reasons.

With DJI’s knowhow in making cameras on stabilisers, gimbals, drones, and even innovative film cameras, the Osmo Action was made to really take on the GoPro cameras and beat them. It shot at 4K 60p. It has two displays, one at the back and one in front making it a clever vlogging camera as well. It featured DJI’s know how in stabilising footages. It also featured slow motion modes. The only thing that GoPro had it beat was in its sheer namesake and pedigree in action cameras.

Two years on and we sort of thought DJI might have forgotten about the action camera market completely. We thought that DJI might have given up on the idea. Last week as well DJI just redefined the film maker industry with a brand-new camera on a 4-axis gimbal in a cinema camera body and guise. It was remarkable and it really will change the entire film industry.

They did not give up on the action camera market though. In fact, they just launched a brand-new action camera to replace the Osmo Action. This time also, they went with a slightly different philosophy over the old one. This time, they went modular.

The Tiny DJI Action 2

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They call it the DJI Action 2, and they did not bother introducing their latest action camera to the world through a launch event though. Rather they introduce the Action 2 to the world with a three-minute video on YouTube. We kind of think that this is the shortest launch gambit we have ever experienced. Short, but impactful.

It weighs only 56 grams, which is really nothing in the world of cameras. When we say it is modular, it means that you can attach the little camera cube to almost anything, anywhere. Of course, you need some help in the form of attachment struts, straps, and magnets that is suitable for whatever surface you want to attach it to. It also has other attachments that allows the camera to work as a vlogging camera as well, with added battery life.

It also has a small 1.79-inch OLED display at the back of the camera so that you still know what you are shooting even without using your smartphone to monitor your camera. The square display is also a touch sensitive display, which also means you can do all your set-up on the DJI Action 2 itself. The vlogging attachment also comes with its own 1.79-inch touch-sensitive square display as well.

The main bit of the DJI Action 2 shoots at 4K resolution. You also get up to 120fps in ultra-wide frame goodness for that beautiful slow-mo videos when it matters. It has something DJI calls the HorizonSteady technology that allows the camera to keep a level frame throughout the shot. With RockSteady 2.0, your shots are even more stable than before. For vlogging purposes, the Action 2 packs three microphones to record video from every direction. You can immerse it in up to 10m of water too, just so that you can even take videos when you go scuba diving.

Price and Availability

The DJI Action 2 will be available globally on the 2nd of November 2021 onward. It will set you back US$ 519 (MYR 2,156*). That package comes with the Front Touchscreen Module for you to work with it as a vlogging camera. It also comes with a slew of attachments for more mounting options. There will be a Power Combo that will come later in November. The Power Combo will retail at US$ 399 (MYR 1,657*) and will include the camera itself, a Power Module, Magnetic Lanyard, and Magnetic Adpated Mount. For more information on the DJI Action 2 action camera, you can visit DJI’s website.

*Approximately based on exchange rate of US$ 1 = MYR 4.15 on xe.com as of 28/10/2021

Sony Launches the Sony Xperia PRO-I – Camera Smartphone Redefined

Every now and then there will be an event so significant, it changes history. In the modern world, that moment happens way too often that it is no longer special. There are one or two rare innovations in today’s world though that makes you turn your heads. Today’s innovation is one of them.

The innovation comes in the form of a Sony Xperia smartphone. That might not sound too special. After all, the Sony Xperia smartphone, at some point, was responsible for Sony’s near exit from the smartphone business. While they pioneered and ushered in the era of water-resistant smartphones, they could not innovate fast enough or even make compelling enough products to compete with their rivals. The Sony Xperia has been reborn in 2018 though and is a completely different beast today. The Xperia PRO-I, this one is not in the same league as the Xperia flagship you know and love.

The Flagship

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Source: Sony

We start with the boring stuff. It comes with Qualcomm’s Snapdragon 888 platform, which is expected anyway. It also comes with 512GB in storage and up to 12GB in RAM. You can slot up to a 1TB MicroSD card into the Xperia PRO-I for good measure. You want to if you are planning to use its camera a lot. Of course, you get WiFi 6 capabilities from the Xperia PRO-I. To keep everything running nicely is a 4,500mAh battery that can charge up to 50% within just 30 minutes.

On the front is a staple 4K display for the Xperia flagship. 4K HDR OLED display refreshes at 120Hz and measures at 6.5-inch. Protecting the panel is a Gorilla Glass Victus. It is not the biggest display you can find in the market, but it is certainly one of the most gorgeous.

To be fair, none of that are new for a smartphone. What is new is what protrudes out the back of the device. The innovation is all in the camera.

The Best Camera on a Smartphone Ever

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Source: Sony

This is not some boring innovation in the camera though. It is not some Megapixel addition, because Sony understands that with mobile photography, it is all about the sensor size more than anything else. That is why they fitted a Type-1.0 Exmor RS image sensor with phase detection autofocus mechanism within the compact body of the Xperia PRO-I. To process the photos out of the device, you get a dedicated Bionz X image processor that overrides the Qualcomm Snapdragon 888’s admittedly impressive image processing.

It is the same exact sensor you get from a Sony RX 100 VII. That also means you are getting 20.2-Megpixel of Sony’s Alpha goodness in the Xperia smartphone. The sensor under the 24mm Zeiss Tessar T* lens is capable of capturing images at RAW 12-bit colour depth as well for the best camera experience you can ever have on your smartphone. At the same time, it is Sony’s first smartphone to feature Eye AF that is so common in DSLR and mirrorless cameras these days.

The camera is even able to capture videos at 4K 120fps thanks to the very powerful imaging sensor. With up to 315 of autofocus points, you are going to keep track of your subjects for a long time in your videos and even your photos. For high-speed burst shots, you get to shoot at up to 20fps.

The Xperia PRO-I can do more than just allowing you to capture photos and videos from behind the camera though. It is also made as the perfect vlogging tool. You can pair it to an optional 3.5-inch LCD HD Vlog Monitor and the Xperia PRO-I turns into your vlogging companion without any additional heft in your bag. If you have an external microphone, the 3.5mm combo mic for you to plug in your mic to.

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Price and Availability

The Sony Xperia PRO-I will be available in Malaysia December 2021 onward. It will be available only through selected retailers and online stores though. There is no confirmed price just yet for the Sony Xperia PRO-I though but Sony says they will announce it on a later date.

Sony’s ALPHA 7 IV (α7 IV) Redefines the ‘Basic’ Necessities of a Full-Frame Mirrorless Camera

The Sony ALPHA 7, or rather the α7 marks Sony’s first foray into the high-end camera market with a full-frame DSLR that is a lot smaller and lighter than regular DSLR devices. While it is smaller and lighter than the regular full-frame body, it comes with its own sets of limitations, one of them is battery life. Ergonomics for the first α7 was not the best either with Sony placing more focus on making the camera as compact as possible. Because there is less space on the body for buttons, there is only so much Sony can do to give users a sense of finer control with physical knob and buttons.

The ALPHA 7 platform is a popular choice among content creators though. The third iteration was everything you could ever need from a mirrorless camera. It had sophisticated Autofocus system that was a lot more reliable than before, it had features that reduces the rolling shutter effect that plagued previous Sony α7 cameras, it was also bigger than the first iteration with better ergonomics and much longer battery life.

Sony just announced a replacement model though, its fourth iteration of the ‘Basic’ full-frame mirrorless camera. If you know Sony’s existing line-up of ALPHA 7 cameras though, you will not call them ‘basic’. The new one is even better.

The New ‘Basic’

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Source: Sony

The ALPHA 7 IV, as they know it, is Sony’s interpretation to what the new ‘basic’ standard is for an entry-level full-frame camera. Apparently ‘basic’ means 33-Megapixel on the Exmor R CMOS full-frame sensor. That 33-Megapixel sensor packs sensitivity of up to ISO 204800 at its highest and ISO 50 at its lowest for 15-stops in dynamic range. That should mean that the Sony ALPHA 7 IV is an admirable performer in low-light conditions.

BIONZ XR Advantage

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The impressive new sensor is assisted by a Sony’s latest BIONZ XR imaging chip, the same one you find on Sony’s range topping ALPHA 1 mirrorless camera. It allows the Sony ALPHA 7 IV to shoot at up to 10fps with AF/AE tracking. Thanks to BIONZ XR as well the camera has up to 759 phase-detection Autofocus (AF) points that covers up to 94% of the image area and tracks subjects in Real-Time Tracking as accurately as you can get cameras to track subjects. Of course, there is Real-time Eye AF function as well that now tracks birds and animal eyes in both photo and movie modes.

The Hybrid Cinematic and Still Shooter

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Source: Sony

They call this a hybrid camera, a still and movie camera packed in one compact body. The ALPHA 7 IV now has S-Cinetone colour profile, something that was only reserved for Sony’s very famous Cinema cameras. That means you now get 10-bit 4:2:2 colour sampling for even better colours than before. It records at up to 4K 60 fps in Super 35mm mode, and up to 4K 30fps with 7K oversampling in full-frame mode. For the first time ever as well, the Sony ALPHA 7 IV features a new Focus Map that helps you with finding the right focus point while shooting videos. It also now features a Breathing Compensation feature to eliminate focus breathing and maintain a smooth, consistent focus change. You can turn off that feature too in case you want some focus breathing for creative contexts.

You still get Sony’s very famous 5-axis stabiliser built into the body of the compact mirrorless. The stabiliser allows for the camera to have up to 5.5 steps in shutter speed advantage. At the same time, the viewfinder is an even higher resolution one as well with 3.68 million dots compared to the ALPHA 7 III. For videos, content creators will appreciate the 3.0-inch vari-angle display.

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On its body as well, the Sony ALPHA 7 IV features a clever dual layer mode dial to allow you to quickly switch from pure photo mode to movie recording mode, and S& Q mode. The top layer is now reserved to Auto/P/A/S/M and Memory Recall mode. It records to either a CFexpress Type A card, or a regular SDXC card too for ultimate convenience in recording medium.

Better Workflow

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The new camera is also much easier to work with than before. It now has 5GHz Wi-Fi for super-fast data transfers between the camera and your smartphone via Imaging Edge Mobile. You can even use Bluetooth for remote access this time. You can now use the Sony ALPHA 7 IV seamlessly with your PC as well as a Live Stream camera or use the PC as a remote. All these is done without using an additional software now and simply by connecting the ALPHA 7 IV via USB Type-C cable. In that case you can even make video calls with up to 4K 15p resolution, or even use the ALPHA 7 IV as an audio interface.

Pricing and Availability

Sony’s ALPHA 7 IV will be available in December 2021 onward. It will retail for about EUR€ 2,800 for its body only. If you opt for an ALPHA 7 IV with a kit lens, it will set you back EUR€ 3,000. It is not a bad kit lens though; it is a 28-70mm (SEL2870) lens. We can only speculate its pricing too at this point. More information on the Sony ALPHA 7 IV (α7 IV) can be found on Sony’s website.

The DJI Ronin 4D Launches and is a Filmmaker’s Wet Dream on Gimbals

The film making industry is bigger now than ever. It is also now more accessible than ever as independent filmmakers are starting to make their marks on social media and eventually the bigger screens. Camera technology has gotten so good these days that we never really stopped to think; what if a manufacturer like Sony, Canon, or even Arri could make the perfect cinema camera in a package no larger than their current line-up of cinema cameras.

The idea is not that far fetched if you think about it. Cameras are getting more powerful as technology progresses. At the same time, sizes of cameras continue to shrink. Stabilisation technologies are also constantly improving by leaps and bounds. A cinema camera that can do everything including proper stabilisation in a package is a dream.

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Source: DJI

That dream is just about realised by DJI though. They released something called the Ronin 4D. No, it is not 4D camera. It is not a 3D camera as well. It is a normal camera. In fact, it packs DJI’s very own ZenMuse X9 Full-Frame camera that shoots at up to 8K resolution into Apple ProRes and ProRes RAW. Of course, the ZenMuse X9 also features DJI’s own DL mount interchangeable lens system.

As mentioned, the DJI Ronin 4D’s ZenMuse X9 camera system is mounted on a gimbal that is built into the cinema camera body as well. While most electronic gimbal system stops at 3-axis, the DJI Ronin 4D adds a fourth Z-axis that eliminates just about any shake you can introduce to your camera. You can run, walk, stumble around with the DJI Ronin 4D and it will look like you are shooting with a dolly. Mind you, you are shooting everything free handed. With the right tools as well, you are the one pulling focus on your, and even controlling the camera angles.

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Focus pulling with cinema cameras can be a pain in different situations. When you change lenses, you need to re-calibrate your focus pulling settings and test it out again and again in a set. Autofocus helps with a lot of the focus pulling problems you might have, but you do not have control over it. On the DJI Ronin 4D, it is as simple as turning a knob that connects to either your DJI Ronin 4D or a remote viewer/controller.

In a lot of times as well, focus pulling is a lot of guess work. Not on the DJI Ronin 4D though. Thanks to LiDAR technology, you can visualise your subject in a 3D space, understand where your subjects are within range, and just pull the focus on your desired object at the right distance every time. You do not need multiple shots of a single take just because you messed up your focus pulling.

Speaking of remote controls, the DJI Ronin 4D employs their drone know how in extending the Full HD feed range on a 7-inch monitor and reduce its latency to the point it is negligible and you can pull focus from anywhere within 6KM of the camera. You can monitor your shoots remotely with your camera moving around you too. If you need to, the remote monitor supports a MicroSD card input for proxy footage recording.

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You can record your films in three different types of storage. Out of the three (USB SSD, CFExpress Type-B, DJI PROSSD 1TB) of course DJI’s own native solution might work best. But for those who are already running on one or the other storage solutions, you are in luck. At the same time, there is a 2-channel 24-bit audio mic that is built-in directly into the camera body. It also packs a 3.5mm jack and two XLR ports for audio input and output options. Of course, it is all powered by a DJI proprietary TB50 battery that is supposed to last up to 2.5 hours in continuous shoot time.

It sounds like a perfect filmmaker’s tool, and it is, in theory. It packs everything that a filmmaker want in a compact cinema camera. It does come with a price though. If you are opting for a 6K version of the DJI Ronin 4D, you will have to fork out US$ 7,199 (MYR 29,965*). You get the main body attached to a ZenMuse X9-6K camera and its gimbal, a LiDAR range finder, main monitor, hand grips, a top handle, and the TB50 battery within a DJI carrying case. For US$ 3,300 (MYR 13,736*) more though, you get a ZenMuse X9-8K, and an extra PROSSD 1TB. The 4D Video Transmitter, the High-Bright Remote Monitor and PROSSD 1TB can be bought separately. More information on the DJI Ronin 4D is available on their website.

*Approximately based on exchange rate of US$ 1 = MYR 4.16 on xe.com as of 21/10/2021

Adobe Teases the Camera Raw on the Apple iPad’s Photoshop App

The Apple iPad has really come into its own in the world of content creation today. It has become one of the go to or must have tools in a remote production set up to quickly get at least photos edited and uploaded quickly. Adobe’s Photoshop app on the iPad is mostly the weapon of choice in that matter. Adobe’s Photoshop for iPad is one of the most powerful photo editing tools you can find on a mobile device, just short of laptops.

It has just become even more powerful though with the added ability to edit RAW files. This not only includes Apple’s ProRAW file format. You can even edit photos in DNG formats from other proper DSLR type cameras if need be.

While you might not see value in taking photos in RAW and editing them on your mobile device, there are good reasons why you want your photos taken and post edited in RAW. For one, RAW photos usually will take full advantage of your camera’s full dynamic capabilities. If you are using your smartphone to take RAW photos, you can even take advantage of its full sensor size. In terms of post editing, there are a lot more manipulation you can do with RAW photos, down to the granular details.

Now you have that ability to edit RAW photos on-the-go with the Apple iPad thanks to the Camera Raw ability on the Adobe Photoshop software. Camera Raw is a known plugin for Adobe’s suite to add RAW decoding capabilities. It gives even Adobe’s Lightroom the ability to open and edit RAW photos.

That also means you have a greater control over photos on your iPad. You can now turn your iPad into a professional photo editing station, and you do not even need a PC to work on your photos now. There is small caveat here though.

How to Transfer Camera Raw Images to Photoshop on the iPad | Adobe Photoshop

The new function is not actually available for current Apple iPad users. Adobe says that the function will be ‘coming soon’, whatever that means. They managed to showcase and tease the power of the Adobe Photoshop on an iPad with Camera Raw capabilities too on YouTube. This feature is also announced ahead of Adobe’s Max 2021 conference, so we may be able to expect the function to come to Apple iPad devices, especially the iPad Pro with m1 chips after the fact. For now, we can only wait.

Razer Unveils the Kiyo X Webcam and Ripsaw X Capture Card – Streaming Does Not Have to be Expensive

The gaming industry is huge today. A part of that industry is also contents that you can watch and enjoy. That is the game streaming industry that is made popular by people like PewDiePie, and even Markiplier. As the eSports scene sees a huge surge in recent years, the game streaming industry also blew up. This leads to the creation of specialised hardware and accessories just for game streaming.

Webcams, for example, used to be telecommunication devices that you can use for video conferencing. Full HD webcams technically has existed forever, but never meant to be used for game streaming, although that is still possible. Capture cards was also a thing that was used by studios for both live production and regular production usage. With game streaming though, these once premium items were more in demand and more purpose built than ever. That does not mean that they become more accessible in price.

Introducing the Razer Kiyo X and Ripsaw X peripherals made for streaming. These are made specifically for streaming, but they are also made with budget in mind. These products are really designed for newer streamers who just got started in the streaming industry and looking to upgrade their gear without breaking their banks.

Razer Kiyo X

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The Razer Kiyo X is really a littler, more budget version of the Razer Kiyo. The ‘X’ moniker really gave it away as the more budget friendly companion in the line-up. It is capable of shooting videos at Full HD at 30fps to boot. If you want your videos to be extra smooth, you can get it to shoot at 60fps with a resolution penalty at 720p.

The USB plug and play webcam can be controlled via Razer’s Synapse software. While it does not come with its own right light, it still has something called The Razer Virtual Right Light software that goes along with it. In that case, the display becomes a light panel for the Razer Kiyo X for both video calls and streams.

Razer Ripsaw X

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Another very important item for live streaming is the capture card. A capture card functions either as a platform to record and project your games into the streaming software. From there, the software broadcasts the image that is captured from the capture card. It is commonly used in a two PC configuration, or when you want to use a regular camera as the webcam.

The Razer Ripsaw X is also technically a smaller version of the Ripsaw. It is quite a little bit more powerful than the old Ripsaw though. Where the Ripsaw could only capture streams at Full HD at up to 60fps, the new Ripsaw X can capture videos at 4K resolution at up to 30fps with HDMI 2.0 and a USB 3.0 interface. The Ripsaw X is also supposed to offer near-zero latency, which also means you do not have to be doing a lot of guess and calculation work done for streams.

Price and availability

The Razer Kiyo X and Ripsaw X will be is now available from Razer.com in the United States, Europe, and Singapore. There is no word on its availability in Malaysia, but we are expecting them to hit shelves in Malaysia soon. The Razer Kiyo X will set you back US$ 79.99 (MYR 334*) when it is available. The Ripsaw X will be available oat US$ 139.99 (MYR 585*).

*Approximately based on exchange rate of US$ 1 = 4.18 on xe.com as of 02/10/2021