Tag Archives: vlogging

24 Hours with the Sony ZV-1 II – It’s Great, But Not MYR 3,999 Great 

What can you buy with MYR 4,000? You can get yourself a very nice steak dinner for at least four people in a very expensive restaurant. You can buy an entry-level gaming laptop with older generation hardware. You can even buy a decent laptop that you can use for work and play for that money. Even if you buy a 4K TV, you might still have some spare cash to afford yourself a decent soundbar. Or you can buy a Sony ZV-1 II, Sony’s latest compact camera, and have MYR 1 to spare for your parking.  

So Familiar 

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If you have had your hands on a Sony ZV-1, the original one, you would be surprised (or maybe not) at how similar this ‘second-generation- ZV-1 is to the first one. It is sort of the same body that both use with no changes in the layout or material. That also means that if you come from the ZV-1, you will be quickly familiar with the ZV-1 II.  

We like plenty of things on the ZV-1. We like the swiveling hinged monitor that we can just swing out to quickly turn the camera on. We like that folding in the display also turns the camera off. We like that it is compact yet shoots decent 4K footage, and we like that it features a standard zoom 24-70mm lens. Most of these features stayed on for the ZV-1 Mk. II.  

The ZV-1 II still has a brilliant swiveling display that will be the only source of monitoring you get on the camera itself. There is no viewfinder to look at here, which is pretty much expected in this form factor. Then there is the 4K 24p capabilities that continued from the older ZV-1. The lens offers the same zoom mechanism and look, except that it is an 18-50mm lens now instead of a 24-70mm with a maximum aperture of F4.0.  

They have added a few things too. They added ‘background blurring’ effect toggle for your portraits. They also added more creative looks for the ZV-1 II. The highlight addition though, at least we think, is the Cinematic Vlog mode that completely changes how you shoot your videos. 

21-Megapixel Photos and 4K videos 

The sensor you get on the ZV-1 II is pretty much the same one you can find from the first-generation ZV-1. You get a 1-inch 21-Megapxiel Exmor RS sensor that is also capable of taking videos at 4K 24p resolutions. You can technically also record Full HD videos at up to 60p with the camera. That also means there is no slow-motion video recording for the ZV-1 II. To be fair, that is not what the ZV-1 is for anyway.  

If you come from the older ZV-1, there should be no surprises about the photo and video quality here. The 21-Megapixel photos are clear and well detailed, even at the edges. While the sensor is not very big, you technically can get great looking portraits with some deep ‘bokeh’ effect by turning on the camera’s ‘background blur’ mode. Even if you do not use the ‘background blur’ mode though, portrait still looks mighty good with limited depth. Still, for landscape photos, the image is mostly clear and sharp when you go closer to the edges of the image. If you are shooting at 18mm, you can expect some distortion at the edges of your image since you are technically getting an ultra-wide angle.  

The ZV-1 II can also shoot photos at up to 24fps, meaning you can technically use this to shoot action photos. You can take it down to your local track on a track day and take great looking photos with this camera thanks to the fast and rather accurate autofocus. We did not get to do that though unfortunately. You technically can take photos when your friends are playing football or any other sports technically thanks to the clever eye-AF. Again, we did not get to do that in our test period.  

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For 4K video recording, the camera uses the entire 1-inch sensor to shoot, which also means that you are not getting any odd crops on your frame when you switch between photo and video mode. In video mode though, the camera defaults to 16:9 aspect ratio, which means that you lose a little bit of image from the top and bottom of the photo frame. The Cinematic Vlog mode cuts the image even more to make the traditional film 2.35:1 aspect ratio for that cinematic look. We also noticed that the image stabilization is a little more aggressive in cinematic vlog mode allowing for a much more stable looking contents without going through vigorous stabilization algorithms from your editors.  

You can technically shoot in Sony’s colour gamut Log with the ZV-1 II. You can go up to S-Log3 in both 4K and Full HD modes. There is no S-Cinetone log here though, which is a shame since we thought it would be nice to pair with the cinematic vlog function. Of course, since the ZV-1 II is made for quick and fuss free vlog production and social media contents, it would not make sense for its intended user to use any of the colour gamut logs. Still, having the option to use the logs in all kinds of shoot mode would be nice for more advanced users.  

You can even use the ZV-1 as your webcam if your PC does not already have one. Unfortunately, the camera only allows for up to 720p when you stream the camera directly to the PC via USB Type-C. Still, the 720p image still looks better than most 720p and even Full HD 1080p webcam you can find in the market today. If you are looking for a plug-and-play webcam that looks good, this one could be for you. 

Oddly Poor Battery Life 

There is a compromise with all the weight saving and focus on making the ZV-1 II the most compact camera of its type yet capable of even more than its predecessor. The compromise comes in the form of a small battery capacity. To be fair, the small battery also contributes to the lightweight construction of the camera.  

It is a rather small 1,240mAh NP-BX1 removeable battery that the ZV-1 II packs: the same one as the first-generation ZV-1. It is rated for up to 290 stills and up to 75 minutes of continuous video recording. We took it out to do both stills and videos in the same venue for our test. In our test, we barely got the camera through an hour and a half (1 hour 30 minutes) before the ZV-1 II started warning us of low battery. Since it is replaceable, you technically can buy more to prolong your photo shoot or video shoot with the ZV-1 II. Each battery pack will set you back MYR 202 though. Thankfully you can charge the battery and camera via the camera’s USB Type-C port, meaning you can just plug it to your powerbank, and you are ready to shoot even more photos and videos.  

Should You Then? Maybe Not. 

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We like the ZV-1 II. It is a tiny camera that is rather well packaged and well-rounded enough for a quick photo walk around town. Even if you are not on a dedicated photo walk, it is a compact enough camera for you to carry around and pull out when you see a photo opportunity. It is made for the spontaneous content creator that does not need or want to carry a bunch of gear or a large DSLR around for convenience and subtlety. It also works as a decent webcam to replace your rather poor one on the laptop for an all-around better video conferencing or streaming experience. 

We are finding it difficult to recommend this camera to anyone who wants a compact camera that does everything though. For starters, it will set you back MYR 3,999. For that kind of money, you can get your hands on an older ZV-1 and still have extra to buy a proper Sony mic that can be mounted on the camera. Secondly, the ZV-1 will still be on sale, and there is nothing wrong with that camera in the first place. Thirdly, if simplicity is what you are after, what is wrong with the ZV-1F? The ZV-1F has a fixed lens and does everything the ZV-1 does too. If you already have the ZV-1 or the ZV-1F, apart from a few added features and the different lens length, you are not getting much of an upgrade on the ZV-1 II too.  

The New Sony ZV-1 II is not a ZV-1 Replacement, More like ZV-1 EVO for MYR 3,999

Sony’s ZV-1 was something we thought was rather clever for content creators to work with. It was compact, offered 4K video recording, and all the clever features that any content creators could enjoy and appreciate. Now, you can get your hands on one Sony ZV-1 camera at MYR 2,599, which is not too unreasonable.

There is a new kid on the block, just launched by Sony last night. The new kid is the sort of follow up to the ZV-1 compact shooter, the ZV-1 II (Mk. II, M2). No, it is not quite a replacement to the ZV-1, at least not according to Sony. They say that they have made some improvements based on the feedback from their community and users, but it is not meant to replace the ZV-1. They will still be selling the ZV-1 alongside this Mk. II.

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The design of the camera has not changed very much. You would be forgiven for mistaking the ZV-1 II for the ZV-1 when you put them together. They both come in the same colour options too, which does not help in telling the cameras apart. The price tag is a little different though, we will get into that later.

The difference is really more than skin deep. Instead of 24-70mm, you get a much wider viewpoint with the widest shot at 18mm and zooming up to 50mm. The 18-50mm lens is fast too with a variable aperture from F1.8-4.0. The wider lens also offers more shooting flexibility and creative avenues for landscapes and even selfies. You do not need to stretch your hands all that much anymore or find a selfie stick to work with. You can just have your natural arm’s length to get a good frame for yourself and even others to join you even without the help of selfie sticks. You still can get your hands on Sony’s clever remote camera grip though, if you want to.

They have improved the microphone too. It is now a 3-capsule unit that captures audio from all directions. It is clever too; the ZV-1 II can quickly switch its recording direction when it detects human faces in its frame allowing you to shoot your vlogs without needing another mic attachment. You can also select its shooting direction manually, your options are front, rear, and all directions. There is an included windscreen too for you to use in the great outdoors. If you still prefer to shoot with a mic attachment, you can get an assortment from Sony’s own stables that works with the Multi Interface shoe mounting or get a generic one and connect them to the camera via the 3.5mm mic jack.

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Source: Sony

It is still a 1.0 type CMOS sensor with Sony’s Exmor RS image processor that boasts about 21-Megapixel. You get a lot more shooting options with the ZV-1 II over the previous camera though. You get a CInematic Vlog settings that you might like, if your main medium is YouTube. The settings offer you a very cinematic CinemaScope 2.35:1 video aspect ratio and 24fps for your videos for that cinema look. You do not get to shoot in Sony’s famous colour gamut Logs, but the camera still can cleverly offer you five looks and four different moods to your video that also enables you to create content more quickly than ever.

Even for photography, you get to work with up to 10 preset looks allowing you to shoot in different creative styles without post processing. That means your contents get from the camera to social media channels much faster than before especially when you pair it to Sony’s Creator’s mobile app.

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Source: Sony

For a better and more seamless shoot experience, the ZV-1 II offers Face Priority AE and Soft Skin effects for natural and better-looking skin tones in whatever lighting conditions that you subject the camera to. Its Fast Hyubrid autofocus system will ensure that the camera locks and tracks its subjects accurately without too much focus hunting for better looking videos even without a shooting assistant. Its Eye AF can also now lock on to animals’ eyes in both video and photopgraphy mode for even more shooting flexibility than before. For the reviewers, the ZV-1 II offers a clever Product Shwocase mode that you can activate to ensure that the device priortises intended subjects instead of the face or human being in the frame and then transitioning smoothly from face to product and vice versa.

Its S&Q mode also now offers up to 5x slow motion video recording or 60x quick motion video recordings to add flavour to your videos. With a dedicated S&Q mode, you can have complete control over the ZV-1 II’s shooting parameters on a single screen too. With up to ISO12800 (from ISO125), the camera is capable of shooting clear stills and videos in low-light conditions. Even when you are moving while shooting, the ZV-1’s Active Mode stabilisation should keep things smooth and shake free. It even includes its own built-in ND filter for outdoor shoots.

Price and Availability

The Sony ZV-1 II will be coming to Malaysia in July 2023. Sony have also confirmed that the ZV-1 II will be available for MYR 3,999 onward. It is MYR 1,400 more than the current ZV-1. There is no other way to put it, it is expensive. Still, if you want the best vlogging camera money can buy, this is probably it. Like the ZV-1, you can have it in Black or White. More on the Sony ZV-1 II can be found on their website.

Sony Announces Another Vlogging Camera ZV-E1 with Interchangeable Lens

Sony’s ZV series of cameras are known to be small, handy devices that you can whip out anywhere and bring anywhere with no fuss to take photos or videos for your social media and vlogging use. They are appealing because they are the size of a compact point-and-shoot but full feature packed for even professional use. What they are not though are full-frame shooters for the discerning photographer, until Sony introduced the ZV-E1 today that is.

The Baby α7S III

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In its core is a full-frame sensor, not a 1-inch sensor you find in the ZV-1 and ZV-1F, not an APS-C cropped sensor you get from the α6600, a full fat full-frame sensor you get like the one from the α7 series of cameras. It even packs the same image sensor as Sony’s most modern cameras, the BIONZ XR processor. Both combines to shoot brilliant 12.1-Megapixel photographs and 4K videos at up to 120fps. There is a small caveat for the 120p 4K video recording function though, it is only available in certain regions and you have to manually update your camera’s software to get the function.

The 4K video recording is meant to be brilliant with this camera though. If you know your way around the camera, you can get your ZV-E1 to record 4K videos at S-Cinetone for that extra cinematic quality for your videos or vlogs. Of course, you still get the usual S-Log2 and S-Log3 colour gamut options. You also get 10-bit 4:2:2 colours for your videos, that means you get some of the best-looking videos out there. All of this is recorded without the need for the camera to do pixel binning, which means you get the best unfiltered quality there is for your films. It is not like you need to buy an extra gimbal for yourself too, it comes with a 5-axis in-body image stabilising mechanism alongside dynamic active mode for even more stabilisation when you roll the camera while moving vigorously.

The decision to go with a 12.1-Megapixel sensor could be in part because it is meant to do more videos than photos. It is technically the same sensor as the α7S III, which also means you can expect nearly the same video performance from this ZV-E1. It also means you get a rather admirable low-light video performance for your money. You can push the camera to ISO409600 to make your low-light videos look like it is shot with extra lighting boost. Of course, you want to deal with the noise artifacts in extreme conditions.

Shoot Cinema Quality Videos Out-of-the-Box

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If you are not into setting your camera up manually, this one has something that the α7S III does not have. It has something called the Cinematic Vlog Settings. It automatically sets your camera up to shoot videos at 4K resolution and to the Look or Mood that you want from the selection the camera offers you. You get different sort of ‘Looks’ that emphasise neutral tones, soft colours, and highlights. You have a ‘Moods’ that offers a specific colour saturation and focus. You can even tune the Autofocus speeds in this mode, something only doable manually on the α7S III. All of the footages in this mode is shot at a traditional 24fps and at 2.35:1 Cinemascope aspect ratio for an added cinematic feel. All of these can be done and you do not need to even fire up your video editor, do any colour corrections, or add any colour gamut modes to your videos. Of course, if you want to get a true cinematic look and feel, you want to get down to S-Cinetone and do all the hardwork of colour correcting your footage by hand.

There are also some added AI (artificial intelligence) functions to the camera. With the fast Hybrid AF mechanism, the camera cleverly tracks your subjects and keeps them in focus while you work out everything else around the subject. You have Dynamic active Mode stabilisation that works together with the built-in optical stabiliser to achieve an even more stable footage than before. Then there is also something they call the Auto Framing function for videos. The AI-based function automatically recognises a subject in the frame while recording a video and automatically crops the frame to fit the subject focus and in optimum frame position no matter where the subject moves. You can also do that via the camera’s touch screen or the Creator’s App on any Android or iOS smartphone.

The One-Man Operator

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For a one-man operation, this camera is a blessing. There is something called Framing Stabiliser in the camera. It automatically keeps a subject in a constant frame position even when you shoot without a gimbal. You can follow a subject, or even shoot around a subject and your frame stays the same and consistent, which is always a good thing. There is also a Product Showcase setting for when the user wants to showcase or review a product, allowing the camera to quickly switch its focus between the presenter and product as the product comes closer to the lens.

You even get to shoot time-lapse videos out of the box with the ZV-E1. You can set the camera to take photos in 1 second to 60 seconds interval. You do not even need to connect your camera to anything for this, just make sure you have enough battery power to get it through the shoot.

Unlike the α7 series too, there is a zoom lever on the ZV-E1. It not only controls the zoom on compatible lenses, but it also allows you to digitally zoom with your prime lenses. That means you can work with a single lens and still get a variety of shots with the camera. You may not even need to purchase a shotgun mic for your videos with three built-in high-performance microphones. The multiple mic set-up can be set to record videos from all sorts of directions and some can even be used as a noise cancelling mic.

All of these functions and features are packed within a body that only weighs less than half a Kg. Of course, this being an E-mount interchangeable lens camera, the lens you fit on the camera will affect its final weight. But it is still a rather light and compact camera to work with, more so than the α7c. It is in fact Sony’s lightest and most compact full-frame camera to date.

Price and Availability

Sony has not announced the final pricing of the Sony ZV-E1. The compact full-frame shooter will be available in Malaysia from June 2023 onward. For more information on Sony’s latest compact full-frame camera, you can visit their website.

The Sony ZV-1F In-Depth Review – Just Like the ZV-1, But Not Really 

We are fans of Sony’s products. There is hardly a product in their stables we do not like or would not recommend. This one, we find a little difficult to recommend. It is not that we do not like it; we do. We think that it is a product targeted toward a rather niche group of people.  

Welcome to the Sony ZV-1F, a compact camera from Sony that comes with a fixed lens. It is based on Sony’s rather brilliant and highly popular ZV-1. The most interesting thing about the ZV-1F, we think, is that it features a 20mm fixed lens. 

It will set you back MYR 2,599, about MYR 800 less than the ZV-1, making it more accessible. It is still a premium product though. While the ZV-1F lacks a few features, it is lighter than the camera it is based on too, which is always welcome even for compact cameras. 

Other than having a fixed lens with large aperture, it seems like there is little else that is special about this ZV-1F. In that case, why bother with the Sony ZV-1F? Should you pay attention to it? We dive in to find out. 

Design 

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The ZV-1F looks strikingly similar to Sony’s ZV-1, which should not come as a surprise at all. The only difference is that the Sony ZV-1F packs a fixed lens that does not tuck in or unpack when you turn it on. 

It is a compact camera, there is not much to say in terms of design here. It is a rectangular aluminum box with a bump in front for a grip mound, and a short tube that houses the lens. For the money you pay, you get a tiny light package. While it is a little on the lighter end, it still feels like a quality product. 

We appreciate the swiveling display. It is useful if you plan to use the camera for vlogs, replace your webcam, and even take self-portraits. Since it is based on the ZV-1, it takes on all the accessories that the ZV-1 works with as well, that includes the remote grip. While the test unit you see here is black in colour, there is also a white colour option if you want.  

Hardware 

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Internally, you get mostly the same components from the Sony ZV-1. You get the same image processor, the same 1-inch sensor, and even the same battery and memory card slot configuration. You can charge the camera with USB Type-C cable too. There is more to the USB Type-C port to just charging too.  

Specifications 

Sony ZV-1FAs tested
Sensor1.0-type Exmor RS CMOS 3:2 aspect ratio
Approx. 20.1-Megapixel
LensFixed
ZEISS Tessar T* Lens
20mm F2.0
Display3-inch TFT LCD
Swivelling (176-degree opening, 270-degree rotation)
Touch Panel
4:3 aspect ratio
921,600 dots
ViewfinderN/A
Image ProcessorBIONZ X
CameraElectronic Shutter (1/4″ – 1/32000)
Contrast-detection AutoFocus
ISO125-ISO6400 (up to ISO12800)
up to 16fps continuous shooting
Video RecordingXAVC S 4K: 30p 100M/60M, 24p 100M/60M
XAVC S HD (Full HD): 60p 50M/25M, 30p 50M/16M, 24p 50M, 120p 100M/60M
MiscellaneousUSB Type-C charging/data transfer
Battery Pack NP-BX1
Bluetooth 4.1
WiFi 802.11b/g/n 2.4GHz Band

Features 

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Everything on the ZV-1F is simplified to ensure that you get access to its most important features. There is still a zoom toggle on the camera. It is not optical zoom though, just digital zoom. 

4K 30p Video Recording 

The Sony ZV-1F is made for vloggers. The sensor captures videos at up to 4K 30p, just not at 10-bit 4:2:2 colours, though that is nothing to complain about. Having 4K capability also means that you are getting more details in your videos for great looking vlogs.  

One Less Frame to Think About with Fixed Lens 

While most consensus would say that having a fixed lens on a compact camera is a bad thing, we think there are some benefits. Having a fixed 20mm lens means you know how your frame looks every time you turn on your camera. In that case, you just know where to stand to get the right image through.  

At its native zoom length, your frame is perfect for selfies at an arm’s length. If you find that the frame is too tight, you can invest in a cheap selfie stick, or get the remote grip attachment from Sony. Your vlogs are even more instantaneous than ever before since there is no zoom to mess with.  

The Might of Sony’s Accessories 

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Sony has various mic attachments that work with the proprietary hot shoe mount on top of the camera. The hot shoe mount is a blessing in modern compact cameras. It allows you to play with all sorts of attachments that may not even be from Sony.  

Of course, if you do not want your set-up to be a cable mess, you go with Sony’s various clever accessories. We mentioned that you can work with Sony’s remote grip that is connected via Bluetooth. You can have a shotgun mic too for better directionality. You can even work with Sony’s XLR expansions too if you want.  

The Webcam Replacement You Want 

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The ZV-1F’s USB Type-C port is your charger and data outlet. Here is where the ZV-1F becomes one of the best tools for content creators too. You can turn the Sony ZV-1F into a 4K webcam without a capture card.  

It is also rather simple to work with. You only need to connect the ZV-1F to your PC via USB cable. On the camera itself you select streaming mode. You do not even need to have Sony’s proprietary software for this to work. You can even turn the camera into your designated microphone for clearer audio. 

Obviously, using the ZV-1F as a streaming camera or webcam offers better image quality over regular webcams. It is also significantly more expensive than regular webcams. It is an investment to get better quality images and streams. 

Sony Imaging Edge 

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Using the Sony Imaging Edge suite on PC allows you to control your camera remotely and transfer photos and videos off your camera without ever pulling the SD card from your camera. If all you want from the ZV-1F is a webcam replacement, you can go ahead and skip the software for your PC. For your smartphone though, Sony’s Imaging Edge can be quite useful.  

On the smartphone, you can use the app to control your camera and use it as a remote display, a rather nifty and useful feature when you just want to place your camera on a tripod and record away from the camera. Using the Imaging Edge app as well, you can take photos using the camera directly saved to your smartphone device. Same goes for 4K videos.  

Made for Social Media 

Within the camera itself, you can technically shoot videos that are optimized for social media. Well, there is shooting vertically, which is nothing special technically. There is something else you can do on the camera.  

Before you transfer your video clips into your smartphone, you can choose and cut out 15-, 30-, and 60-seconds clips within the camera itself. You not only save storage space on your SD card, but you also cut out all editing nuances from your smartphone itself. It allows you to easily pick out clips and put them together before posting them on TikTok, Instagram, or even Facebook.  

Performance 

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You get a 1-inch sensor that shoots at 20.1 Megapixels. You can also record videos in 4K resolution. The lens shoots at 20mm wide angle. The image quality from the ZV-1F is very similar to what you get from Sony’s ZV-1. This should not come as a surprise though; they share the same imaging sensor and even the same image processor. The only difference between the two is the lens on the ZV-1F. 

Imaging

Without the zoom lens, you lose the flexibility of adjusting your frame from where you stand. In that sense, some might struggle with it when you need a larger or smaller frame for their photos. For self-portraits, the frame is tight enough to properly frame your face within that arm-length. if you do want to capture a self-portrait with a larger group, you might want to space your friends out a bit behind you.  

Still, once familiar with your frame, you can get the ZV-1F to work very nicely for you. The images you get from the compact camera are detailed enough that it will look good on any social media platform. If you dig deeper and zoom in on the photos, you can see that the photos are much sharper in the central region, where Autofocus works. At the edges, the focus seems to be a little softer. With portraits, you get a natural looking depth-of-field (bokeh) effect, which is always nice. 

In terms of colours, in auto mode, photos produce rich colours. There is a very slight orange tinge to the photos though. It adds to the vividness of the images and colours, but it does take away some neutrality to the photos. While it means that your photos are ready for social media almost immediately taken by the camera, you might have a slightly harder time if you are looking to colour grade your photos. You can still take RAW photos though. 

Small Camera, Big Videos 

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One of the biggest attractions to this camera is its 4K video capabilities, though only at up to 30p. You can also get those crisp slow-motion videos in Full HD at 120p. That also means that you get an extra layer of flexibility in terms of your creative shots for your vlogs.  

While you are not getting 4:2:2 10-bit colours from the ZV-1F, you are not missing out on too much especially if you share your contents on social media. Most of the time, shooting vlogs is a run and gun thing. In that sense, the colours look good and accurate enough without colour grading. 

At the same time, recording 4K videos with the ZV-1F gives you a clean crisp image with plenty of details. You even get a nice depth-of-field effect that you get from more expensive lens. It is a fast lens though at f/2.0 allowing that cinematic bokeh in your background and putting the focus on the subject. 

AF, but no Eye-AF 

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We find this a little disappointing. Not because the AutoFocus function is not great. It is a fast autofocus system they have here that easily keeps up with you in a shoot. It lacks the eye-AF system that is so useful on the ZV-1. 

Without eye-AF, you only get a regular autofocus system that can reasonably keep up with you. In most vlogging situations, the AF system is clever enough to detect your face and follow it. It is fast enough though for you to work with once it gets a lock-on. 

It is not perfect. We had some trouble getting it to focus on our test subject, a toy car. Since the focal distance is at a minimum of 7.6mm, we thought we could get the toy car to be in focus even when we close the distance between the camera and the subject. We had to pull away from the subject most of the time to get the subject in proper focus. We also had to tap on the screen to get it to focus on our subject when it is off center. 

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The Sony ZV-1F – A Small Compromise for Big Gains 

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At MYR 2,599, the ZV-1F compact camera is not exactly a budget option. While it is more accessible than the ZV-1, it is still a lot of money for what some might describe as nothing more than a glorified 4K webcam. It does not pack Eye-AF, it does not have a zoom lens, and the lack of weight might not inspire plenty of confidence. 

The thing is, there is still plenty to like about the ZV-1F. The ZV-1F is ridiculously light. It is not much more compact than the camera it is derived from, it is about the same size and therefore just as compact. 

Because it is lighter than the camera it is based on, it feels quicker to work with. You do not need to spend on heavy duty tripods too. Since there are no zoom lenses to unpack, you are quicker to get to your photos or videos. It is an excellent webcam and mic combo replacement too.  

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At the same time, you are getting everything that is also great about the ZV-1. The ZV-1F can record videos at 40K 30p. It takes photos at the same 20.1 Megapixel as the ZV-1. If you think the ZV-1 takes great photos, you will be pleased with this one too.  

In the right hands, the ZV-1F is a powerful entry-level and compact content creation tool. As a webcam replacement, the ZV-1F offers a much higher quality feed over regular webcams, even if you stick with 720p streaming over USB. It is also your mic replacement, on a budget. At the same time, taking the camera out for a vlog or taking a quick photo is easy. Since it connects to your smartphone wirelessly too, you can make quick work of any photos or videos you take on the ZV-1F before posting it on social media. You even cut an entire editing process out of your workflow with the built-in modes made specially for social media format contents. It is content creation made super easy.  

DJI MIC is the Next Best Thing for Video Audio Solutions

They say that a good audio adds a whole lot of value to your videos. They also say that even if your video looks bad, your audio can more than make up for it. It does sound counterintuitive, but it can be quite true.  

While it is true that the first thing that should stand out in a video is the visuals itself, bad audio can destroy a perfectly good video experience. Audio is one of the most underrated tools in a video production that people sometimes do not pay too much attention to it, especially when it is good. When it is bad though, you just cannot bear to watch the video for too long because the audio just annoys you. 

Audio gear is not exactly cheap or straightforward to work with though. Cheap solutions are out there, but they usually come with a whole slew of compromises that makes you think twice about using them sometimes, especially cables. Cabled set-ups, while are some of the most reliable and easily the best sounding while remaining relatively cheap to work with, is rather restrictive. That is also why plenty of productions have preferred to work with wireless microphone systems.  

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Source: DJI

There are plenty of good choices out there too in this department. One of the most popular choices out there is made by RODE. Plenty have also sort of followed suite in the same form factor. All of them are similar kits too with one receiver and two mic transmitter combos. Each item must be charged individually and kept separately though. There are a few risks to that, obviously.  

What if you can just put them in a single place, and charge them simultaneously? What if you can just work with them like most true wireless earbuds now? They are sort of the same thing are they not? 

Oddly enough, the first manufacturer that does this is not RODE or Shure. It is DJI with their new DJI MIC. DJI should not be an unfamiliar name to content creators at this point. They make some of the most interesting video recording hardware to date. A lot of them are also targeted to independent and small-time content creators. Most of them are video recording gears though, not really audio recording dedicated items until the DJI MIC.  

It is a unique product, this DJI MIC. It will set you back US$ 329 (MYR 1,386*), which is just a little bit more expensive than the RODE Wireless Go II. It is a little smaller than the RODE alternatives. In concept, they work similarly. But there is one fundamental difference between the two. The DJI can be charged on a single platform and that single platform also works as their battery extenders, very much like true wireless headphones today. 

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Source: DJI

Obviously, coming from DJI, it also comes with a slew of adapters for maximum recording flexibility. There is a USB Type-C adapter and a Lightning adapter that comes with the set if you prefer to shoot with your smartphones. Because it is made primarily with DSLRs to mind, of course it comes with a hot shoe mount adapter and a matching 3.5mm audio cable.  

According to DJI, the audio is transmitted via 2.4GHz frequency band that allows audio to be transmitted to the receiver from up to 250m away, which also means long lens shooting is not out of the question. DJI’s clever technologies have also ensured that the signals are free of interference for when your shoot locations get busy. 

DJI also says that the entire package allows you to record videos at up to 15 hours in total (5 + 10 from charging case). That means that an entire day worth of shoot will be a non-issue with the DJI MIC. You are not going to be shooting five hours at a time as well, so you are not going to need to worry about the MIC running out of battery. If you need to, you can also record audio directly on to the receiver itself at up to 14 hours, either for backup, or when you are recording a podcast outside.  

The DJI MIC is available now in select regions. As mentioned, it will set you back US$ 329. It is not officially available in Malaysia just yet. You can pre-order it in Malaysia for MYR 1,599. For more information on the DJI MIC, you can visit their website.  

*Approximately based on exchange rate of US$ 1 = MYR 4.21 on xe.com as of 05/04/2022 

DJI Launches the DJI OM5 – Mobile Film Making Just Got A whole Lot Better for MYR 689

When DJI launched the OM4, we thought that it was the best DJI could make a gimbal for smartphones. At the same time, they made a smartphone gimbal that was more affordable than ever, in terms of a fully featured gimbal for smartphones for that matter. Those were the few criteria that influenced our purchase of our very own DJI OM4 gimbals. Then the DJI OM5 launched.

The DJI OM5 and the DJI OM4 shares a lot of similarities, to begin with. They are both foldable, and ultra-portable, the DJI Om5’s design allowing it to be a lot more so. Both have a large battery that you can charge via USB Type-C. Both also feature the same magnetic modular design that allows a larger convenience and versatility with any number of smartphones. In some sense, the OM5 is really the OM4 in a different body.

Except there are some differences that make the OM5 a better smartphone gimbal for content creators and even floggers. For one the DJI OM5, while being more compact than ever, packs an extension rod that extends up to 215mm to create new angles and opens new shooting options, especially when your main contents are vlogs.

The DJI OM5 also comes with a slew of improvements on the software end to make film making on smartphones easier and better. With new ShotGuides, DJI automatically understands your environment and cleverly recommends templates and even guides for getting the best out of your smartphone and gimbal set up. The end goal is to achieve a video that looks professionally filmed on your smartphone. There is also ActiveTrack 4.0 that is supposed to be a lot more responsive and cleverer than before to ensure that your tracked subject is never out of frame even when the subject turns around.

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Source: DJI

The more compact design and clever folding mechanism makes the DJI OM5 even more portable than before. At just about 300g, it is even lighter than the OM4 that it replaces. If you already have a DJI OM4, the magnetic attachments are also compatible with the OM5. It still features all the software capabilities that made the DJI OM4 such a friendly tool for content creators. You still get Gesture Controls to remotely activate your DJI OM5 and smartphone to either take group photos or a group footage even. You still get TimeLapse, MotionLapse, HyperLapse, and even Panoramas function on the OM5 as well. For more creative flexibility and inspiration, Story Mode templates are there for you.

On top of all of that, the DJI OM5 also comes with a fresh new magnetic accessory that would really help in a lot of content creation situations, especially in low-light condition. The new Fill Light Phone Clamp is a friendly clamp for your smartphone just like the regular magnetic phone clamp you are familiar with if you come from the DJI OM4. Except, the new clamp comes with LED fill lights on the clamps itself. The built-in battery powered LEDs ads a fill light of sorts in three colour temperature options. It is also perfect for vloggers that needs the perfect sort of lighting anywhere.

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The DJI OM5 is now available in Malaysia for MYR 689. You can get your hands on one from DJI’s online retail partners, Shopee and Lazada, or DJI official stores across Malaysia. It is available in two colour options: Athens Grey and Sunset White. Currently though, only the Athens Grey variant is available. The Sunset White variant is expected to be available 15th September 2021 onward and will ship out 20th September 2021 onward.