Sony has announced the arrival of the ZV-E10 II, the second generation of its popular ZV-E10 APS-C camera designed specifically for content creators. Building upon the success of the original model, the ZV-E10 II offers a range of improvements and new features that cater to the needs of vloggers, YouTubers, and aspiring content creators on the go.
The ZV-E10 II boasts an upgraded 26-megapixel Exmor R CMOS sensor and the latest BIONZ XR image processing engine, promising superior image quality compared to its predecessor. This translates to sharper photos and clearer videos, even in low-light conditions. Autofocus capabilities have also seen a significant improvement, with features like Real-time Eye AF for humans, animals, and birds, ensuring your subject remains in focus throughout the shot.
For aspiring filmmakers, the ZV-E10 II introduces the exciting Cinematic Vlog Setting. With a single touch, this feature optimizes video settings for a professional cinematic look, including aspect ratio, frame rate, and AF transition speed. Creators can further enhance their footage with a variety of Creative Look presets and Mood options, allowing them to express their unique style.
The ZV-E10 II continues to prioritize user-friendliness and ease of use for creators of all levels. The camera features a new vertical User Interface (UI) that automatically adjusts to the shooting orientation, making it perfect for creating content specifically for social media platforms. Additionally, the high-resolution vari-angle LCD monitor provides flexibility for framing shots from various angles.
Another practical feature for content creators is the improved battery life. The ZV-E10 II utilizes the upgraded Sony Z battery (NP-FZ100), offering extended recording times of up to 195 minutes on a single charge, allowing creators to capture uninterrupted footage for longer sessions.
The ZV-E10 II prioritizes seamless connectivity for efficient post-production workflows. The camera features a USB 3.2 Type-C port that enables high-speed wired transfers to a compatible smartphone or PC. Creators can utilize the Sony Creators’ App for easy file transfer and sharing content directly on social media platforms.
The ZV-E10 II also caters to creators who livestream their content. With support for 5 GHz Wi-Fi connectivity, users can stream high-quality live content directly to their preferred platforms.
The ZV-E10 II is often paired with the new E PZ 16-50mm F3.5-5.6 OSS II lens, making it a versatile kit perfect for various content creation needs. This compact and lightweight lens boasts a versatile 24-75mm (35mm full-frame equivalent) focal length, ideal for capturing a wide range of scenes, from close-up details to wider establishing shots.
The E PZ 16-50mm F3.5-5.6 OSS II features a smooth power zoom mechanism that is well-suited for video recording, along with built-in optical image stabilization that works in conjunction with the camera’s in-body image stabilization for sharper, steadier footage.
Pricing and Availability
Sony has yet to announce the official pricing and pre-order details for the ZV-E10 II and the E PZ 16-50mm F3.5-5.6 OSS II Lens Kit in Malaysia. However, the camera and lens kit will be available in black starting from August 2024.
Stay tuned for further updates on pricing and pre-order information.
What can you buy with MYR 4,000? You can get yourself a very nice steak dinner for at least four people in a very expensive restaurant. You can buy an entry-level gaming laptop with older generation hardware. You can even buy a decent laptop that you can use for work and play for that money. Even if you buy a 4K TV, you might still have some spare cash to afford yourself a decent soundbar. Or you can buy a Sony ZV-1 II, Sony’s latest compact camera, and have MYR 1 to spare for your parking.
So Familiar
If you have had your hands on a Sony ZV-1, the original one, you would be surprised (or maybe not) at how similar this ‘second-generation- ZV-1 is to the first one. It is sort of the same body that both use with no changes in the layout or material. That also means that if you come from the ZV-1, you will be quickly familiar with the ZV-1 II.
We like plenty of things on the ZV-1. We like the swiveling hinged monitor that we can just swing out to quickly turn the camera on. We like that folding in the display also turns the camera off. We like that it is compact yet shoots decent 4K footage, and we like that it features a standard zoom 24-70mm lens. Most of these features stayed on for the ZV-1 Mk. II.
The ZV-1 II still has a brilliant swiveling display that will be the only source of monitoring you get on the camera itself. There is no viewfinder to look at here, which is pretty much expected in this form factor. Then there is the 4K 24p capabilities that continued from the older ZV-1. The lens offers the same zoom mechanism and look, except that it is an 18-50mm lens now instead of a 24-70mm with a maximum aperture of F4.0.
They have added a few things too. They added ‘background blurring’ effect toggle for your portraits. They also added more creative looks for the ZV-1 II. The highlight addition though, at least we think, is the Cinematic Vlog mode that completely changes how you shoot your videos.
The sensor you get on the ZV-1 II is pretty much the same one you can find from the first-generation ZV-1. You get a 1-inch 21-Megapxiel Exmor RS sensor that is also capable of taking videos at 4K 24p resolutions. You can technically also record Full HD videos at up to 60p with the camera. That also means there is no slow-motion video recording for the ZV-1 II. To be fair, that is not what the ZV-1 is for anyway.
If you come from the older ZV-1, there should be no surprises about the photo and video quality here. The 21-Megapixel photos are clear and well detailed, even at the edges. While the sensor is not very big, you technically can get great looking portraits with some deep ‘bokeh’ effect by turning on the camera’s ‘background blur’ mode. Even if you do not use the ‘background blur’ mode though, portrait still looks mighty good with limited depth. Still, for landscape photos, the image is mostly clear and sharp when you go closer to the edges of the image. If you are shooting at 18mm, you can expect some distortion at the edges of your image since you are technically getting an ultra-wide angle.
The ZV-1 II can also shoot photos at up to 24fps, meaning you can technically use this to shoot action photos. You can take it down to your local track on a track day and take great looking photos with this camera thanks to the fast and rather accurate autofocus. We did not get to do that though unfortunately. You technically can take photos when your friends are playing football or any other sports technically thanks to the clever eye-AF. Again, we did not get to do that in our test period.
For 4K video recording, the camera uses the entire 1-inch sensor to shoot, which also means that you are not getting any odd crops on your frame when you switch between photo and video mode. In video mode though, the camera defaults to 16:9 aspect ratio, which means that you lose a little bit of image from the top and bottom of the photo frame. The Cinematic Vlog mode cuts the image even more to make the traditional film 2.35:1 aspect ratio for that cinematic look. We also noticed that the image stabilization is a little more aggressive in cinematic vlog mode allowing for a much more stable looking contents without going through vigorous stabilization algorithms from your editors.
You can technically shoot in Sony’s colour gamut Log with the ZV-1 II. You can go up to S-Log3 in both 4K and Full HD modes. There is no S-Cinetone log here though, which is a shame since we thought it would be nice to pair with the cinematic vlog function. Of course, since the ZV-1 II is made for quick and fuss free vlog production and social media contents, it would not make sense for its intended user to use any of the colour gamut logs. Still, having the option to use the logs in all kinds of shoot mode would be nice for more advanced users.
You can even use the ZV-1 as your webcam if your PC does not already have one. Unfortunately, the camera only allows for up to 720p when you stream the camera directly to the PC via USB Type-C. Still, the 720p image still looks better than most 720p and even Full HD 1080p webcam you can find in the market today. If you are looking for a plug-and-play webcam that looks good, this one could be for you.
Oddly Poor Battery Life
There is a compromise with all the weight saving and focus on making the ZV-1 II the most compact camera of its type yet capable of even more than its predecessor. The compromise comes in the form of a small battery capacity. To be fair, the small battery also contributes to the lightweight construction of the camera.
It is a rather small 1,240mAh NP-BX1 removeable battery that the ZV-1 II packs: the same one as the first-generation ZV-1. It is rated for up to 290 stills and up to 75 minutes of continuous video recording. We took it out to do both stills and videos in the same venue for our test. In our test, we barely got the camera through an hour and a half (1 hour 30 minutes) before the ZV-1 II started warning us of low battery. Since it is replaceable, you technically can buy more to prolong your photo shoot or video shoot with the ZV-1 II. Each battery pack will set you back MYR 202 though. Thankfully you can charge the battery and camera via the camera’s USB Type-C port, meaning you can just plug it to your powerbank, and you are ready to shoot even more photos and videos.
Should You Then? Maybe Not.
We like the ZV-1 II. It is a tiny camera that is rather well packaged and well-rounded enough for a quick photo walk around town. Even if you are not on a dedicated photo walk, it is a compact enough camera for you to carry around and pull out when you see a photo opportunity. It is made for the spontaneous content creator that does not need or want to carry a bunch of gear or a large DSLR around for convenience and subtlety. It also works as a decent webcam to replace your rather poor one on the laptop for an all-around better video conferencing or streaming experience.
We are finding it difficult to recommend this camera to anyone who wants a compact camera that does everything though. For starters, it will set you back MYR 3,999. For that kind of money, you can get your hands on an older ZV-1 and still have extra to buy a proper Sony mic that can be mounted on the camera. Secondly, the ZV-1 will still be on sale, and there is nothing wrong with that camera in the first place. Thirdly, if simplicity is what you are after, what is wrong with the ZV-1F? The ZV-1F has a fixed lens and does everything the ZV-1 does too. If you already have the ZV-1 or the ZV-1F, apart from a few added features and the different lens length, you are not getting much of an upgrade on the ZV-1 II too.
