RØDE’s NT1 is quite legendary in the podcasting community. It is Rode’s oldest product namesake and what kickstarted the brand 30 years ago. If you are into recording gear, the Rode NT1 can be likened to the Shure SM58 for podcasters. Unlike the Shure though, the Rode is a condenser.
The latest RØDE NT1 is in its fifth generation now and comes with a few upgrades that makes it a must have for studio works. While some might say that it is a podcasting or radio mic, it can be used for other things like vocal recording too. To some extremes, the condenser can be used to record musical instruments.
You want to use this mic for all sort of recording also because it is the first condenser in the world that offers 32-bit float digital output. That also means that the mic can pick up loud sounds without clipping. For the laymen, that means that you are not going to get any sort of distortion even if you go above the usual threshold that 24-bit recording allows. In production terms, that also means you can capture more nuances in your recordings.
Inside the condenser is RØDE’s precision engineered HF6 1-inch large-diaphragm gold-sputtered capsule to capture everything you can throw at it consistently. Because it is a condenser, it is rather sensitive too. In that case, the internal shock mounting should eliminate any unwanted noise or rattles in recording situations. At 4dBA, the RØDE NT1 is also the quietest studio condenser you can find in the world. That means you do not get too much hissing on the mic as you work with it. Alongside the 32-bit float digital output, the audio is recorded at 192KHz resolution, the highest digital resolution you can currently get for audio.
Within the Rode NT1, you can find the built-in DSP for APHEX audio processing. There is also a built-in compressor and noise gate to set certain a floor and ceiling for your recordings with the RØDE NT1. There is also a built-in two-step high-filter and Aural Exciter for even more fine tuning in your recordings.
For the first time ever for RØDE’s NT1 as well, it features both an XLR output alongside a USB output. They call it the Dual Connect output and both outputs exit from the bottom of the mic. This means that you could work with the regular mixer if you already spent on a digital interface. If it is your first NT1, you can save some money on the digital interface and plug it directly into your PC for your recordings. You can even get the NT1 to record at 32-bit float format when you plug it into your PC directly.
The 5th generation RØDE NT1 will be available in either black or silver colour options. It is available for pre-order in select regions. You can check with your local retailers if you want to get your hands on one. It will set you back US$ 249 (MYR 1,103*). As legendary condensers go, the asking price could be a reasonable one. More information on the RØDE NT1 5th generation can be found on their website.
*Approximately based on exchange rate of US$ 1 = MYR 4.43 as of 21/02/2023 on xe.com
We were planning to review this item on video. The problem was our studio had to close because of the Pandemic. It is now a written review instead.
There is a reason why we wanted to review the Razer Seiren Mini on video though. We technically can use it as our audio input for the video, completely using the audio recorded from the Razer Seiren Mini as our voice over for the video. Why? Because it made sense.
The Razer Seiren Mini is not necessarily a new product segment for Razer though. They had the Razer Seiren X before this, a big mic thing that Razer made for streamers. That USB mic received plenty of praises for being one really good mic especially for streamers.
It was a little big though. Then again, having a big mic is not really an issue when you have a streaming set up at home. Having a big mic is never really touted as an issue at all for streamers.
So, what is the Razer Seiren Mini? Why would anyone buy this little mic if they could just get the adult sized Razer Seiren? Is it even something you should consider?
Design
It comes in three colour shades; it comes in plain black, solid white, and even pink. There are no green mics though; quite odd considering this is Razer we are talking about. But at least the black is universal enough that it does not look like it is out of place on the video. If you want a little bit of a flavour, the pink should fit your style nicely. Keep in mind that it does not taste like cotton candy though, it tastes metallic.
Literal taste aside though, the whole package of the Razer Seiren Mini is rather unassuming. The capsule looking body with mic does not look like it is made to impress anyone. The whole package comes with its own mini legs too, which is nice, because that means you do not need to get a separate mic stand for it. It is easy to set up too because the mic uses a proper, regular mic stand ¾-inch thread. There are two standard mic holder thread though, so do check properly.
In some ways, it looks cute because it is just so tiny, and light. It looks and feels durable too, and that is the best part because we think that users might use this mic as a portable mic set-up as well. At least, that is also what Razer is selling this product as, a “portable mini microphone”. The only missing thing from the whole package, in that case, is a carrying case for the mic.
Hardware
Inside this tiny capsule is a 14mm super cardioid condenser. Which also means it is not a passive type of dynamic mic that words by just plugging it into an amp or mixer; you need power. At the same time, you cannot plug this into any XLR, or ¼” jack though. It is a USB Type-C mic that also draws its power from the PC it is connected to.
Specifications
Sample Rate
44.1 KHz – 48 KHz
Microphone
14mm Super Cardioid Condenser Built-in Shock Mounting
Frequency Response
20 Hz – 20 KHz
Power
5V 500mA Via Micro USB
Sensitivity
17.8 mV/Pa (1 KHz)
Max SPL
110 dB
Features
While the mic does not look like much, there is quite a lot of things packed into the small capsule mic though. It is a USB Type-C mic, which also means it is a simple plug and play now. The USB port is designed to sort of hide the cable connection and make the whole capsule look whole. There is some clever surprise inside the capsule body as well.
Flush USB Plug and Play
Micro USB is not necessarily new in electronics. The difference between this one mic with other mics of its type is how they hide the cable. Well, they did not really hide the cable, just the fact that they made it seem like the cable is a part of the mic capsule itself. Of course, they colour match the cables too.
Razer does not just give you a regular looking USB cable for you to connect to your Razer Serine mini and calls it a day. They made an effort to properly design a USB cable head that matches and sits flush with the body of your Razer Seiren Mini.
While it is a plug and play mic solution, it is not Razer Synapse compatible unfortunately. That can be a good thing too though; it just works. To control the volume, you just go to Windows audio settings and sort it out. All you have to do is figure out the best place to put your mic and you can get streaming, podcasting, and even use it in your video conference.
Super Cardioid Condenser
What you get inside the capsule mic, as mentioned before, is a 14mm super cardioid condenser. A condenser cannot work without a power source, unlike dynamic mics. There are advantages to dynamic mics compared to condensers. For example, on a dynamic mic, you get cleaner audio and it is simple to work with. Dynamic mics are known to be durable as well, just find a studio and ask them for their oldest Shure SM58 mic, ask them how old it is, and you will understand why.
Condensers have their own advantages as well though. Condensers tend to be a lot more sensitive than dynamic mics. Heightened sensitivity allows you to place the mic further away from you or have more control over sensitivity depending on where you place the mic. But that also means that you have more freedom to place your mic in different locations and positions to pick up different sounds like ambient noise and such. On top of that, condensers can be a lot more compact than dynamic mics.
Super cardioid refers to its pickup pattern which centers mostly at its front and a little bit at the back. It is a tighter pattern compared to a general cardioid mic though which also means that it will be a lot less sensitive to noise and sounds from the sides of the mic. Which also means you really want to point the front of the mic toward the source of the sound you want being picked up, you. At least that is straight forward enough to do; the front of the mic is where the power indication LED and RAZER branding is.
Built-in Shock Mount
Because condensers are also more sensitive, every little bump and shake can be picked up by the mic. That is why shock mounting is important when you get a condenser. That was our concern as well when we picked up this little Seiren Mini. Fortunately, Razer thought of that and figured out a way to fit a shock mount into the capsule, and it works. You still hear knocks on the mic, obviously, but when you place it on the table, knocks and bumps on the table is hardly heard through the mic, unless it is a hard knock. If you are using a boom arm and accidentally brushed or knocked your hands against the boom arm, the shock is also hardly heard through the mic. You only head knocks and bumps very clearly if you are bumping or knocking against the mic directly.
Tilting Stand
We will not call this the best quality tilting stand that you can find in the market. We are going to say that this is a good mic stand for your Razer Seiren Mini though. The best part about it is that you can use it with other mics or mic holders with standard mic stand threads. That also means that you can technically use different mic with a standard mic holder, and it works too. Although, you do want to make sure that you either balance the weight properly or that the mic is not too heavy to work with; dynamic mics like the Shure SM58 should be fine.
It is made with plastic mostly, even the base is covered with plastic material. Excluding the mic, there are two parts to the stand that comes standard with your Razer Seiren Mini. You get a base with a tilting thread, and a plastic stem that adapts the base to the mic because the thread on the base is a smaller standard thread. The base also comes with an anti-slip foam at the bottom to grip ensure that it does not get to move too much on your desk. The foam bottom also helps eliminate micro vibrations from your desk, which is a bonus in getting cleaner sound from you.
Performance
When you talk about the performance of a mic though, its sound quality and reproduction is everything. The thing is, specific mics serves different purposes in its design though. Mics like the Seiren Mini is really built for streamers and podcasting. That also means that it should deliver that ‘radio voice’ quality over voice chats and when you are recording a podcast, or in video calls.
Audio Quality and Reproduction
First of all, before you start thinking about downloading software solutions from Razer to control the mic, forget it. Even Razer’s synapse does not recognise the device. That also means that Razer’s own apps will not control the mic’s pickup. There are no physical buttons to the mic either, which also means you have to go into Windows 10’s or MacOS’s sound settings and control the mic sensitivity there.
No complains on that though, because it is simple enough to get to Windows audio settings and set the mic to default to the Razer Seiren Mini, set the volumes correctly in different use cases and just leave it from there. In most cases, we leave our mics to 100% sensitivity in Windows settings, especially when we tuck the mic further away from us (about 0.5m away from the mouth).
When we do our podcast though, we stuck the mic closer to our mouths and lowered the sensitivity on Window itself because the mic is now that much closer to our mouths to the point that we are almost kissing the mic. Here we find a problem with the Razer Seiren Mini. It does not have a pop-filter and Razer does not sell a Seiren Mini specific pop-filter too. That results in pops when we say things like “pick”, or “ping”, or “pack”. It is easily corrected by buying a generic pop-filter though. You only have to worry about mounting the stuff.
The audio you get from the mic is quite remarkable though. You get the same sort of sound signature with the bigger Seiren X from this little capsule. That also means a crisp voice with very clear mid-frequencies and low frequencies for great and clear voice. That also means your teammates or audience can hear you very clearly. Just be sure that nothing else is making noise behind you though, since it is a condenser.
Of course, you need to be the judge of the sound quality that the Razer Seiren Mini reproduces for you too. So, we have included a few voice clips for you to listen to. We used Adobe Audition to record all sample sound tracks.
The Razer Seiren Mini – Portable Goodness in Value for Money Package
You can get your hands on the Razer Seiren Mini at MYR 249 from Razer’s official store on Shopee, or their own online store. If you really look through Shopee, you can get a Seiren Mini for even lower prices. There are three colours to choose from as well with the Razer Seiren Mini – Quartz, Mercury, and Black. We do suggest the Black for a more professional and cleaner look.
Still, if you do want to spice up your set up a little bit, the white coloured mercury colour scheme looks great too. While we are not fans of the pink Quarts colour scheme, we do think that there are plenty who would like that colour option too. Whatever it is, the colour options do give a little more freedom for expression, we think.
While we would like to see USB Type-C replacing Micro USB on the Razer Seiren Mini, there is nothing much wrong with Micro USB. A lot of older USB devices still work nicely. Plenty of audio interfaces in the market are still relying on USB Type-B ports too. With the provided cable anyway, the connection is secure and reliable.
At the same price with the Razer Seiren Mini, there are other solutions like HyperX’s Solocast USB microphone. The Solocast does come with a nice built-in stand that looks extremely sturdy. The mic is also taller and a little bigger than the Razer Seiren Mini. Because of that though, it is a little more cumbersome, less portable. When connected to your PC, the USB cable sticks out like a sore thumb too, which could be less appealing in terms of cable management. The HyperX Solocast does have a touch sensitive ‘mute’ button though, while the Razer Seiren Mini does not.
Thing is, recommending the Razer Seiren Mini is really easy for us. At its price, it is hard to find a compelling enough mic that boasts the same quality and features. It is also a relatively economical and simple way to increase the audio quality of your conference calls and even streams. Because it is so small, you can easily throw it in your bag and set up anywhere and anytime.