Tag Archives: Ronin

The DJI Ronin 4D Launches and is a Filmmaker’s Wet Dream on Gimbals

The film making industry is bigger now than ever. It is also now more accessible than ever as independent filmmakers are starting to make their marks on social media and eventually the bigger screens. Camera technology has gotten so good these days that we never really stopped to think; what if a manufacturer like Sony, Canon, or even Arri could make the perfect cinema camera in a package no larger than their current line-up of cinema cameras.

The idea is not that far fetched if you think about it. Cameras are getting more powerful as technology progresses. At the same time, sizes of cameras continue to shrink. Stabilisation technologies are also constantly improving by leaps and bounds. A cinema camera that can do everything including proper stabilisation in a package is a dream.

DJI Ronin 4D 2
Source: DJI

That dream is just about realised by DJI though. They released something called the Ronin 4D. No, it is not 4D camera. It is not a 3D camera as well. It is a normal camera. In fact, it packs DJI’s very own ZenMuse X9 Full-Frame camera that shoots at up to 8K resolution into Apple ProRes and ProRes RAW. Of course, the ZenMuse X9 also features DJI’s own DL mount interchangeable lens system.

As mentioned, the DJI Ronin 4D’s ZenMuse X9 camera system is mounted on a gimbal that is built into the cinema camera body as well. While most electronic gimbal system stops at 3-axis, the DJI Ronin 4D adds a fourth Z-axis that eliminates just about any shake you can introduce to your camera. You can run, walk, stumble around with the DJI Ronin 4D and it will look like you are shooting with a dolly. Mind you, you are shooting everything free handed. With the right tools as well, you are the one pulling focus on your, and even controlling the camera angles.

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Source: DJI

Focus pulling with cinema cameras can be a pain in different situations. When you change lenses, you need to re-calibrate your focus pulling settings and test it out again and again in a set. Autofocus helps with a lot of the focus pulling problems you might have, but you do not have control over it. On the DJI Ronin 4D, it is as simple as turning a knob that connects to either your DJI Ronin 4D or a remote viewer/controller.

In a lot of times as well, focus pulling is a lot of guess work. Not on the DJI Ronin 4D though. Thanks to LiDAR technology, you can visualise your subject in a 3D space, understand where your subjects are within range, and just pull the focus on your desired object at the right distance every time. You do not need multiple shots of a single take just because you messed up your focus pulling.

Speaking of remote controls, the DJI Ronin 4D employs their drone know how in extending the Full HD feed range on a 7-inch monitor and reduce its latency to the point it is negligible and you can pull focus from anywhere within 6KM of the camera. You can monitor your shoots remotely with your camera moving around you too. If you need to, the remote monitor supports a MicroSD card input for proxy footage recording.

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You can record your films in three different types of storage. Out of the three (USB SSD, CFExpress Type-B, DJI PROSSD 1TB) of course DJI’s own native solution might work best. But for those who are already running on one or the other storage solutions, you are in luck. At the same time, there is a 2-channel 24-bit audio mic that is built-in directly into the camera body. It also packs a 3.5mm jack and two XLR ports for audio input and output options. Of course, it is all powered by a DJI proprietary TB50 battery that is supposed to last up to 2.5 hours in continuous shoot time.

It sounds like a perfect filmmaker’s tool, and it is, in theory. It packs everything that a filmmaker want in a compact cinema camera. It does come with a price though. If you are opting for a 6K version of the DJI Ronin 4D, you will have to fork out US$ 7,199 (MYR 29,965*). You get the main body attached to a ZenMuse X9-6K camera and its gimbal, a LiDAR range finder, main monitor, hand grips, a top handle, and the TB50 battery within a DJI carrying case. For US$ 3,300 (MYR 13,736*) more though, you get a ZenMuse X9-8K, and an extra PROSSD 1TB. The 4D Video Transmitter, the High-Bright Remote Monitor and PROSSD 1TB can be bought separately. More information on the DJI Ronin 4D is available on their website.

*Approximately based on exchange rate of US$ 1 = MYR 4.16 on xe.com as of 21/10/2021

DJI Unveils RS 2 & RSC 2 3-Axis Camera Gimbal – Smaller, Better

The DJI Ronin series has always been very highly acclaimed in the film-making community. The camera stabilising platform that is the DJI Ronin is actually more affordable that plenty of stabiliser platforms and somehow more advanced at the same time, allowing film makers flexibility and possibilities like never before. They introduced the DJi Ronin S and Ronin SC later to accomodate smaller budgets and lighter production gear. That proved to be popular too.

Source: DJI

The global leader in civilian drones and creative camera technology has expanded their legacy of the popular DJI Ronin series, the newly introduced DJI RS2 and DJI RSC 2 to replace their popular Ronin S and Ronin SC camera stabilization systems. Like the hardware these stabilisers replace, the RS 2 and RSC 2 platforms oofer film makers and content creators an unimaginable versatility and robustness in a package that is easy to handle and transport. They are the Ronin S and Ronin SC re-imagined, improved.

DJI RS2

Source: DJI

The DJI RS 2 brings added power and agility to creators and using professional camera systems such as DSLR and compact cinema cameras. The successor to the Ronin S can work with payloads of up to 4.5kg. It can even carry all that weight for 12 hours and can be quickly charged via the battery handle, if need be. A 15-minute charge on the handle affords two hours of extra run-time.

The DJI RS 2 has something called a Titan Stabilization Algorithm. It is DJI’s magic software that allows the gimbal to smooth out kinks, optimise angles, and even tilt around to compensate its users movement. No other gimbal has that ability before. It is cleverer and better than before with SuperSmooth mode that can compensate and improve stability at up to 100mm of focal length (that is quite long, by the way).

It is more versatile than ever with a dual-layer mounting plate that is compatible with the world’s renown Arca-Swiss and Manfrotto platforms. There is even a fine-tune knob to better optimise the camera payload’s balance on the gimbal. The built-in 1.4-inch colour touchscreen can display all sorts of data from camera’s shoot data, gimbal modes, and even serve as a secondary display for the camera. Of course, the RS2 is compatible with multiple accessories from DJI to make it an even more robust and capable tool in your film making arsenal.

DJI RSC 2

Source: DJI

Then there is the DJI RSC 2. The DJI RSC 2 is made to be even more portable than the DJI RS2. That means that it is smaller, and lighter than the RS 2. It weighs only 1.2kg and is able to take on a payload of 3kg in total. While that is a little less than the DJI RS 2, it also lasts about 12 hours. There is also quick charge built-into the handle itself. This gimbal is perfect for mirrorless cameras.

The new folding design makes DJI RSC 2 easier and more portable. It allows film-makers to bring the gimbal along everywhere without adding additional weight to the gear list. The main gimbal arm can be loosened to provide an unique shooting angle as well, so the DJI RSC 2 is also just as versatile as the DJI RS 2. It comes with all the same goodies the DJI RS 2 comes with too. There is the RavenEye technology, Titan Stabilisation algorithm, and even the dual-layer camera mounting plate.

Advanced Capabilities

Of course, DJI being DJI, the two gimbals come with support for multiple attachments. The accessories list includes a Focus Wheel, 3D Focus System, Cheese Plate and Twist Grip Handle, Thethered Control Handle, counterweight systems, and more. The vital features and functions on both the gimbal can be controlled and adjusted over distance of about 100m with the virtual joystick and Force Mobile, where the gimbal mimics the movement of your smartphone. The TOF sensors mounted in the camera enables the shooter to create a super smooth and cinematic footage using a manual lens.

Price and Availability

The DJI RS 2 and DJI RSC 2 will be available starting today at US$ 849 (MYR 3,299*) and US$ 499 (MYR 1,699*) as standalone units. For the Pro Combo that includes a phone holder, Focus Motor, RavenEye Image Transmitter, a dedicated carrying case, and more will set you back an extra US$ 150, totaling up to US$ 999 (MYR 3,899*) for the DJI RS 2. For the DJI RSC 2, the Pro Combo will set you back US$ 739 (MYR 2,549*), another US$ 240 on top of the device itself. The DJI RS2 and the DJI RSC 2 will be available for purchase at DJI Malaysia Flagship stores, authorised dealers and their official store on Lazada and Shopee. More information on the DJI RS 2 and DJI RSC 2 can be found on their website.

* Official Malaysia Pricing