Tag Archives: photography

Sony Strikes a Balance Between Size & Aperture with New Wide-Angle Zoom G Lens FE 16-25mm F2.8 G

Sony is adding a new lens to its α™ (Alpha™) E-mount lens line-up. The new FE16-25mm F2.8 lens brings the wide F2.8 aperture to a compact form factor. It maintains a large F2.8 aperture throughout its 16mm to 25mm zoom range. The new lens comes with a compact and lightweight design complete with the latest optical and mechanical design weighing only 409g.

Sony FE 16 25mm F2.8 G 2

The new allows photographers to get beautiful bokeh and high-resolution performance without the bulk and heft that usually come with lenses of this calibre. It also ups the ante with high-precision, quiet, fast-tracking autofocus (AF). These benefits come on top of the familiar operability, size and weight of the FE 24-50mm F2.8 G launched earlier this year. It’s also easy to use both with a gimbal and handheld.

Introducing FE 16-25mm F2.8 G | Sony | α Lens

Sony has achieved the compact size of the FE 16-25mm F2.8 G by optimising the configuration of the glasses and lenses. With the three extra-low dispersion glasses and four aspherical lenses, Sony minimises chromatic aberration and ensures high-resolution performance throughout the image. Pair this with the 11-blade circular aperture and you’ve got some of the most beautiful bokeh which has become a hallmark in Sony G lenses. The lens is also built for motion photography with two linear motors enabling high-speed, high-precision, high-tracking, and quiet focusing. It also supports high-speed continuous shooting with AF/AE tracking of up to approximately 120 frames per second for the α9 III full-frame mirrorless camera. It even has smooth tracking even when shooting 4K120p or FHD240p high frame rate videos.

Pricing & Availability

The Sony FE 16-25mm F2.8 G will be available in Malaysia starting at the end of April 2024. It will be available at Sony Concept stores and participating retailers.

OPPO Launches the Reno7 Series in Malaysia with 50-Megapixel and 5G!

So, when we say 5G, the OPPO Reno7 series smartphone can take on 5G when it is available. That is not available yet in Malaysia; but at least it is nice to know that your smartphone is ready for 5G when it is. Now, we move on to the star device of today.

OPPO’s Reno series is not necessarily a new on in their line-up. When they introduced it a few years ago, the series is made with high-end photography capabilities in mind at accessible prices. It is OPPO’s photography champion for the mid-range market, a market they are very familiar with.

We quite like the OPPO Reno series when they started introducing them. The devices are easy to work with and takes great looking photos with powerful cameras that are usually reserved for flagship sort of devices. They were also OPPO’s more unique looking devices that introduces some of the newer mobile photography technology, when it can. Did you know that the first OPPO Reno was one of those devices that made pop-up selfie camera a thing?

The OPPO Reno series is in its 7th generation now. They just launched the OPPO Reno7 series with 5G capabilities yesterday in Malaysia. It will set you back MYR 1,999 onward. There is also a Pro variant for MYR 2,999.

What does MYR 1,999 today get you? A highly capable mid-range smartphone, that is what.

OPPO Reno7 5G

7 Pro Orbit Light 1
Source: OPPO

The vanilla OPPO Reno7 builds on a MediaTek Dimensity 900 5G System on a Chip (SoC). It is a 6nm architecture processor with a combination of ARM Cortex A78 and ARM Cortex A55 cores to make it an octa-core powerhouse. It comes packing 8GB of RAM and ample 256GB of storage for all kinds of things you can throw to the OPPO Reno7. Of course, the ample storage allows you to store all of your photos. You want this kind of storage though for the powerful camera you get on the device.

You get a powerful 64-Megapixel main camera. Alongside the powerful main camera is an unspecified ultra-wide-angle camera that offers 118o field of view for beautiful and stunning wide panoramic shots. There is also an unspecified macro camera to complete a triple camera set-up for the Reno7’s rear. Up front is a 32-Megapixel front camera that is supposed to offer great self-portrait capabilities.

For you to see these photos, pick and edit them, or even just admire and share them is a large 6.4-inch AMOLED Full HD+ display with up to 90Hz in refresh rate. At 180Hz touch sampling rate, OPPO’s Android 12 based ColorOS 12 will feel smooth and snappy with near instant response times. With 100% of DCI-P3 coverage too, you do not need to use a different display for all your edits and get accurate and vivid colours.

To keep everything going for an entire day, you get a 4,500mAh battery. When the battery starts to run out, it comes packing OPPO’s highly acclaimed SUPERVOOC charging at 65W. If you do not have access to a wall port on a long day, you have Super Power Saving mode and Super Nighttime Standby to keep your battery going even longer.

OPPO Reno7 Pro 5G

Reno7 3
Source: OPPO

This costs MYR 1,000 more than the regular OPPO Reno7 5G. There is a reason for that price premium. While you may not see all of it on the outer skin, there are major differences between the devices.

For one, the Pro variant builds on a more powerful MediaTek Dimensity 1200 6nm SoC. The SoC packs eight ARM Cortex A78 cores that are tuned to run at 3GHz clock speeds. To ensure that the powerful processor is not bottlenecked by memory, there is a 12GB RAM fitted into the device to ensure smooth operations all-around. To ensure it has the storage for everything else, is a 256GB built-in storage. OPPO has also included something called a RAM Expansion technology that allows up to 5GB of unused storage space to be used as temporary RAM to keep everything trundling along when needed.

Up front is a nice, expansive 6.5-inch AMOLED Full HD+ display boasting 90Hz for that extra smooth feel. For the instant, snappy feel it also offers up to 180Hz in touch sampling rate. It looks great too with up to 99.94% of DCI-P3 colour gamut coverage. You do not need to worry about your photos looking funky if you edit on this display.

On the top left part of the display is a punch hole camera that boasts and IMX709 32-Megapixel behind the portrait lens. The highlight camera array though is at the back. You get OPPO’s Flagship Portrait Camera System in the form of a powerful 50-Megapixel IMX766 sensor. The main camera offers a brilliant Portrait Mode that gives you the flexibility of 25 aperture stops (f/0.95 – f/16) for those beautiful bokehs when you want them. Alongside the main camera are an 8-Meapixel ultra-wide-angle camera, a 2-Megapixel macro camera for up close shots up to 4cm distance to the subject, and a colour temperature sensor to ensure your photos come out correctly.

The Android 12 based ColorOS 12 device runs all-day with the same 4,500mAh battery that its vanilla twin gets. You also get the same SUPERVOOC charging at 65W allowing the battery to fully charge in a brisk 31 minutes. If all-day is not enough, you can turn on Super Power Saving mode or Super Nighttime Standby to extend its battery life.

Price and Availability

OPPO’s Reno7 5G and Reno7 Pro 5G is now available for pre-order until 4th March, 2022. The devices will start shipping 5th of March 2022 onward. OPPO will be running a roadshow in Sunway Pyramid from the 28th of February 2022 onward all the way to 6th of March 2022. The vanilla OPPO Reno7 5G will set you back MYR 1,999 while the Pro variant sets you back MYR 2,999, as mentioned. Colours available for both the devices are Startrails Blue or Starry Black.

Every pre-order of the OPPO Reno7 series devices entitles you to free gifts worth up to MYR 1,406 in total. You get 1 year of OPPO Care screen protection plan, an exclusive OPPO Reno bag, My OPPO Membership with some free subscriptions, theme park admission tickets, airport lounge privileges, and what not. You also get an OPPO Enco Buds true wireless earphones for that money. If you do pre-order and are the first 100 customers to pick up their devices on the 5th of March 2022 at the roadshow, you are entitled to get yourself a free OPPO Watch Free. When you purchase the OPPO Reno7 series devices, you are also entitled to a 50% discount as well for the OPPO Watch Free and OPPO Enco Air2 from OPPO Brand Outlets. For more information on the OPPO Reno7 series smartph0ones, you can head over to OPPO’s website.

The HUAWEI P50 Has a Launch Date – Stay Tuned on 29 July 2021

Up to 2015, pundits were sure that the pocket friendly point-and-shoot camera segment will still thrive over the smartphone in the world of photography. This is until they see the Leica co-developed HUAWEI P9 smartphone. Since then, smartphone photography did not really grow. It exploded, and now every single manufacturer is pushing for more powerful camera sensors. Samsung has already gone ahead in terms of Megapixel count in a tiny camera sensor with their mind-boggling 108-Megapixel sensors. Sony pushes the threshold at 64-Megapixels at this time.

If you know photography though, Megapixel count is only half the story when it comes to image quality, clarity, and detail. You need bigger sensors too, and that is also the reason why enthusiast grade cameras and even modern point-and-shoot cameras still have their place in the world of photography today. Bigger sensors also mean more light, and therefore better low-light sensitivity; it is simple physics. The race for bigger sensors in smartphones is now on, and births the idea of the HUIAWEI P50.

Technically, we would not know if the HUAWEI P50 comes with a bigger sensor or not. So far, the rumours that the HUAWEI P50 will come with a 1-inch camera sensor is just that; rumours. HUAWEI’s Richard Yu confirms that the HUAWEI P50 will come with a “new mobile imaging technology” though.

Leaked renders show that the HUAWEI P50 might come with two rings of cameras for a quad camera set-up. One of the rings, in the renders and leaks at least, shows three lenses while the other shows a single larger lens accompanied by the LED flash module. Larger lens could mean larger sensors, or it could mean better glass material for the sensor.

We are pretty sure that HUAWEI’s RYYB (Red Yellow Yellow Blue) sensor will still find its way to the upcoming HUAWEI P50. The RYYB sensor, after all, is a HUAWEI technology and they have been boasting the sensor in their smartphones for years now. Whether or not they will be increasing the size of the RYYB sensor is yet to be seen. For all we know, HUAWEI could be using the same 1-inch sensor that the Sharp Aquos R6 launched in Japan packs. Keep in mind that the sensor is also co-developed with Leica, HUAWEI’s camera partner.

Screenshot 2021 07 19 153941

For now, we can only speculate. It seems that we do not have to wait for long to find out if the rumours are true or we completely missed the mark. HUAWEI’s Richard Yu just confirmed in his Weibo page that the HUAWEI P50 series will launch on the 29th of July 2021, which is about 10 days away.

Richard did not confirm on whether or not this would be a global launch event though. There are no mentions on livestream links just yet too. While HUAWEI has been banned from using Google’s platform, their flagship launches has been a global affair. In that case, we do expect to hear more from HUAWEI soon.

[CES 2021] Sony Introduces the AirPeak

Sony made large strides last year starting with CES 2020. They introduced their very own electric vehicle concept that can also drive itself, the Vision S. They also made the gaming community very happy by releasing the PlayStation 5 at the end of the year 2020. Sadly, we still have not been able to get our hands on one just yet.

This year is no different for Sony. They kicked off the year with CES 2021, and they look amazing at it. No new earphones to introduce, not new smartphones just yet too. But they did introduce a new concept, a new idea, a new project. They introduced the AirPeak.

If you see DJI printed all over this, you are not the only one. We see DJI all over this too. We see DJI’s Matrice line-up in this AirPeak. This is not a DJI device though, it is by Sony, for Sony.

Source: Sony

When we say, ‘for Sony’, we meant that this is designed around their Alpha camera system. It could be a mid-range mirrorless line-up or a high-end mirrorless camera, the AirPeak is designed to take on any payload from any Alpha lien-up from Sony. It is also the world’s smallest drone to boast such feat.

It is designed to take these cameras off the ground and into the air. It is a clever system too, that stabilises itself in the air with multiple sensors. All these features, and it is still smaller than the Matrice line-up from DJI. Yes, the DJI can lift even heavier payloads and can be retrofitted to be used in industrial cases. The AirPeak is not about that though. It is about expanding film making capabilities and open up new creative avenues with Sony’s very popular Alpha camera line-up.

The AirPeak, at this time, is still in its project phases and Sony is looking for professional collaborators to work on the project. Very much like the Vision S, but the technology is technically already available and easy to work with. This also means that the AirPeak is closer to reality than you might think.

There are no mentions on specs and weight limits on the AirPeak just yet at this point, but we are guessing they might want to look into making the drone powerful enough to carry a Sony FX6 at the very maximum, and still keep it small enough that you do not need to own a lorry to carry it around. More information on the Sony AirPeak on their website.

Mastering Modern Photography with your Smartphone

Photographs are the mighty connectors of the world today. You may not master any other language aside from your native tongue, but you know this much is true – a picture is worth a thousand words and having the right devices to capture these special moments are essential. Picture this: you’re exploring new views on hikes and the sun is just rising over the horizon. You scramble for your phone to capture the moment, but the image simply does not translate on your screen as pristinely as it is in real life.

In the nascent days of mobile phone photography, this was a common scenario. However, today’s smartphone cameras can capture professional-level images in any number of difficult lighting conditions. You no longer need to be a wizard with a camera to take high-quality photographs. Furthermore, these cameras even fit right in your pocket, enabling you to preserve memories in remarkable detail without the need to have a full camera set. Over the years, mobile camera technology has progressed more drastically than any other single feature in our smartphones. Learning to make use of the camera tech that comes with your phone can help you up your photography game.

Utilising the ‘Smart’ in your Smartphone to Capture the Best Moments

We have come a long way from the early, grainy photos taken on flip phones. Today’s smartphone cameras are capable of shooting in formats like wide-angle or telephoto, with crisp images boosted by high megapixels counts, and includes features like low-light functionality, fast autofocus capabilities, and optical image stabilisation for steady captures. Different exposure modes also allow photographers to now manipulate everything from the background of a scene to camera functionalities like shutter speed, white balance, focus, and ISO.

Once reserved strictly for DSLRs, these functionalities are now widely available, and sit comfortably in your hand and in your pocket. For many of us, taking the perfect photo now – whether it is for the books or for social media – is simply cranking up the camera settings to the highest-resolutions to capture quality and detailed images. For some devices, artificial intelligence can even now further assist our manual inputs to provide us with the sharpest photographs available at the push of a button.

While investing time in learning the full range of your smartphone camera’s features and functionality can help, getting the right setting for the perfect shot each time may require more time. In those instances, some phones come with powerful cameras that will save you the time and hassle of getting the ideal image. For example, the Samsung Galaxy Note20 Ultra’s camera comes with a complex AI system – its Advanced Single Take feature will capture the best picture and clips behind the shutter, and you’ll have access to up to 10 photos and 4 videos in just one shot for your viewing and saving needs.

Making the Best of Manual Photography Apps and Other Features

For seasoned photographers looking to seize more control over how their photos look, they can also look towards their smartphones for access to finer capturing and editing needs. For some smartphones, the camera may have a manual mode feature built in to enable a greater range of options for the user. Whether you have experience with photography or simply exploring the possibilities available to you, making use of the manual photography mode on your smartphone like the Samsung Galaxy Note20 Ultra’s Pro Mode can help give you the extra perfect shot, with options to change your shutter speed, aperture, ISO, focus, and more, giving you more leeway and control in your shots.

Also, with basic settings available across nearly all devices – such as turning on the gridlines when taking photos to help you better compose your shots – wider shots can prove to be more challenging. Generally, the ultrawide sensor on any phone can be more difficult to work with. However, on the Galaxy Note20 Ultra, the dynamic range allows you to take better landscape shots. With the telephoto, its periscope system enables you to extend its optical zoom range to 5x, and with its “Space Zoom”, the combination of the optical and digital zooms lets you get into an impressive 50x for those ultra-distant shots.

Editing your Photos Digitally Through Your Phone

While you can throw on a preset filter onto your photos, sometimes you need to go the extra mile to create a photograph that is truly memorable, and uniquely yours. Learning the art of editing will help take your photography skills a step higher. A camera can take you only so far, after all. Some basic skills on photo editing, even ones you can pick up by reading or watching tutorials online can go a long way, forming the basis of the new skills you can pick up on your journey to improving your photography skills.

With the range of apps currently available on your smartphone, editing on the go has never been easier. Whether it is adjusting the exposure, saturation or touching up minor blemishes to make that photo picture perfect, the right smartphone can assist you with capturing the pixel perfect image that only requires enhancements to be professional and polished. Sometimes, a simple auto adjust will be sufficient in modifying the images contrast, brightness, and saturation. Other times, you will need to rely on your own eyes and build on your own experience to know if the image is good enough for your needs. Either way, modern smartphones can ensure you have good shots as you hone your skills further. Get creative with adjusting lighting and saturation and play around with editing to gain new perspectives otherwise unavailable on your device.

Ultimately, the first thing viewers see when looking at your images are what is in it, not how it was edited. With editing, less is often more – moderate adjustments combined with minimal use of filters can be used to beautify the photo. Finding the right device with a camera you are comfortable working with should take priority, with editing skills only used to further amplify areas of the image you want your viewers focusing on.

Smartphone Cameras and the Evolution of Modern Photography

Today’s smartphone camera technology makes it possible to capture practically any scene with the simple swipe of a finger. However, having the right tool can still impact your photo-taking journey, and the Galaxy Note20 Ultra is on par with the best phones out there, with additional tools still deeply imbued within its hardware and software to enable the perfect picture-taking experience. With a good eye and a powerful camera you can use anywhere, you’ll be capturing the best memorable photos without missing a good moment.

24 Hours with the Canon EOS R5 – A Walk Through Town

The world has changed drastically in the time of this COVID-19 pandemic. The future generations will look back at this time and wondered how we ever got through this odd year unscathed. The thing is, we did not go through this unscathed. We are still living through it and everyone in the world is affected in different ways.

In Malaysia, the government decided to act fast and locked down the country to control the viral spread. They introduced the Movement Control Order (MCO) to limit the amount of movements and people exposed to the outside world and each other. Everyone had to be wearing masks, and everyone had to distance themselves from each other.

Even after the whole MCO period which lasted nearly three months for Malaysia, in a period Malaysia calls Recovery Movement Control Order (RMCO), plenty has not recovered, or completely adjusted to the world that came out after. What better moment then to go for a photo walk? It was at a perfect moment too; Canon just launched their new Canon EOS R5.

Source: Canon

The Canon EOS R5 is Canon’s latest mirrorless high-end photography tool. The new mirrorless camera has a 45-Megapixel sensor that can shoot at 20fps (very impressive). It packs Canon’s latest Digic X image processor as well. Best of all, at least as hyped by Canon themselves, is the fact that it now shoots videos at 8K resolution, uncropped.

It sounds like a recipe for a production powerhouse. It also sounds like Canon is taking the mirrorless market seriously, taking the fight to Sony. With the introduction of the Canon EOS R5, they are one-upping Sony in their video capabilities. But the improvements do not just end there. They have introduced some improvements in their video stabilisation capabilities. Finally, you have an in-body image stabiliser. Imagine using that with a compatible Optical Image Stabilised lens, the result should look amazing.

In all seriousness though, while it does look like an ultimate content creator tool, it is not priced as such. It will set you back MYR 17,999. That is the price of its body only. You add up the mirrorless RF lenses that Canon makes, and that will easily go up to MRY 20,000 for a set of content creation kit that is ready to go. If your first reaction is “it is so expensive,” we agree. For comparisons sakes, a Blackmagic Design Pocket Cinema 6K camera will set you back about MYR 10,000 without lenses.

We do not think that the Canon EOS R5 is a tool that you might want to rely on for 8K videography though. We see it as a photography first device with some impressive video shooting capabilities. We also almost never relied on anything higher than 4K resolution in our production so far because we post our videos in 1080p Full HD resolutions. That also means that 4K videos are more than enough for us. Of course, with 8K you have more resolution and pixels to play with. Which also means you can capture more detail and you can pick any fames across the 8K frame to create 1080p videos.

Source: Canon

Still, the Canon EOS R5 is a photography first camera in our opinion. That is what we are going to work with in these 24 hours with the camera. To be fair, we only have a few days with the camera from Canon and we could only spend a whole day with the camera. We chose to take the camera around Kuala Lumpur after the three months of MCO, just to see what the town looks like after the big pandemic scare. Of course, we want to see what the camera can do.

We have to apologise a little bit. We were so focused on taking photos using the Canon EOS R5, we forgot to take photos of the camera itself. Most of the photos of the camera comes from Canon’s website. There is virtually no difference between the camera and its pictures from the website. We do apologise for this oversight, but what matters is the end result, right?

The First Few Hours – Preparation in The Night

We had planned out a whole day, essentially to get the Canon EOS R5 in different kinds of shooting conditions and different times. It is also a test of its battery life because we are left with only one battery. In that case, we had to ensure that the battery packs a full charge for the next day of use.

That is the first thing we did, get the battery charged. But before that, we had to familiarise ourselves with the camera before taking it out for a spin, just so that we do not need to spend an hour to set the camera up the next day. Of course, we could just leave it on Auto mode and let the camera do its thing. Thing is, Auto mode does not do the review justice enough, as excellent as it is.

First Impressions

Source: Canon

First things first, the Canon EOS R5 breaks all the rules or the conventions of a mirrorless camera. The Canon EOS R5 is big and bulky. It is lighter than the conventional DSLR, yes, but not by that much. Compared to what we are used to from Sony, it is a hefty camera in our hands. It is a much bigger camera compared to the Sony Alpha cameras as well.

That is not necessarily a bad thing though. It feels familiar to Canon user, and that is important. It also means that the ergonomics are quite excellent for a camera, something that Canon has always been particularly good at. Thanks to the larger body size as well, your grip on the camera is more firm, more assured. Of course, the larger grip also means you can fit larger batteries that can last a whole day. True enough, I did not need to switch battery or even need to worry about battery life the whole day.

If you came from a Canon platform from before, every button is where they need to be and where you are used to. The touch sensitive button and slider thing that was on the Canon EOS R is gone to be replaced with a joystick, which is better in our opinion. Thanks to the bigger body too, the buttons do not feel cramped and compacted. Overall, the Canon EOS R feels good in the hands, albeit a little hefty for a Mirrorless camera.

Source: Canon

Then you dig into the settings to get familiarised and do a little bit more settings so that you are more comfortable with the camera. There are a few customisation options, which we did not touch, which means most of the buttons work just as the factory intended. In that case we just need to know what buttons and knobs do what and test them just to know they work. Of course, we had to see if we can get our viewfinder to see what we should see when we take photos. It does that by default too though, we just need to be sure.

The settings menu is as simple as you can remember though. Canon’s menu system makes plenty of sense and is simple to understand. Everything is where you expect them to be and you do not need to dig too deep into the menu system to find what you want.

Walking Through Kuala Lumpur

I would say that the best way to tell you about the camera is via the photos that we take through the streets of Kuala Lumpur. But of course, we cannot just do that. While we are going to still show you the photos that we took, we are going to walk you through the camera as well.

15mm f/4.5 1/5000 ISO400

The Set-Up – Versatility, Convenience, Best Compromise

First, we are going back to the weight of the camera again. In terms of an interchangeable lens camera, this is one of the lightest full-frame cameras that Canon has made. In that sense, it is less hefty than carrying a large Full-Frame DSR kit. That also means that it is less cumbersome. The lenses we have with us were more cumbersome, in fact. We had with us an RF24-70mm f/2.8L IS USM and RF15-35mm f/2.8L IS USM lenses loaned with the EOS R5 so that we can shoot a variety of things.

Why did we choose these two lenses? Good question. The most general lens than any photographer can get is the 24-70mm lens. In the case of the Canon EOS R5, only the RF 24-70mm f/2.8L IS USM is available for the mirrorless camera. I could go for the 28-70mm option, but that will add MYR 3,000 to the shopping cart. Well, not like we bought this anyway. We are going with sensibility and practicality here.

The 24-70mm was a must have, so that was settled quickly. We had to think of the perfect set up to got for a walk through the city. In that case we also had to think about heft. So, we decided that we needed only one more lens. Usually, you want to go for three lenses for the perfect set up.

Initially we thought of getting a prime lens, a portrait 50mm or 35mm lens. We also wanted a wide frame, so we thought the 35mm could be perfect. But what if we wanted to capture an even wider area? What if we want the extra width on the frame to capture something like the Petronas Twin Towers properly? We decided to go for a zoom lens then. The RF15-35mm f/2.8L IS USM is the perfect choice.

We wanted to see if the extra stabilisation from the body would work nicely with image stabilised lenses, that is why we went with the RF IS lenses. The total price of the kit we tested totals to MYR 28,437. That is still a lot of money, just for a photo walk. But the lenses we pick are not just lenses you can use in a city. They are some of the most versatile lens lengths you can get for any set up. You can take the set up for a video shoot, for landscape photography, portrait photos, and more.

Keep in mind that these are the choices we made based on what we feel is the best choice for our use case. You may have a completely different perfect set up from what we pack in the gear bag, and that is not wrong either.

The Canon EOS R5

We left most of the settings default on the camera and switched our camera mode to manual to have full control of whatever the camera has. We switched between the two lenses constantly in different situations as well. We also went around KL the whole day, starting from the most iconic skyscraper in Kuala Lumpur, all the way to the weirdly pretty intersection of Bukit Bintang.

In this write up we are going to be focusing on its photo taking abilities more than its video capabilities. While there is enough time for us to work on a video with the 8K video capabilities, we will not have time to work on its photography aspect in that case. We had to choose.

But we also want to know if the interchangeable camera market is dead. We want to know if the Canon EOS R5 still has its place in a photographer’s kit bag. We want to know if it is worth spending all that money on the Canon EOS R5. 24 hours is not a lot of time, but we recon we have enough information after a whole day of walking through the city with the EOS R5.

We started in the morning where lighting is not an issue. One of the rules in photography and videography alike is knowing how to work with lights and getting enough lights for your subject. If you are using a smartphone camera, you leave it to auto and it will adjust itself in Auto mode and AI to help you. On the Canon EOS R5 or any other interchangeable cameras you might want to practice working with as much manual controls as possible for practice. Mastering those also allows you to create more creative looking photos. After all, it is all about making your subject look good.

Speedy Autofocus

Canon cameras has always been known for their accurate and fast autofocus speeds. They have no problem following a subject or change depth quickly depending on your subject. The same can be said on the Canon EOS R5 too. Autofocus is fast and responsive, and very accurate as well. They say that the autofocus is a little faster than before. In our tests, we cannot tell because we do not have another Canon DSLR to test it against, and the speed difference is minute.

What we appreciate though is the wider autofocus points on the camera. The amount of autofocus points on the Canon EOS R5 also means that autofocus works on almost every part of the frame. That also means that even if your subject is way off the frame, the EOS R5 should have no problems getting it in focus. You might want to tap on your touchscreen though, if your subject is that far off to the side, just to help the camera a little bit.

35mm f/4 1/4000 ISO500

If your subject is a person or animal though, Canon EOS R5 has Eye AF (eye autofocus). The Autofocus automatically recognises an eye on your subject and adjusts the autofocus to the eyes. The result is always sharp faces kept in focus.

Overall, there is nothing too surprising from Canon’s brilliant autofocus technology. It does not mean that it is not special either. Imagine trying to keep up with a moving subject while shooting 45-Megapixel photos in 20fps, then that sounds more impressive. The Canon EOS R5 can really keep uo with that.

Bigger Touchscreen, Better Viewfinder

Of course, because this is a mirrorless camera, the only preview you get from the camera is what is being fed to the lens. You have to rely on the EOS R5’s large 45-Megapixel sensor to feed what it ‘sees’ to either your 3-inch LCD display or the electronic Viewfinder (EVF). Here comes the small problem of mirrorless cameras.

EVF, in its early days in the first of Sony’s very famous line of mirrorless cameras are not great. They are a little slow, they tend to flicker a little bit, they are also not very colour accurate in that time. These are still perceived to be problems on mirrorless cameras today. That is also because you are looking at a screen instead of a mirror.

Thankfully though, EVF has taken a major leap since its first inception and its use in the first of Sony’s many mirrorless cameras. EVFs are now in a league of their own with added flexibilities and advantages of their own. In fact, some people might find that an EVF could be better than the traditional see through viewfinder.

Source: Canon

Yes, you are mostly looking at pixels through the viewfinder window. You are also looking at very tightly packed pixels in a small space, which also means you should not see the individual pixels sticking out to you. For the Canon EOS R5 at least, the EVF is something you are going to rely on quite a lot.

The EVF on the Canon EOS R5 is reliable though. The display is bright, accurate, and fast. It easily keeps up with you and what you need it to do. What you see on the EVF is what you most likely will get once you press the shutter button.

That is another advantage of the EVF, you see what the sensor sees. While that is also true for a traditional DSLR, the traditional DSLR does not necessarily adjust itself to the changes in the sensor sensitivity. The EVF, by default, does. That also means that the EVF can present to you the most accurate photo once you press the shutter button at the current settings, which I always find very helpful in all kinds of conditions.

You can set your EVF also to adjust itself to the surroundings so that you can see through the EVF even if your normal eyes cannot. It takes a little bit of digging through the settings to get the EVF to adjust itself to ambient lighting, but it is worth it if you work in the studio and rely on the flashes for your main source of lighting. It at least helps you frame your subjects in low-light conditions. Sadly, the Canon EOS R5 does not have the same low-light shooting capabilities of the Sony α7S line-up.

Clever Protection

The Canon EOS R5’s big body has some advantages though. Of course, Canon will keep saying that because of the more compact form factor they can fit a bigger lens flange and therefore create lenses with bigger aperture. They also say they can fit higher quality glass and have more creative possibilities with new mirrorless lenses, since the glass distance from the sensor to the lens is much shorter.

Beyond that though Canon has fitted something they probably forgot to mention plenty of in their press releases and statements. They can install a curtain in front of the sensor without sacrificing weight and space to protect the sensors from debris and what not when you need to change lenses. This is quite clever for us.

Source: Canon

We were going around shooting photos on the street of Kuala Lumpur. The place is not necessarily the cleanest place in the world. There is pollution from everywhere, and quite dusty due to the never-ending construction projects, and the overwhelming traffic.

If you are a photographer, you know how important it is to keep dust and grimes away from your sensors. A spec of dust can potentially damage your sensors and ruin your camera. Its most vulnerable moment is when you change lenses. We were toying between the longer lens and the shorter lens.

At least with the cameara on, the curtain comes down whenever we detach the lens from the body to swap to the other lens. That also means that your sensor is protected behind a layer of plastic to ensure we do not ruin the expensive kit. But we find that we will not be the only ones benefiting from this set up. Wedding photographers, or even studio photographers can benefit from this, since their work requires them to switch between multiple lenses all the time.

Super Photos, Super Quiet

The Canon EOS R5 may be advertised as an 8K video recoding powerhouse with a stellar built-in stabilisation. In our eyes, the Canon EOS R5 is a photography first camera with a steal 45-Megapixel sensor that is also paired to a built-in stabilisation mechanism that can be paired to image stabilised lens platforms too. The results of this combination? Nothing short of breath taking.

Source: Canon

The first thing you have to notice on photos that you take on the Canon EOS R5 is the sharpness in details you get on the 45-Megapixel photos. If you shoot in RAW, you get huge photos to work with on the Canon EOS R5. You also get detail like no other with RAW.

Thing is, you are going to be posting most of your photos in JPEG file format. In most cases too, when you are doing things quickly, you are going to work with JPEG file formats too, they are smaller and quicker to work with, they are ready for presentation. RAW has its advantages, but you might want to take some time with the images for post edits and other creative things you want to work with on the photo.

We Took photos in both RAW format and JPEG format. We can tell you that even in JPEG format, the amount of detail is quite amazing if you get your focus right. Everything in focus of the camera is super sharp even when you zoom in. With Eye AF, you are really a step above in your portrait game. Of course, some of the details in the photos are thanks to the make of the lenses Canon borrowed us as well. They are RF lenses with f/2.8 after all. These are also lenses that costs about MYR 10,000 in total, mind you.

Because this is a 45-Megapixel photo too, you can manipulate your frame a little bit more just because you have more pixels and detail to play around with. You can zoom in a little bit and your photos will still look stellar. We managed to select a few photos and edit them through a smartphone as well, to be posted on Social Media. With a little bit of colour tweak, they can look stunning.

Since this is a Canon camera, skin tones are as expected. Skin tones are very natural to work with and some photos look like they are perfect for posting right out of the camera. Of course, we prefer to edit them a little bit first before posting. If you work with RAW photos, you can compensate under or overexposure very quickly, you can even change the colour profile a little bit just to make correct some lighting effects on skin tones and objects. Then again, you can make your photos look like anything in RAW format. Malaysia is also blessed with multiple cultures and various skin tones though. In that department too, we are happy to report that the Canon EOS R5 can make any skin tone work.

The first thing that we noticed with the camera also is just how quiet it is. Because there are no mechanical moving parts, the camera shutter action is a virtual one instead of an actual actuation of a shutter mechanism. That also means you can operate is silently and quickly at that. This can shoot at 20fps stills after all. We took advantage of that, but we have to remember to release our shutter button as soon as we snap a photo. Plus, the quiet shutter does not alarm others during out street photography session.

At this point we would say that it is easier and better for you to judge the photos on your own. The selected photos are in JPEG format and they are not altered in anyway before uploaded.

Gallery

Edited from RAW

24 Hours of Canon EOS R5

The Canon EOS R5 is nothing short of breath taking in its touted abilities and capabilities. It is the most feature packed Canon high-end camera to hit the market too. On paper, the Canon EOS R5 seems to bridge the difference or deficit they had against the other mirrorless giant, Sony. In some sense, the Canon EOS R5 seems to be the company’s answer to the mirrorless camera market.

35mm f/2.8 1/2500 ISO10000

At the same time though, the Canon EOS R5 does cost quite a little bit more than the traditional DSLR. It is sold as an all-rounder too, which seems a little counter-intuitive to what the market is used to with mirrorless cameras. We also think that the communication efforts also deviate from what the camera does best; take breath taking photos without breaking your backs. We also think that Canon could also use some variations to different focuses in their mirrorless camera line-up.

We love their lenses though because they really know what they are doing with their lenses. Of course, that should be quite expected since they have been working with lenses forever. They are the world’s largest camera lens manufacturer for a reason.

We also love the fact that Canon is fitting even more technology in their camera than we could possibly ask for. The in-body stabilisation combined with the lenses that we had at our disposal made taking photos seem easy. You could take photos while walking and the photos will come out stable and clean. Of course, you might want to consider holding steady when you are taking photos in low-light conditions. But running and gunning is possible with the Canon EOS R5.

Kuala Lumpur Crossroads

We would like to have a little bit more time with the camera, obviously to test out its 8K video recording capabilities. We did a quick timelapse video manually, but that was not in video mode. There are a few more functions we would like to familiarise ourselves with too with the camera. We did not get to test out plenty of the modes that the camera offers, because we had a crammed schedule with the camera.

Would we recommend the camera? With just about a day or so with the camera under our belts, it is hard to say. We would say that it really depends on what you want from your camera. If you have access to about MYR 25,000 and is a Canon enthusiast, I will say you could.

But the decision must come into its own considerations as well. You have to think of you lens ecosystem. Remember that the Canon EOS R5 works on RF lenses. You need to buy an adapter to make your EF lenses work with the camera. That is extra expenses if you already shoot exclusively on EF lenses. It is still better than porting from a Nikon or a Sony ecosystem though. If you are already on RF lenses since the Canon EOS R, I will ask you to reconsider your decision properly. The Canon EOS R is not a bad camera on its own. Sure, the Canon EOS R5 can shoot at 8K resolution, but would you use that in your workflow?

27mm f/4.5 1/1000 ISO500

If not, you can also see this as a chance to jump ship. If you are running on Canon’s EF lenses ecosystem and you want to transition to a mirrorless camera, you could either look at what Nikon has to offer or even Sony. Sony’s lenses are already made to work with their mirrorless camera, and they have been in the game for a long time. That also means that their lens selections are currently more vast too. At the same time, you might spend a little less if you switch platforms, depending on what you want from your camera. If you are a photographer first, the Sony α7R III is about MYR 5,500 less than the Canon EOS R5. The α7R IV with a 61-Megapixel sensor in tow is MYR 2,700 less than the Canon EOS R5.

The choice, ultimately, is still yours. We like all they have done to the Canon EOS R5 to make it a huge and real contender in the mirrorless camera market. The only issue is that it is still more expensive than what most of its competitors can offer. We also think that Sony’s vast experience in the mirrorless market still means something. We are not taking anything away from the canon EOS R5, it is a formidable piece of kit to work with. But we would still rather fall back on Sony for mirrorless cameras, sad to say.

Canon Goes Digital for National Camera Day in Malaysia

Malaysia celebrates National Camera day annually on the 29th of June – a fact that not many people seem to know about! That said, Canon Marketing (Malaysia) Sdn Bhd (Canon Malaysia) has been hard at work making it an occasion to remember with their Canon EOS Youth Ambassadors.

Canon Malaysia has been hosting a slew of digital events and workshops for enthusiasts over on their Instagram (@canonmalaysia). Users can still view and follow the workshops done with Acacia Diana, Annice Lyn and Samuel Goh – their three EOS Youth Ambassadors – to get tips and tricks in getting the perfect shot! If you’ve missed your favourite Ambassador, their session will be archived on the Canon Malaysia Instagram TV (IGTV) page.

In addition, Canon is hosting an online photo contest which kicked off on June 8, 2020. Themed: “Capturing Moments”, the photo contest revolves around capturing moments in our everyday lives that end up being cherished memories. There are three categories for the contest: First Moments, Memorable Moments and Nature Moments. You can submit your entry by tagging Cannon Malaysia on Instagram and tagging your photos with the hashtags #CanonNationalCameraDay, #CanonMalaysia and #YourLifeWithCanon. The contest is happening on Instagram and remember to set your profile to public. Winners will be announced on July 12, 2020.

The events lined up kicked off on June 8, 2020 and will continue until July 12, 2020.

DJI Mavic Air 2 Takes Flight

There is one thing that plenty of us miss during this quarantine period. That thing is travelling. Specifically, we all miss flying away to faraway lands and see the beauty of this ball of dirt floating through space from high up above.

There is, of course, another way to fly. There is another way to explore the vast outside world in this ‘stay home, stay safe’ period. After all, staying indoors for about 40 days without seeing what grass or trees look like is difficult and depressing. Buy a drone, any drone.

Thing is, just any drone does not cut it sometimes. There is so much potential with a drone. If you invest in one now, you can take it to your travel destinations after the whole COVID-19 situation blows over and create some stunning videos and photos to make your friends all jealous of you.

It is true, a simple aerial shot can be more stunning than it seems. Aerial photos and videos make the plainest places in your eyes look even more stunning than you can imagine. That is why plenty go for DJI drones. They are the best in the business, so it only makes sense.

Last year they introduced a near perfect drone package in the DJI Mavic Air. The compact, lightweight Mavic remote controlled drone was half the weight and size of the larger Mavic 2. That also means that it is more travel friendly than before with its foldable propeller arms introduced into the world with the DJI Mavic Pro.

It was no larger than a 500ml drinks bottle, which was quite fascinating. Considering you still can shoot videos at 4K 30fps with such a small package was wonderful. It even has longer battery life compared to the Mavic Pro all while costing less. Even the fly more combo was still cheaper that the basic DJI Mavic 2.

There is no way they could top that within 6 months, we thought. Then earlier today they released their new DJI Mavic Air 2 and all hell broke loose. It is the successor to the DJI Mavic Air and it comes with a whole list of upgrades that they conveniently put in a single video.

DJI - This Is Mavic Air 2
Source: DJI

Bigger, Better, Faster

Source: DJI

The first upgrade, which will yield the most thumbs up is its sensor itself. The DJI Mavic Air 2 now features a larger ½-inch sensor that give you the power of 48 million pixels. You get to shoot at 4K resolution still, but now you can do it at 60fps instead of 30fps. 1080p Full HD videos can be shot at 240fps for a nice, smooth slow-motion videos, if you really need one in the air.

48-Megapixel sensor also means that you get incredibly detailed and sharp photos. You can choose between that or a compressed 12-Megapixel photos for your Social Media needs. Then there are more clever stuffs like HDR photos, Hyperlight low-light mode, and even scene recognition.

Beefed Up, Souped Up

Source: DJI

It is a bigger drone than the original Mavic Air. It even looks like its bigger brother now. No more cheap white plastic you can draw on or customise on your own. It is now built with the same materials as the bigger Mavic Pro. It is built to the same quality standards too meaning. It is still lighter than the bigger Mavic Pro at 570g but put on quite a lot of weight compared to the older Mavic Air 480g body.

The added weight also means that the DJI Mavic Air 2 packs a longer battery life at 34-minutes of flight time. There is a whole slew of new sensors packed with Mavic Air 2 as well to keep it flying and not hitting anything in front of it. That might make for some remarkably interesting review video though, obstacle avoidance. They call the new system Advanced Pilot Assistance System (APAS) 3.0. Even if you are a rubbish drone operator, you can still fly it. I did not say you cannot crash it, you can if you try hard enough.

Source: DJI

Still, the added weight also helps with in-air stability if anything. You really want that stability in windy conditions especially when you can keep it about 10km away from you with the new remote system and OcuSync 2.0. Oh yes, the remote is also now beefier and a little cleverer.

Clever Flying, Clever Shooting

The new DJI Fly app has been improving with each iteration and that is no doubt the case with the app. It should be more intuitive than ever and even better to use than ever. But shooting aerial photographs or videos is much more than that.

Source: DJI

There are new sets of ND filters you can equip the camera with, because you really want to block out some harsh sunlight in super sunny conditions. You are shooting outdoors anyway, and ND filters are important in outdoor shoots just to compensate for the harsh lighting.

The drone itself can now shoot timelapses in 8K resolution if you really want to. With timelapse mode you have Free movement, Circle, CourseLock, and WayPoints mode to get that stunning moving timelapse. Of course there are other shooting modes that you might be used to with the DJI Mavic Air.

There is a new cleverer ActiveTrack 3.0 that should be a large improvement over the ActiveTrack 2.0 from the older Mavic Air though. With the new Point of Interest 3.0 also, tracking subjects on a shoot is much more accurate and natural. That is also true for the new Spotlight 2.0 mode that is usually only found on DJI’s professional drones. All this makes for an independent aerial photography and videography a breeze for single operators.

Pricing and Availability

The DJI Mavic Air 2 will be available 10th May 2020 onward. You can pre-order your’s today onward though via authorised DJI retailers in Malaysia. Of course, with a beefier spec, comes a beefier price tag too. A standard package will set you back MYR 3,299. The Fly More Combo that comes with an extra piece (two pieces of battery) of everything you get from a standard package (except for the drone itself, of course) a shoulder bag, ND filters, and a charging hub for MYR 4,299. For more information on DJI’s latest portable and foldable flyer, check out their website.

Huawei P40 Series Launches – The Evolution of Smartphone Photography.

The HUAWEI P30 is a year old now, just about. The P series in HUAWEI’s stables has been the Photography smartphone. It was a smartphone that always took smartphone photography to the next level.

The P9 was the first smartphone that launched with two lenses. The P20 series launched with a revolutionary three-lens camera arrangement. Then came the P30 series last year that launched with one more lens in the back of the device. It was also the device that started the maximum zoom distance race. Of course, we have the Samsung Galaxy S20 Ultra that zooms up to 100x. Yes, this was the race started by the HUAWEI P30 series. HUAWEI, in the modern era of smartphones are definitely the trend-setters for smartphone cameras.

Source: HUAWEI

That is partly why this is an interesting year for HUAWEI and for us. The question in everybody’s mind was, how is HUAWEI going to innovate and revolutionise the smartphone camera again. How are they moving the goal post, the gold standard of smartphone photography? All that is answered with the HUAWEI P40 series.

As with any other modern HUAWEI devices, the HUAWEI P40 series packs their very own HISilicon Kirin 990 5G ready System on a Chip (SoC). That processor is supported by an 8GB of RAM to help things trundle along nicely and you get to pick up to 512GB in storage. If that is not enough, you can expand it via a NanoMemory 2 card. Here is the issue though, you can hardly find a NanoMemory card in Malaysia.

That may be forgivable though. I hardly can think of anyone needing an extra memory card in their smartphones these days. Even 128GB is also plenty if you think about it. The main attraction for today though is the camera.

HUAWEI P40 Pro+

Source: HUAWEI

We start with the daddy of the lot, the big hulking thing that is the HUAWEI P40 Pro+. Technically, it is not that much of a big thing. Its display measures in a 6.58-inch. It punches a resolution of 1,640 by 1,200. That is actually just a little more than Full HD. It also comes with something they call a Quad-Curve Overflow display. That means that at its four sides, the display curves into the frame. Visually, that gives you an illusion of a bezel-less display. It might as well be though, because the bezels are so thin, you might not even see it.

It also refreshes at 90Hz, not 120Hz like other premium flagships we see out there. HUAWEI says that this is more battery efficient though, which rings some truth. That should allow the 4,200mAh built-in battery to last longer than your average workday.

Its IP68 body is a wrap of glass in front and ceramic at the back. Ceramic is a unique material because it is a highly durable material. At the same time, it has glass like qualities that makes it shine. Fortunately, the P40 Pro+ only comes in that type of body. Unfortunately, the P40 Pro+ is the only one in the series to get ceramic finish.

That ceramic back is house to a five-camera set up you might find familiar looking in arrangement. They are very different from their competitor though. The camera module are co-developed with Leica, as usual.

The main camera, the biggest sensor HUAWEI ever developed is a 50-Megapixel main shooter with HUAWEI’s very famous RYYB sensor. They say that it is bigger than its competition and its predecessors. As HUAWEI has proven too, their RYYB sensor is supposed to be able to absorb more natural light, allowing for better detailed shots and better details in low-light photography. In another sense, it allows the camera to ‘see’ better.

There is a 40-Megapixel ultra-wide angle lens sitting on one side of the main shooter. They call it a Cine Lens. Then there are two telephoto lenses you will find on the HUAWEI P40 Pro+. There is a 3x telephoto lens punching 8-Megapixels, and a 10x telephoto lens at the same pixel count. Both sensors are RYYB sensors too, mind you. Together with the 50-Megapixel lens, the HUAWEI P40 Pro+ can zoom up to 100x. Sounds familiar? Yes, somebody has done it before. So far though, this alongside the Korean contender, are the only devices to have a zoom factor of 100x. The fifth camera is a 3D ToF camera, to capture and process 3D environments. There is also an additional colour temperature sensor though. This is for better colour interpretation and reproduction on your photos. This also means your photos should look stunning.

Before we forget though, the overflow display has a punch hole in the top left corner of the OLED display. That houses a 31-Megapixel camera, a depth sensor, and an Infra-Red sensor combination as its front camera. That sounds like a recipe for a camera for a mid-range smartphone. The combination should make a great selfie portrait though.

HUAWEI P40 Pro

Source: HUAWEI

Then there is a littler HUAWEI P40 Pro. When we say smaller, we have already mentioned that the HUAWEI P40 Pro+ and the HUAWEI P40 Pro share the same 6.58-inch DCI-P3 certified HDR display with more than Full HD+ resolution. So in that sense you are getting a device with the same size. You even get the same 32-Megapixel camera combination out the front.

You also get the same battery size for good measure. Nearly everything about the device is quite the same as its more premium HUAWEI P40 Pro+ brother. Everything except for its storage option at 256GB, price tag, and the back.

The back is not ceramic, nothing that premium. It is a glass back and it comes in five interesting colour options. We especially like the matte finish variant.

The back also houses an impressive camera set up though. Not five cameras this time. It is a four-camera set up at the back in what seems to be identical camera module housing. While it is not a five-camera set-up, it is still a powerful arrangement with a 5x telephoto lens at the back though.

You still have the same RYYB 50-Megapixel sensor lodged in the middle of the arrangement. That is also still flanked by a 40-Megapixel lens. At the other side though is a 12-Megapixel RYYB telephoto camera at 5x optical zoom. You get a 3D ToF camera to top it all off and a colour temperature sensor.

HUAWEI P40

Source: HUAWEI

The littlest one in the family. It is not that little as well. Its display measures in at 6.1-inch and punches Full HD+ resolution. Thing is, the display can be considered small compared to its competitors too. Even the OPPO Find X2 has a 6.7-inch display. The punch hole on the display also houses the same 32-Megapixel camera combination as its more powerful siblings.

The back is also a glass finished glass, like the HUAWEI P40 Pro. Like the HUAWEI P40 Pro too, you can choose between 5 colour finishes. Unlike the HUAWEI P40 Pro and the P40 Pro+ though, you only get 3,800mAh battery within the more petite body. Unlike the HUAWEI P40 Pro also, this only sports 128GB in memory. Still plenty, in our opinion. Unlike the HUAWEI P40 Pro series too, this does not have the luxury of seeing the Quad-Curve display. It is completely flat. Which may not actually be a bad thing.

Like its bigger brothers though it still retains its 50-Megapixel camera in the middle. Except, you only get two other cameras flanking the main sensor. On one side is a 16-Megapixel ultra-wide angle lens. The other is an 8-Megapixel 3x telephoto camera. While you get less, you still get the colour temperature sensor though, which also means your photos still comes out as stunning as it can be. Maybe just as stunning as the more premium variants.

The Vision Photography

All the devices in the range have plenty of things in common though. They all share the same 8GB RAM size. They share nearly the same design language and camera module housing. They also share the same software. All of them are running on HUAWEI’s Android 10 based user interface (UI) that is the EMUI 10.

The EMUI 10 in the HUAWEI P40 Pro has a few tricks up its sleeve over the current generation of EMUI 10 though. While it still allows the HUAWEI P40 series to shoot at 4K 60fps, the software takes advantage of the 3-mic set up of the Huawei P40 Pro and implements what the industry calls zoom audio. That also means that it amplifies the volume of the object you shoot as you zoom into the subject.

Source: HUAWEI

There is a new autofocus system on the HUAWEI P40 series too. While the world is still stuck on Dual Phase Detection autofocus, HUAWEI uses Octa Phase Detection autofocus on the HUAWEI P40. That also means you get near instant and accurate autofocusing from the HUAWEI P40. You can now also take 4K timelapse videos with your zoom lenses on the HUAWEI P40. So instead of shooting a scenery, you can choose a subject to focus on and shoot.

The HUAWEI camera app also comes with a more powerful AI. This is also thanks to HUAWEI’s HiSilicon Kirin 990 5G SoC with a large dual Neural Processing Unit (NPU). The NPU on that processor is the most powerful independent NPU we have ever seen in a smartphone SoC.

Source: HUAWEI

The camera app has something called Golden Snap. This feature is pretty useful for not just regular photographers. It is a killer feature for any photographers. First, there is the ‘best-shot’ recommendation intelligence. This should not be all that new. The other two functions they teased though are quite mind-boggling. The first is the AI Remove Passerby; which does exactly that. It lets you discard any unwanted people in your photo and let the camera just focus on you and your surroundings. While that sounds like something only Photoshop can do before this, you are entering a new era of smartphone photography with this one. The second is AI remove reflection, which is also exactly that. No, it will not remove you completely if you deliberately take a photo of yourself in front of a mirror. What it does is remove the reflected images you get when you take a photo through a glass panel. Again, something that you though only Photoshop could do. Not anymore.

The Power of EMUI

While this has nothing to do with its software, we have to say it for the HUAWEI P40 series. The device packs the fastest wireless charging capability in the current market. It comes with 40W fast charging capabilities. It does not just stop there though, like the HUAWEI P30 Pro, you can share your extra power with other wireless charging devices too. Keep in mind that this is only for the HUAWEI P40 Pro and P40 Pro+ though.

Still, all the HUAWEI P40 devices have something called Celia; HUAWEI’s very new, very personal, very clever assistant. It is basically HUAWEI’s version of Google Assistant. Except, HUAWEI can no longer access Google’s framework and services anymore. Which also means that this is an HMS device with AppGallery. It is still Android based though, so you still can sideload Android compatible apps.

Source: HUAWEI

Still they have something new in the AppGallery called MeeTime. Sounds like FaceTIme? It is better than that. At first glance it looks like a very regular video chat app. Thing is, it is like Google Hangouts on steroids. You can use third-party cameras, connect it to the app, and let the app project from the camera. You can share your screen across the video chat, you can even project your video call on your TV or other WiFi compatible displays if you like. It is the perfect video conferencing tool if you ask me.

Someone close to us mentioned before this that HUAWEI’s HMS lack a cloud photo gallery. With the new HUAWEI P40 arrangement, it seems like they are going to fix that in a big way. HUAWEI calls it their Cross Distributed File System. Essentially, it is a file sharing tool between devices. The thing is, you can activate it, and you can search your photos across any of your own devices, even if it is not your smartphone or cloud storage yet. If you are under the same WiFi umbrella, even better. Of course, there is the great HUAWEI Share function that we all quite love.

HUAWEI’s Professional Studio Light by HUAWEI Camera Kit x Profoto

Alongside the photography kings, HUAWEI collaborated with Profoto to create something that we saw; and we really want it. It is sort of a multipurpose portable photography and video artificial light source. Well, it is technically a very fancy lamp that comes with its own set of filters. You can control it directly from your HUAWEI smartphone to your liking or to add a light source to make your photos look better. No idea how much its priced, or when its arriving into the market. We are excited though.

Price and Availability

The HUAWEI P40 and HUAWEI P40 Pro will be available in selected global markets, including Europe from the 7th of April 2020 onward. Both the devices will be available in the same five finishes; ice white, Deep Sea Blue, and Black regular finishes, and Frost Silver and Blush Gold matte glass finishes. The HUAWEI P40 Pro+ will be available way later in June 2020 in two exclusive ceramic finishes; black and white.

Source: HUAWEI

The HUAWEI P40 series starts from EU€ 799 (MYR 3,768) with the standard HUAWEI P40 with 8GB of RAM and 128GB in storage. The HUAWEI P40 Pro is stuck in the middle priced at EU€ 999 (MYR 4,712). The series tops off with the HUAWEI P40 Pro+ at EU€ 1,399 (MYR 6,598). Expensive? Yes, they are. Remember that this is not representative of the prices of the Malaysian units when they get here. There is no official word yet on when the device is coming into Malaysia. If you need any more information on the HUAWEI P40 series you can find it on HUAWEI’s website.

Photography is the Word – The Case of Replacing Your Camera with Smartphones; Should You?

Photography is a wonderful thing. Everyone loves a good photo. A good photo can be shared with the world to convey stories, to eternalise important moments, to remember. It allows you to see the world or environment as someone else does. It allows you to express yourself too. A Picture speaks a thousand words they say; and it still rings true. 

We also always believe that photography is the fundamentals of any visually related productions. Videos, for example, are just compilations of several thousand photographed frames put together side by side to create a bigger, clearer, and more specific story. Illustrations are merely a photograph of your imagination put into a canvas.  

The Tool of the Trade 

For years, photography holds a very significant place in humanity. It captures our pivotal movements, it captures history. It keeps our legacy, our memories, our achievements in a single piece of paper that it prints on.  

Photo by Anthony DELANOIX on Unsplash

Back then, when the first camera was introduced, cameras are huge equipment that can hardly be carried around. Setting them up takes time, getting a good amount of light is also crucial to get the best photos. After all, photography is merely an act of capturing light. 

When the handheld camera was introduced, it became a sensation for photographers; now they can carry their gear anywhere and work wherever, whenever. It was a simple hardware with a mirror inside and sensor to capture light. It was rudimentary and colourless still; pretty much black and white. If you need extra lights, you need to carry around a large flash tool as well that explodes (sort of) in people’s faces to give them light. 

A little later they manage to attach the flash module to the camera. It is still no small thing though. It still looks like it could replace your sling bag and weighs more than the average camera today.  

The Modern Tool for the Modern Photographer 

Today, if you get into the field of photography, you will be spoiled for choice. There are always two camps in photography; those who prefers the ways of films, and those who champions digital photography. Yes, there are those that has both types of gear; let’s face it though; you will have to start choosing at one point to go with either film or digital. Most professionals have moved to digital photography thanks to the flexibility and simplicity of the format. There is the matter of long term costs as well.

We do understand the appeal of film photography though. There is a very classic feel when you hold a film camera. With films, every shutter press matters, every press counts. A wasted shot is a shot you will never get back. You get a sort of warm, fuzzy feeling when you see a printed film photograph. It is just irreplaceable.

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Yes, even in a film camera, the sensor size plays a little bit of a role in the sort of photos you get too. There are even wide-angle format films to fit ultra-wide sensors in the film camera. In general, films in general produce higher detail shots with less distortion. Depending on lens filters, sensor types, film conditions, and sensor condition, film cameras can have more accurate colour reproduction too.  

Then there is the digital camera, the modern tool for the modern photographer, be it an enthusiast or a professional. To be fair, when the format was first introduced many years ago it was not very good. Thanks to the heavy reliance on megapixels, which are basically the number of dots that you can cram in a photo, the large sensors that does not have that many pixels packed together was not very good.  

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The digital camera has evolved to the point that we cannot imagine a world without digital cameras. You have the new Sony Alpha 7 R Mark IV with more than 50-Megapixel (64-Megapixel to be specific) crammed into its full-frame sensor; something quite unheard of before. That could spell trouble, but then again, we have come to a point where full frame sensors are kings. We are also beginning to find out the limits of the full frame sensor – how much we can push the full frame format. 

The Modern Pocket All-in-One 

Then there is something we carry in our pockets everyday these days; the smartphone. These days, the stress and emphasis that I put on the camera performance of that little thing in your pockets are tremendous, ridiculous even. This was quite inevitable too though, not thanks to demand; thanks to marketing, thanks to Apple, and Samsung, and HUAWEI, and HTC.  

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There are several reasons why smartphone manufacturers push camera prowess and photo quality as their main selling point. One of the reasons would be technical, theoretical processing power of the device’s chipsets. Powering a camera requires a large amount of processing power. Processing a 12-Megapixel photo, for example, is quite unthinkable with phones that came out 10 years ago. At that time, you get devices with 5-Megapixel cameras and that is as good as you can get them. Even launching the camera application takes some time thanks to the lack of processing power those devices had.  

We can go into little details to why that is so. If we do though, you and I are going to have to do some maths, so let us not. To simplify it even further, take digital cameras that are taking continuous photos without stopping. You see full-fledge, expensive DSLRs taking up to 7 shots a second and then after a few more clicks. You will not get anymore clicks out of it until a little later. The processor built into the camera needs sometime to process the photos and store them into the memory card. 

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Yes, a smartphone processor can complete that same task, in the case of a high-end processors, they could work just as well. Most of the time though, they would be a little lacking. Still, take a high-end smartphone and take continuous photos and you find that the device starts to slow down as well. Take a flagship that is a year to two years old, and you will find that it will be even slower, they sometimes fail too.  

Still, you get smartphones like the Xiaomi Mi Note 10 where they cram as much as 108-Megapixels from the little things you call a camera sensor in the smartphones and pass those as super high-end cameras that you can replace your full-frame Sony A7S II with. The Chinese brand manufacture in orange are not the first manufacturer to do that though. The other premium Chinese brand in red is also guilty of such far-fetched claims.  

The 108-Megapixel shooter on the Xiaomi Mi Note 10, to be fair, is not from the usual OEM, Sony. It is from a company that has been pushing the mobile technology like crazy, that is Samsung. Of course they installed the outrageous 108-Megapixel sensor on their very own Samsung Galaxy S20 Ultra. That is also the ultimate iteration of their own sensor, in their minds. In that device, you can use the sensor, combined with a 48-Megapixel sensor to zoom to about 30x factor. You start to lose detail though if you zoom in that close. They can digitally zoom to up to 100x too, but you really lose all details on that kind of zoom. Your hands would have to be as steady as a rock too.

In truth though, for most users, who only does photos for the #grams (Instagram), a smartphone like the Huawei P30 or even the Xiaomi Mi Note 10 is powerful enough. However, even if it is for Social Media, a proper camera would help plenty in the quality of your posted photos too; trust us. If you are a serious photographer though, be it a regular hobbyist, a semi-professional, or a professional, a smartphone camera is never enough. 

Size Matters 

Do not let anyone tell you otherwise; in photography, size matters. Well, sensor size matters in photography. The smaller they are, the less powerful they can be. At least that is the current predicament they are in.  

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Bigger

There is a reason why the print industry goes for sensor sizes bigger than an odd smartphone battery. When you need to print a photo to be pasted to a billboard, you always need photos that comes from medium format cameras with Megapixel counts that go over 50. That is because medium format cameras captures light better, in turn; you get highly detailed photos with near true to life scale. That way, when you are printing a photo taken out of a medium format camera, you can get a billboard size printout and still get amazingly sharp details from the photo.  

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The smaller you go, the less light the sensor can absorb. Well, it is just the law of physics; there is less surface area that captures light. Because of that, you get blurred out details when you go closer to the photos, when you zoom in. You get softer lines, less defined structures. It might be fine if you are taking a photo of a landscape or landmark. If you want to take portraits of a person though, you want to capture those lines, those creases on the skin, the hair folicles. That is why medium format is still the way to go for when your industry needs a large print.  

Big

Of course, the most popular format in the professional scene is still the full-frame that we are quite used to. That in itself has the advantage of being lighter and smaller than the medium format. Plus, plenty of the lenses you can get your hands on in the market are made for full-frame lenses. 

Source: Petapixel

A full-frame sensor though is quite a little bit smaller than medium format. That means that it captures less light, and theoretically should not be pushed past 50-Megapixel. The more megapixel you cram in, the more problems with capturing light you have. There is a reason why Sony’s A7R III camera does not do that well in low-light conditions as compared to the 12-Megapixel Sony A7S III. Still, better than small sensors like APS-C cropped frame sensors, right? 

Small

APS-C sensors exist because people want even more compact cameras and they want interchangeable lens cameras for less money. That is not to say that professionals or enthusiasts cannot use them. Take Sony’s brilliant A6500, or Canon’s M6, or Fujifilm’s highly popular X-T series. Those are brilliant APS-C cameras that are made for not just enthusiasts, even professionals can use them, especially if they are mostly reproducing their work in digital formats; you really do not need more than an APS-C in most cases. Of course, you still get better result with a full-frame or a medium format; if you have the money for them. 

Even Smaller

So, what if you cram all that you need in an even smaller sensor, a sensor you can fit into a smartphone. You are getting a sensor smaller than your modern MicroSD cards, smaller than the NanoSIM format. The light captured from such a small sensor is even less. That also means that you are really not getting any kind of significant details from a single photo. The only way for the software in your smartphone to produce any significant photos you can use is to mash a couple of photos of the same things and fill the details in with those photos. In essence, you are super sampling your photos. That can be quite taxing on your smartphone’s processors though, and that is why your smartphone’s camera slows down and fails after a while (my own Samsung Galaxy Note9 has done it a few times).

The worst part is that the small sensors are not supposed to do any good in low-light photography. The only way you are going to see good low-light photos on a sensor as small as the ones in a modern smartphone is thanks to some software trickery within your smartphone and its processing chip. Technically, that is what your smartphone does anyway; again, that is why your smartphone’s camera slows down after a year or two.  

Photography Essential? Or Snob Photography? 

We are not pointing out any single camera mind you, we are talking about proper cameras in general. There are good ones, and there are bad ones that you can buy in the market. Generally, you will not go wrong with the reputable ones like Sony, or Canon, or Nikon, or Fujifilm. There are other brands in the market obviously, like Leica for example, who makes stellar cameras as well; for a price. There are also people like Hasselblad and Mamiya that does professional grade, medium format stuff. If you are looking into videography, there are brands like RED or BlackMagic that does their stuff very well too. Let us stick to photography for now though. 

Control is Everything

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While many may argue that the smartphones’ cameras have caught up to DSLRs; I respectfully disagree. Getting a proper camera gives you plenty more control over your shots, you get a larger ISO range, larger aperture range, higher exposure control, more control over shutter speeds, and more control over your image focus. You get to play with more lenses too, although you have to fork out plenty more money for that (they are worth it, trust me). On a smartphone camera, while you get to shoot in RAW and have more control in ‘Pro’ mode, the ranges of control are just not enough, even the latest Xiaomi Mi Note 10 has its own limitations.  

On a DSLR, or a mirrorless system that is ever so popular right now, if you need a larger lens opening, you can swap your lens out to another lens with larger aperture, which incidentally gives you better depth of field effect too (bokeh). Need low-light shots? Find a tripod, slow down the shutter speed, open up the lens aperture, push the ISO higher and you get a nice photo at night. Some cameras are equipped with backlight boost these days too. Need to zoom in a little closer than normal? There are zoom lenses equipped for that. Need to focus on a subject that is off-center? Sure, you can manually adjust the focus or let the autofocus do its job; plain and simple. 

The Ends Justifies The Means

You most likely get better results from proper DSLRs too. You get better details in any lighting conditions comparatively. Depending on manufacturers, you get better colours too, and they are consistent. Thanks to better control over your settings, you also get the same results every time, anytime. You have more control over your photos, means you can take more photos and just choose the ones that you like most.  

The memory card you have in your camera is dedicated to taking in photos and videos from the camera too, so there is no need to worry that your photos are taking up more space that it should. If you need to colour correct, there are tools on your smartphones to do that; since most modern cameras are equipped with Bluetooth and WiFi for image transfer and shutter remote.  

Size Still Matters

The only downside in all these is the fact that a dedicated camera, even a mirrorless camera is still much larger than a modern smartphone. They are much heavier too, these cameras. If you consider a regular set up for most photographers (one camera body with up to two prime lenses and a single zoom lens), you need a proper bag to carry them. A smartphone just needs your pocket. Still, if you do have a gear bag for your camera and its gears, you have some more space for a notebook PC to work with and more than just a smartphone.  

Essentially

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In our humble opinions then, a proper camera still has its place in photography. In fact, if you are getting into photography and is considering to get a high-end smartphone or a camera, we will always recommend you to get a cheaper smartphone and a proper camera set-up instead. A proper camera will always give you better results and more creative freedom and control than any smartphone camera. It is true now, and it should still stay true through 2020 and a few more years to come. We might revisit this topic again way later though. For now, the proper camera is still photography essential. What do you think though? We would love to hear thoughts in the comments!