Tag Archives: mirrorless

FUJIFILM GFX100S Launches in Malaysia – 102-Megapixel From a Bigger Sensor in a Smaller Body

There is a reason why you hardly see a medium format camera out in the wild or used by street photographers. For one, they are quite humongous compared to the modern full-frame DSLR. That size also comes with some heft to lug around and that affects your mobility greatly. But thanks to bigger sensors, you cannot use your regular lenses made for the full-frame format. They are exorbitantly expensive as well, technically.

But there are some benefits to a larger sensor size like the medium format camera. One of them is the better photo quality thanks to the larger pixel size within the sensor. Because of the larger images produced by the bigger sensor as well, the photos can be printed to a larger poster format with no detail loss too. That is why most photos you see in an art gallery are taken with medium format cameras. Thanks to the larger sensor and pixel size too, the depth of field you get from the camera is quite incredible.

Source: FUJIFILM

Of course, they could make the cameras smaller today thanks to the mirrorless technology. The FUJIFILM GFX50S was one of the few options in the medium format segment with a sensor that fits into a smaller form factor of the full-frame DSLR camera body. In fact, it is a little smaller than some of the flagship class DSLR cameras. That said, it is still not a small piece of kit, nor is it light.

They managed to squeeze more performance into a tighter body with the brand-new FUJIFILM GFX100S though. Get this too, it packs a doubly powerful sensor than before. It packs 102-Megapixel from the same sized sensor from the 50-Megapixel GFX50S. We are entering large format category here.

That medium format 102-megapixel sensor is crammed into a camera body that weighs just 900g, like most full-frame camera bodies. This is way smaller than the FUJIFILM GFX100 launched last year. You also get a five-axis in body image stabilisation mechanics with the GFX100S with up to 6 stops. Thanks to medium format and FUJIFILM’s colour know how, you get incredible images from the FUJIFILM GFX100S.

Source: FUJIFILM

Of course, you need a very powerful image processor to work with more than 100 million pixels as fast as a regular full-frame DSLR camera. For that, they back the medium format sensor with their in-housed developed X-processor 4 CPU that features four cores to work with. The result is stunning 16-bit images with up to 281 trillion colours. Of course, those colours will not translate to it videos.

It is still a capable video shooter with 4K 30fps to work with though and at 10-bit colour colours. While it can shoot at 4K 30p with F-Log, we would recommend you to go with a different sort of camera if you are going to sink a lot of money into video camera workflow. This is a photography beast, a different sort of imaging hardware.

The new image processor also allows the GFX100S to have an even faster auto focus and even wider focus coverage area than before at 100%. The auto focus now tracks moving subjects even better than before for sports photography. You can get up to 5 frames a second in continuous shooting. It might not sound as impressive as Sony’s new mirrorless full-frame contender that can shoot at 30fps. Think about it though, this has a sensor nearly twice as big as the Sony’s sensor.

The FUJIFILM GFX100S will be available in Malaysia toward the end of February 2021. The FUJIFILM GFX100S will also be launching alongside the GF80mm f/1.7 G-Mount prime lens. The GF80mm is also currently FUJIFILM’s fastest medium format lens to date. There are no official local pricings for the new camera or the lens just yet. The FUJIFILM GFX100S will be available soon in the North American market (body only) for US$ 5,999 (MYR 24,255*) though, which is a little more expensive than the older FUJIFILM GFX50S.

*Approximate conversion rate based on US$ 1 = MYR 4.043 on xe.com on 2nd February 2021

24 Hours with the Canon EOS R5 – A Walk Through Town

The world has changed drastically in the time of this COVID-19 pandemic. The future generations will look back at this time and wondered how we ever got through this odd year unscathed. The thing is, we did not go through this unscathed. We are still living through it and everyone in the world is affected in different ways.

In Malaysia, the government decided to act fast and locked down the country to control the viral spread. They introduced the Movement Control Order (MCO) to limit the amount of movements and people exposed to the outside world and each other. Everyone had to be wearing masks, and everyone had to distance themselves from each other.

Even after the whole MCO period which lasted nearly three months for Malaysia, in a period Malaysia calls Recovery Movement Control Order (RMCO), plenty has not recovered, or completely adjusted to the world that came out after. What better moment then to go for a photo walk? It was at a perfect moment too; Canon just launched their new Canon EOS R5.

Source: Canon

The Canon EOS R5 is Canon’s latest mirrorless high-end photography tool. The new mirrorless camera has a 45-Megapixel sensor that can shoot at 20fps (very impressive). It packs Canon’s latest Digic X image processor as well. Best of all, at least as hyped by Canon themselves, is the fact that it now shoots videos at 8K resolution, uncropped.

It sounds like a recipe for a production powerhouse. It also sounds like Canon is taking the mirrorless market seriously, taking the fight to Sony. With the introduction of the Canon EOS R5, they are one-upping Sony in their video capabilities. But the improvements do not just end there. They have introduced some improvements in their video stabilisation capabilities. Finally, you have an in-body image stabiliser. Imagine using that with a compatible Optical Image Stabilised lens, the result should look amazing.

In all seriousness though, while it does look like an ultimate content creator tool, it is not priced as such. It will set you back MYR 17,999. That is the price of its body only. You add up the mirrorless RF lenses that Canon makes, and that will easily go up to MRY 20,000 for a set of content creation kit that is ready to go. If your first reaction is “it is so expensive,” we agree. For comparisons sakes, a Blackmagic Design Pocket Cinema 6K camera will set you back about MYR 10,000 without lenses.

We do not think that the Canon EOS R5 is a tool that you might want to rely on for 8K videography though. We see it as a photography first device with some impressive video shooting capabilities. We also almost never relied on anything higher than 4K resolution in our production so far because we post our videos in 1080p Full HD resolutions. That also means that 4K videos are more than enough for us. Of course, with 8K you have more resolution and pixels to play with. Which also means you can capture more detail and you can pick any fames across the 8K frame to create 1080p videos.

Source: Canon

Still, the Canon EOS R5 is a photography first camera in our opinion. That is what we are going to work with in these 24 hours with the camera. To be fair, we only have a few days with the camera from Canon and we could only spend a whole day with the camera. We chose to take the camera around Kuala Lumpur after the three months of MCO, just to see what the town looks like after the big pandemic scare. Of course, we want to see what the camera can do.

We have to apologise a little bit. We were so focused on taking photos using the Canon EOS R5, we forgot to take photos of the camera itself. Most of the photos of the camera comes from Canon’s website. There is virtually no difference between the camera and its pictures from the website. We do apologise for this oversight, but what matters is the end result, right?

The First Few Hours – Preparation in The Night

We had planned out a whole day, essentially to get the Canon EOS R5 in different kinds of shooting conditions and different times. It is also a test of its battery life because we are left with only one battery. In that case, we had to ensure that the battery packs a full charge for the next day of use.

That is the first thing we did, get the battery charged. But before that, we had to familiarise ourselves with the camera before taking it out for a spin, just so that we do not need to spend an hour to set the camera up the next day. Of course, we could just leave it on Auto mode and let the camera do its thing. Thing is, Auto mode does not do the review justice enough, as excellent as it is.

First Impressions

Source: Canon

First things first, the Canon EOS R5 breaks all the rules or the conventions of a mirrorless camera. The Canon EOS R5 is big and bulky. It is lighter than the conventional DSLR, yes, but not by that much. Compared to what we are used to from Sony, it is a hefty camera in our hands. It is a much bigger camera compared to the Sony Alpha cameras as well.

That is not necessarily a bad thing though. It feels familiar to Canon user, and that is important. It also means that the ergonomics are quite excellent for a camera, something that Canon has always been particularly good at. Thanks to the larger body size as well, your grip on the camera is more firm, more assured. Of course, the larger grip also means you can fit larger batteries that can last a whole day. True enough, I did not need to switch battery or even need to worry about battery life the whole day.

If you came from a Canon platform from before, every button is where they need to be and where you are used to. The touch sensitive button and slider thing that was on the Canon EOS R is gone to be replaced with a joystick, which is better in our opinion. Thanks to the bigger body too, the buttons do not feel cramped and compacted. Overall, the Canon EOS R feels good in the hands, albeit a little hefty for a Mirrorless camera.

Source: Canon

Then you dig into the settings to get familiarised and do a little bit more settings so that you are more comfortable with the camera. There are a few customisation options, which we did not touch, which means most of the buttons work just as the factory intended. In that case we just need to know what buttons and knobs do what and test them just to know they work. Of course, we had to see if we can get our viewfinder to see what we should see when we take photos. It does that by default too though, we just need to be sure.

The settings menu is as simple as you can remember though. Canon’s menu system makes plenty of sense and is simple to understand. Everything is where you expect them to be and you do not need to dig too deep into the menu system to find what you want.

Walking Through Kuala Lumpur

I would say that the best way to tell you about the camera is via the photos that we take through the streets of Kuala Lumpur. But of course, we cannot just do that. While we are going to still show you the photos that we took, we are going to walk you through the camera as well.

15mm f/4.5 1/5000 ISO400

The Set-Up – Versatility, Convenience, Best Compromise

First, we are going back to the weight of the camera again. In terms of an interchangeable lens camera, this is one of the lightest full-frame cameras that Canon has made. In that sense, it is less hefty than carrying a large Full-Frame DSR kit. That also means that it is less cumbersome. The lenses we have with us were more cumbersome, in fact. We had with us an RF24-70mm f/2.8L IS USM and RF15-35mm f/2.8L IS USM lenses loaned with the EOS R5 so that we can shoot a variety of things.

Why did we choose these two lenses? Good question. The most general lens than any photographer can get is the 24-70mm lens. In the case of the Canon EOS R5, only the RF 24-70mm f/2.8L IS USM is available for the mirrorless camera. I could go for the 28-70mm option, but that will add MYR 3,000 to the shopping cart. Well, not like we bought this anyway. We are going with sensibility and practicality here.

The 24-70mm was a must have, so that was settled quickly. We had to think of the perfect set up to got for a walk through the city. In that case we also had to think about heft. So, we decided that we needed only one more lens. Usually, you want to go for three lenses for the perfect set up.

Initially we thought of getting a prime lens, a portrait 50mm or 35mm lens. We also wanted a wide frame, so we thought the 35mm could be perfect. But what if we wanted to capture an even wider area? What if we want the extra width on the frame to capture something like the Petronas Twin Towers properly? We decided to go for a zoom lens then. The RF15-35mm f/2.8L IS USM is the perfect choice.

We wanted to see if the extra stabilisation from the body would work nicely with image stabilised lenses, that is why we went with the RF IS lenses. The total price of the kit we tested totals to MYR 28,437. That is still a lot of money, just for a photo walk. But the lenses we pick are not just lenses you can use in a city. They are some of the most versatile lens lengths you can get for any set up. You can take the set up for a video shoot, for landscape photography, portrait photos, and more.

Keep in mind that these are the choices we made based on what we feel is the best choice for our use case. You may have a completely different perfect set up from what we pack in the gear bag, and that is not wrong either.

The Canon EOS R5

We left most of the settings default on the camera and switched our camera mode to manual to have full control of whatever the camera has. We switched between the two lenses constantly in different situations as well. We also went around KL the whole day, starting from the most iconic skyscraper in Kuala Lumpur, all the way to the weirdly pretty intersection of Bukit Bintang.

In this write up we are going to be focusing on its photo taking abilities more than its video capabilities. While there is enough time for us to work on a video with the 8K video capabilities, we will not have time to work on its photography aspect in that case. We had to choose.

But we also want to know if the interchangeable camera market is dead. We want to know if the Canon EOS R5 still has its place in a photographer’s kit bag. We want to know if it is worth spending all that money on the Canon EOS R5. 24 hours is not a lot of time, but we recon we have enough information after a whole day of walking through the city with the EOS R5.

We started in the morning where lighting is not an issue. One of the rules in photography and videography alike is knowing how to work with lights and getting enough lights for your subject. If you are using a smartphone camera, you leave it to auto and it will adjust itself in Auto mode and AI to help you. On the Canon EOS R5 or any other interchangeable cameras you might want to practice working with as much manual controls as possible for practice. Mastering those also allows you to create more creative looking photos. After all, it is all about making your subject look good.

Speedy Autofocus

Canon cameras has always been known for their accurate and fast autofocus speeds. They have no problem following a subject or change depth quickly depending on your subject. The same can be said on the Canon EOS R5 too. Autofocus is fast and responsive, and very accurate as well. They say that the autofocus is a little faster than before. In our tests, we cannot tell because we do not have another Canon DSLR to test it against, and the speed difference is minute.

What we appreciate though is the wider autofocus points on the camera. The amount of autofocus points on the Canon EOS R5 also means that autofocus works on almost every part of the frame. That also means that even if your subject is way off the frame, the EOS R5 should have no problems getting it in focus. You might want to tap on your touchscreen though, if your subject is that far off to the side, just to help the camera a little bit.

35mm f/4 1/4000 ISO500

If your subject is a person or animal though, Canon EOS R5 has Eye AF (eye autofocus). The Autofocus automatically recognises an eye on your subject and adjusts the autofocus to the eyes. The result is always sharp faces kept in focus.

Overall, there is nothing too surprising from Canon’s brilliant autofocus technology. It does not mean that it is not special either. Imagine trying to keep up with a moving subject while shooting 45-Megapixel photos in 20fps, then that sounds more impressive. The Canon EOS R5 can really keep uo with that.

Bigger Touchscreen, Better Viewfinder

Of course, because this is a mirrorless camera, the only preview you get from the camera is what is being fed to the lens. You have to rely on the EOS R5’s large 45-Megapixel sensor to feed what it ‘sees’ to either your 3-inch LCD display or the electronic Viewfinder (EVF). Here comes the small problem of mirrorless cameras.

EVF, in its early days in the first of Sony’s very famous line of mirrorless cameras are not great. They are a little slow, they tend to flicker a little bit, they are also not very colour accurate in that time. These are still perceived to be problems on mirrorless cameras today. That is also because you are looking at a screen instead of a mirror.

Thankfully though, EVF has taken a major leap since its first inception and its use in the first of Sony’s many mirrorless cameras. EVFs are now in a league of their own with added flexibilities and advantages of their own. In fact, some people might find that an EVF could be better than the traditional see through viewfinder.

Source: Canon

Yes, you are mostly looking at pixels through the viewfinder window. You are also looking at very tightly packed pixels in a small space, which also means you should not see the individual pixels sticking out to you. For the Canon EOS R5 at least, the EVF is something you are going to rely on quite a lot.

The EVF on the Canon EOS R5 is reliable though. The display is bright, accurate, and fast. It easily keeps up with you and what you need it to do. What you see on the EVF is what you most likely will get once you press the shutter button.

That is another advantage of the EVF, you see what the sensor sees. While that is also true for a traditional DSLR, the traditional DSLR does not necessarily adjust itself to the changes in the sensor sensitivity. The EVF, by default, does. That also means that the EVF can present to you the most accurate photo once you press the shutter button at the current settings, which I always find very helpful in all kinds of conditions.

You can set your EVF also to adjust itself to the surroundings so that you can see through the EVF even if your normal eyes cannot. It takes a little bit of digging through the settings to get the EVF to adjust itself to ambient lighting, but it is worth it if you work in the studio and rely on the flashes for your main source of lighting. It at least helps you frame your subjects in low-light conditions. Sadly, the Canon EOS R5 does not have the same low-light shooting capabilities of the Sony α7S line-up.

Clever Protection

The Canon EOS R5’s big body has some advantages though. Of course, Canon will keep saying that because of the more compact form factor they can fit a bigger lens flange and therefore create lenses with bigger aperture. They also say they can fit higher quality glass and have more creative possibilities with new mirrorless lenses, since the glass distance from the sensor to the lens is much shorter.

Beyond that though Canon has fitted something they probably forgot to mention plenty of in their press releases and statements. They can install a curtain in front of the sensor without sacrificing weight and space to protect the sensors from debris and what not when you need to change lenses. This is quite clever for us.

Source: Canon

We were going around shooting photos on the street of Kuala Lumpur. The place is not necessarily the cleanest place in the world. There is pollution from everywhere, and quite dusty due to the never-ending construction projects, and the overwhelming traffic.

If you are a photographer, you know how important it is to keep dust and grimes away from your sensors. A spec of dust can potentially damage your sensors and ruin your camera. Its most vulnerable moment is when you change lenses. We were toying between the longer lens and the shorter lens.

At least with the cameara on, the curtain comes down whenever we detach the lens from the body to swap to the other lens. That also means that your sensor is protected behind a layer of plastic to ensure we do not ruin the expensive kit. But we find that we will not be the only ones benefiting from this set up. Wedding photographers, or even studio photographers can benefit from this, since their work requires them to switch between multiple lenses all the time.

Super Photos, Super Quiet

The Canon EOS R5 may be advertised as an 8K video recoding powerhouse with a stellar built-in stabilisation. In our eyes, the Canon EOS R5 is a photography first camera with a steal 45-Megapixel sensor that is also paired to a built-in stabilisation mechanism that can be paired to image stabilised lens platforms too. The results of this combination? Nothing short of breath taking.

Source: Canon

The first thing you have to notice on photos that you take on the Canon EOS R5 is the sharpness in details you get on the 45-Megapixel photos. If you shoot in RAW, you get huge photos to work with on the Canon EOS R5. You also get detail like no other with RAW.

Thing is, you are going to be posting most of your photos in JPEG file format. In most cases too, when you are doing things quickly, you are going to work with JPEG file formats too, they are smaller and quicker to work with, they are ready for presentation. RAW has its advantages, but you might want to take some time with the images for post edits and other creative things you want to work with on the photo.

We Took photos in both RAW format and JPEG format. We can tell you that even in JPEG format, the amount of detail is quite amazing if you get your focus right. Everything in focus of the camera is super sharp even when you zoom in. With Eye AF, you are really a step above in your portrait game. Of course, some of the details in the photos are thanks to the make of the lenses Canon borrowed us as well. They are RF lenses with f/2.8 after all. These are also lenses that costs about MYR 10,000 in total, mind you.

Because this is a 45-Megapixel photo too, you can manipulate your frame a little bit more just because you have more pixels and detail to play around with. You can zoom in a little bit and your photos will still look stellar. We managed to select a few photos and edit them through a smartphone as well, to be posted on Social Media. With a little bit of colour tweak, they can look stunning.

Since this is a Canon camera, skin tones are as expected. Skin tones are very natural to work with and some photos look like they are perfect for posting right out of the camera. Of course, we prefer to edit them a little bit first before posting. If you work with RAW photos, you can compensate under or overexposure very quickly, you can even change the colour profile a little bit just to make correct some lighting effects on skin tones and objects. Then again, you can make your photos look like anything in RAW format. Malaysia is also blessed with multiple cultures and various skin tones though. In that department too, we are happy to report that the Canon EOS R5 can make any skin tone work.

The first thing that we noticed with the camera also is just how quiet it is. Because there are no mechanical moving parts, the camera shutter action is a virtual one instead of an actual actuation of a shutter mechanism. That also means you can operate is silently and quickly at that. This can shoot at 20fps stills after all. We took advantage of that, but we have to remember to release our shutter button as soon as we snap a photo. Plus, the quiet shutter does not alarm others during out street photography session.

At this point we would say that it is easier and better for you to judge the photos on your own. The selected photos are in JPEG format and they are not altered in anyway before uploaded.

Gallery

Edited from RAW

24 Hours of Canon EOS R5

The Canon EOS R5 is nothing short of breath taking in its touted abilities and capabilities. It is the most feature packed Canon high-end camera to hit the market too. On paper, the Canon EOS R5 seems to bridge the difference or deficit they had against the other mirrorless giant, Sony. In some sense, the Canon EOS R5 seems to be the company’s answer to the mirrorless camera market.

35mm f/2.8 1/2500 ISO10000

At the same time though, the Canon EOS R5 does cost quite a little bit more than the traditional DSLR. It is sold as an all-rounder too, which seems a little counter-intuitive to what the market is used to with mirrorless cameras. We also think that the communication efforts also deviate from what the camera does best; take breath taking photos without breaking your backs. We also think that Canon could also use some variations to different focuses in their mirrorless camera line-up.

We love their lenses though because they really know what they are doing with their lenses. Of course, that should be quite expected since they have been working with lenses forever. They are the world’s largest camera lens manufacturer for a reason.

We also love the fact that Canon is fitting even more technology in their camera than we could possibly ask for. The in-body stabilisation combined with the lenses that we had at our disposal made taking photos seem easy. You could take photos while walking and the photos will come out stable and clean. Of course, you might want to consider holding steady when you are taking photos in low-light conditions. But running and gunning is possible with the Canon EOS R5.

Kuala Lumpur Crossroads

We would like to have a little bit more time with the camera, obviously to test out its 8K video recording capabilities. We did a quick timelapse video manually, but that was not in video mode. There are a few more functions we would like to familiarise ourselves with too with the camera. We did not get to test out plenty of the modes that the camera offers, because we had a crammed schedule with the camera.

Would we recommend the camera? With just about a day or so with the camera under our belts, it is hard to say. We would say that it really depends on what you want from your camera. If you have access to about MYR 25,000 and is a Canon enthusiast, I will say you could.

But the decision must come into its own considerations as well. You have to think of you lens ecosystem. Remember that the Canon EOS R5 works on RF lenses. You need to buy an adapter to make your EF lenses work with the camera. That is extra expenses if you already shoot exclusively on EF lenses. It is still better than porting from a Nikon or a Sony ecosystem though. If you are already on RF lenses since the Canon EOS R, I will ask you to reconsider your decision properly. The Canon EOS R is not a bad camera on its own. Sure, the Canon EOS R5 can shoot at 8K resolution, but would you use that in your workflow?

27mm f/4.5 1/1000 ISO500

If not, you can also see this as a chance to jump ship. If you are running on Canon’s EF lenses ecosystem and you want to transition to a mirrorless camera, you could either look at what Nikon has to offer or even Sony. Sony’s lenses are already made to work with their mirrorless camera, and they have been in the game for a long time. That also means that their lens selections are currently more vast too. At the same time, you might spend a little less if you switch platforms, depending on what you want from your camera. If you are a photographer first, the Sony α7R III is about MYR 5,500 less than the Canon EOS R5. The α7R IV with a 61-Megapixel sensor in tow is MYR 2,700 less than the Canon EOS R5.

The choice, ultimately, is still yours. We like all they have done to the Canon EOS R5 to make it a huge and real contender in the mirrorless camera market. The only issue is that it is still more expensive than what most of its competitors can offer. We also think that Sony’s vast experience in the mirrorless market still means something. We are not taking anything away from the canon EOS R5, it is a formidable piece of kit to work with. But we would still rather fall back on Sony for mirrorless cameras, sad to say.

[Update] The New Sony Alpha 7C (α7C) – Mirrorless Full-Frame is Now Lighter, Smaller, and More Affordable at MYR 8,399!

The full-frame mirrorless camera platform is all the rage these days. Traditional DSLR manufacturers like Canon and Nikon has very recently put a lot of resources and effort in developing their own mirrorless platforms and designs. Of course, because they are so new in the game, options from them are still limited. This is true especially in terms of lenses that are available to their current lines of mirrorless cameras. You can get an adapter still.

Full-frame cameras are not cheap though. They are considered the widest accepted platforms in the professional photography world, that is why. Mirrorless cameras, because they are so new and advanced, are even more expensive today. That also makes a full-frame camera today even more expensive than before. Take the Canon EOS R5 for example. The new Sony α7SIII is a good example too, for exorbitantly priced cameras.

Speaking of Sony though, they have been the mirrorless kings for a long time now. With their brand-new Sony α7SIII especially, they have proven to the market that they really know what they are doing with mirrorless technology, photography, and videography. All that advancements mean one thing though, the new α7S is more expensive than before. What happens to the enthusiast market that wants an affordable mirrorless camera then? Second-hand cameras? Not according to Sony.

Source: Sony

Welcome to the α7C full-frame mirrorless camera (ILCE-7C, Sony’s and the world’s smallest and lightest full frame camera platform. Yes, that is also one of the benefits of mirrorless cameras, you can pack one full-frame sensor in a traditional APS-C DSLR body, and it will still be lighter. With the α7C, Sony has taken it to a whole new level.

Uncompromisingly Light… and Small

This super light and super compact package is, according to Sony, quite uncompromised. It still packs a very effective 24.2-Megapixel full-frame Exmor R CMOS sensor with back-illumination (for better low-light) and Sony’s proven BIONZ X image processor. This combination can also be found in a not exactly outdated Sony α7III camera. The α7C is nearly 50g lighter than the bulky α7III though. The α7C is also about the same size and weight as the APS-C α6600 compact camera.

Source: Sony

Of course, you still get the 5-axis in body stabilisation built into the tight body that is the α7C. Along with the stabilisation is also 4K recording capability that is so well known from all Sony’s current premium camera line-up. The sensor also has an ISO sensitivity of up to 204,800 (expanded, native ISO up to 51,200) for the best, in-class low-light performance. You even get Real-time Eye AutoFocus on the α7C, the same AutoFocus mechanism and algorithm you can find on the α7III, if you are wondering.

It does not even compromise on power delivery. The Sony α7C comes packing a battery the size of even a modern α7III. The NP-FZ100 battery offers up to 740 images, and industry-leading figure, as far as numbers are concerned. That also means that you can take it out for a whole day with one battery. Of course, USB Type-C charging will still be a thing with the Sony α7C.

Only Drawback… We Think

The only few things we might be concerned about with the new Sony α7C are, in effect, very minor things. We are curious how Sony would manage to cramp all their function buttons together and still allow users to manage all its functions.

Source: Sony

With cramped layouts, we are also wondering if there are any ergonomic compromises that might come with it. The Viewfinder is now placed quite far to the other end of the camera, a la α6000 series Viewfinders. A vari-angle LCD is a huge welcome, but the cramped grip handle area at the back might create some issues for larger hands.

The last issue we might look out for is heat management. Sony’s mirrorless full-frame cameras in the past are known to overheat especially in 4K resolution video shoots. In a smaller body frame, heat dissipation and management could be an issue.

Full-Frame Body with Full-Frame Lenses – The New FE 28-60mm F4-5.6 (SEL2860)

Still, the platform is made for full-frame lenses too, so we should not complain as much. The launch of the new α7C also comes with a new lens of course. It is, according to Sony, the world’s smallest and lightest zoom lens made for a full-frame camera. It is Sony’s FE 28-60mm zoom lens with minimum F4-5.6 aperture. It weighs only 167g and is not that much larger than the camera itself.

Light and Small Camera and Lens Needs a Light and Small Flash – The New HVL-F28RM Compact Flash

This is not just a compact flash though. It is probably Sony’s most reliable and rugged field photography flash they have created. It is 12% smaller, and 7% lighter compared to its closest sibling, the HVL-F32M flash. Of course, it is a smaller flash, which also means that its output is a little less at GN28 (Guide Number 28).

It is more reliable and rugged thanks to some protection that is made to the most fragile and sensitive part of the whole construction. The hot shoe connection on the flash accessory is surrounded by metal frames to ensure that it can take on any weather or abuse to the flash and the camera. In that case, you can expect the flash to work better in harsher in environments.

Price and Availability

The Sony α7C will be available in Malaysia from November 2020 onward, two months away from today. The Sony FE 28-60mm F4-5.6 lens will be available early next year in January 2021. The HVL-F28RM lens will be available a month after the Sony α7C in December 2020. Prices are yet to be confirmed by Sony Malaysia and will be revealed by tonight (15/9/2020 @9.00 p.m.). The new mirrorless camera is, according to sources on the internet, is set to be Sony’s most affordable full-frame mirrorless camera though. For more information on the camera and the newly launched accessories, you can head over to Sony’s website.

*Update: The Sony α7C will be priced at MYR 8,399 (body only). The kit with an FE 28-60mm F4-5.6 lens will be available for MYR 9,899. Pre-order starts now to 15th October 2020. Pre-order will be entitled to a free 64GB Tough SD card and an NP-FZ100 battery pack. There are other lens bundles for the α7C such as the camera with the G 20mm F1.8 lens for MYR 12,288 and the camera body with n FE 35mm F1.8 lens for MYR 10,888. The FE 50mm F1.8 bundle is MYR 9,288.

Sony’s A 7S III Is Launched – The New Low Light King

It has been five years since the Sony Alpha 7S II launched, which also means the king of low-light photography and videography have stood the test of time. In that time, nothing came close to taking its throne as the best videography and photography tool when it comes to low-light scenes. The camera is the weapon of choice for plenty of aspiring videographers for obvious reasons. The new one has a lot to live up to.

There are a few similarities from the A 7S III and the A 7S II. For one, it records at 4K resolution 10-bit still. But instead of shooting at a measly 30 frames a second, the new A 7S III now records at 120 frames a second. That is a large improvement over the older A 7S II. It also outputs up to 4K 60p 16-bit output via a full-sized HDMI port.

Source: Sony

You might not want to put this beside the Canon EOS R5 though, it is more of a Canon EOS R6 contender, if you ask me. The A 7S III still shoots from a 12.1-Megapixel Full-Frame CMOS sensor with a small, but significant improvement. The new Exmor R technology means that the Rolling-Shutter problem that the A 7S II and A 7S had is now reduced to a barely noticeable level at the worst.

Better Pair of Eyes

Source: Sony

The A 7S II was known for its ability to “see” even better than our regular eyes. The A 7S III improved on that with an even bigger native ISO range at 40-409,600. There is no need to be afraid of noise too with about 1 more stop on noise reduction at highly sensitive ISO settings and 15 dynamic range stops. This will ensure that details do not get murky in low-light shoots. Even S-Log3 allows you to record from ISO as low as 160 if you really need to. Say goodbye to the ND filters you have bought for the A 7S II.

There was a small issue with Auto Focus when it comes to Sony cameras of old though. They have corrected that with the Sony A 7S III with their new Fast Hybrid Auto Focus system with 759 points of Auto Focus points covering 92% of the sensor. We have seen the technology implemented on Sony’s A 7R III and A 7 III.

Longer Shoots, Better Feel

Recording 4K videos for a long time creates plenty of heat. Sony devised a new heat dissipating mechanism to ensure that you an continue recording at 4K continuously for at least an hour. We suspect that contributes a little bit to the bigger overall package size. Of course, you still get the highly acclaimed 5-axis stabiliser within the compact body.

Source: Sony

A larger package also means that you can fit more things into it though. The A 7S III allows you to work with two memory cards now. You can either choose to work with two regular SD cards or two new standard CFexpress Type A cards for even higher speeds to work with. You need that for 100mb/s card write speeds when shooting at 4K resolution.

In terms of ergonomics, besides the thicker body, there are a few changes to how the button layout and arrangement. For example, there is a new joystick at the back with a slightly different dial button. The record button has been moved yet again. It is in a much improved location though – near the shutter button. Even the mode select button is raised a little higher for better accessibility.

Instead of the limited flip out LCD display with limited play, Sony has finally adopted the vari-angle LCD that plenty of users prefer. This allows you to place the Sony A 7S III anywhere at any angle and you do not need a secondary monitor to see what the camera sees.

Availability

Source: Sony

If you are looking for a replacement of the aging Sony A 7S II, you may not have a fitting replacement until now. No, not the Canon EOS R5, the new Sony A 7S III. No, it does not shoot at 8K, but 4K is still plenty more than enough these days. With better colour science, higher ISO sensitivity, and better noise removal, this is the only way to beat the reigning king of low-light.

The Sony A 7S III will be available in Malaysia from October 2020 onward. There are no mentions on price just yet though. We are guessing that it would be priced slightly above the price of a brand-new A 7S II body (roughly between MYR 8,500 to MYR 9,000 for body only). Of course, there are still plenty of lenses for you to choose from with the new A 7S III.

Photography is the Word – The Case of Replacing Your Camera with Smartphones; Should You?

Photography is a wonderful thing. Everyone loves a good photo. A good photo can be shared with the world to convey stories, to eternalise important moments, to remember. It allows you to see the world or environment as someone else does. It allows you to express yourself too. A Picture speaks a thousand words they say; and it still rings true. 

We also always believe that photography is the fundamentals of any visually related productions. Videos, for example, are just compilations of several thousand photographed frames put together side by side to create a bigger, clearer, and more specific story. Illustrations are merely a photograph of your imagination put into a canvas.  

The Tool of the Trade 

For years, photography holds a very significant place in humanity. It captures our pivotal movements, it captures history. It keeps our legacy, our memories, our achievements in a single piece of paper that it prints on.  

Photo by Anthony DELANOIX on Unsplash

Back then, when the first camera was introduced, cameras are huge equipment that can hardly be carried around. Setting them up takes time, getting a good amount of light is also crucial to get the best photos. After all, photography is merely an act of capturing light. 

When the handheld camera was introduced, it became a sensation for photographers; now they can carry their gear anywhere and work wherever, whenever. It was a simple hardware with a mirror inside and sensor to capture light. It was rudimentary and colourless still; pretty much black and white. If you need extra lights, you need to carry around a large flash tool as well that explodes (sort of) in people’s faces to give them light. 

A little later they manage to attach the flash module to the camera. It is still no small thing though. It still looks like it could replace your sling bag and weighs more than the average camera today.  

The Modern Tool for the Modern Photographer 

Today, if you get into the field of photography, you will be spoiled for choice. There are always two camps in photography; those who prefers the ways of films, and those who champions digital photography. Yes, there are those that has both types of gear; let’s face it though; you will have to start choosing at one point to go with either film or digital. Most professionals have moved to digital photography thanks to the flexibility and simplicity of the format. There is the matter of long term costs as well.

We do understand the appeal of film photography though. There is a very classic feel when you hold a film camera. With films, every shutter press matters, every press counts. A wasted shot is a shot you will never get back. You get a sort of warm, fuzzy feeling when you see a printed film photograph. It is just irreplaceable.

Photo by Randy Graf on Unsplash

Yes, even in a film camera, the sensor size plays a little bit of a role in the sort of photos you get too. There are even wide-angle format films to fit ultra-wide sensors in the film camera. In general, films in general produce higher detail shots with less distortion. Depending on lens filters, sensor types, film conditions, and sensor condition, film cameras can have more accurate colour reproduction too.  

Then there is the digital camera, the modern tool for the modern photographer, be it an enthusiast or a professional. To be fair, when the format was first introduced many years ago it was not very good. Thanks to the heavy reliance on megapixels, which are basically the number of dots that you can cram in a photo, the large sensors that does not have that many pixels packed together was not very good.  

Photo by JESHOOTS.com from Pexels

The digital camera has evolved to the point that we cannot imagine a world without digital cameras. You have the new Sony Alpha 7 R Mark IV with more than 50-Megapixel (64-Megapixel to be specific) crammed into its full-frame sensor; something quite unheard of before. That could spell trouble, but then again, we have come to a point where full frame sensors are kings. We are also beginning to find out the limits of the full frame sensor – how much we can push the full frame format. 

The Modern Pocket All-in-One 

Then there is something we carry in our pockets everyday these days; the smartphone. These days, the stress and emphasis that I put on the camera performance of that little thing in your pockets are tremendous, ridiculous even. This was quite inevitable too though, not thanks to demand; thanks to marketing, thanks to Apple, and Samsung, and HUAWEI, and HTC.  

Photo by Deny Abdurahman on Unsplash

There are several reasons why smartphone manufacturers push camera prowess and photo quality as their main selling point. One of the reasons would be technical, theoretical processing power of the device’s chipsets. Powering a camera requires a large amount of processing power. Processing a 12-Megapixel photo, for example, is quite unthinkable with phones that came out 10 years ago. At that time, you get devices with 5-Megapixel cameras and that is as good as you can get them. Even launching the camera application takes some time thanks to the lack of processing power those devices had.  

We can go into little details to why that is so. If we do though, you and I are going to have to do some maths, so let us not. To simplify it even further, take digital cameras that are taking continuous photos without stopping. You see full-fledge, expensive DSLRs taking up to 7 shots a second and then after a few more clicks. You will not get anymore clicks out of it until a little later. The processor built into the camera needs sometime to process the photos and store them into the memory card. 

Photo by Torsten Dettlaff from Pexels

Yes, a smartphone processor can complete that same task, in the case of a high-end processors, they could work just as well. Most of the time though, they would be a little lacking. Still, take a high-end smartphone and take continuous photos and you find that the device starts to slow down as well. Take a flagship that is a year to two years old, and you will find that it will be even slower, they sometimes fail too.  

Still, you get smartphones like the Xiaomi Mi Note 10 where they cram as much as 108-Megapixels from the little things you call a camera sensor in the smartphones and pass those as super high-end cameras that you can replace your full-frame Sony A7S II with. The Chinese brand manufacture in orange are not the first manufacturer to do that though. The other premium Chinese brand in red is also guilty of such far-fetched claims.  

The 108-Megapixel shooter on the Xiaomi Mi Note 10, to be fair, is not from the usual OEM, Sony. It is from a company that has been pushing the mobile technology like crazy, that is Samsung. Of course they installed the outrageous 108-Megapixel sensor on their very own Samsung Galaxy S20 Ultra. That is also the ultimate iteration of their own sensor, in their minds. In that device, you can use the sensor, combined with a 48-Megapixel sensor to zoom to about 30x factor. You start to lose detail though if you zoom in that close. They can digitally zoom to up to 100x too, but you really lose all details on that kind of zoom. Your hands would have to be as steady as a rock too.

In truth though, for most users, who only does photos for the #grams (Instagram), a smartphone like the Huawei P30 or even the Xiaomi Mi Note 10 is powerful enough. However, even if it is for Social Media, a proper camera would help plenty in the quality of your posted photos too; trust us. If you are a serious photographer though, be it a regular hobbyist, a semi-professional, or a professional, a smartphone camera is never enough. 

Size Matters 

Do not let anyone tell you otherwise; in photography, size matters. Well, sensor size matters in photography. The smaller they are, the less powerful they can be. At least that is the current predicament they are in.  

Photo by Alexander Andrews on Unsplash

Bigger

There is a reason why the print industry goes for sensor sizes bigger than an odd smartphone battery. When you need to print a photo to be pasted to a billboard, you always need photos that comes from medium format cameras with Megapixel counts that go over 50. That is because medium format cameras captures light better, in turn; you get highly detailed photos with near true to life scale. That way, when you are printing a photo taken out of a medium format camera, you can get a billboard size printout and still get amazingly sharp details from the photo.  

Photo by Pierre Châtel-Innocenti on Unsplash

The smaller you go, the less light the sensor can absorb. Well, it is just the law of physics; there is less surface area that captures light. Because of that, you get blurred out details when you go closer to the photos, when you zoom in. You get softer lines, less defined structures. It might be fine if you are taking a photo of a landscape or landmark. If you want to take portraits of a person though, you want to capture those lines, those creases on the skin, the hair folicles. That is why medium format is still the way to go for when your industry needs a large print.  

Big

Of course, the most popular format in the professional scene is still the full-frame that we are quite used to. That in itself has the advantage of being lighter and smaller than the medium format. Plus, plenty of the lenses you can get your hands on in the market are made for full-frame lenses. 

Source: Petapixel

A full-frame sensor though is quite a little bit smaller than medium format. That means that it captures less light, and theoretically should not be pushed past 50-Megapixel. The more megapixel you cram in, the more problems with capturing light you have. There is a reason why Sony’s A7R III camera does not do that well in low-light conditions as compared to the 12-Megapixel Sony A7S III. Still, better than small sensors like APS-C cropped frame sensors, right? 

Small

APS-C sensors exist because people want even more compact cameras and they want interchangeable lens cameras for less money. That is not to say that professionals or enthusiasts cannot use them. Take Sony’s brilliant A6500, or Canon’s M6, or Fujifilm’s highly popular X-T series. Those are brilliant APS-C cameras that are made for not just enthusiasts, even professionals can use them, especially if they are mostly reproducing their work in digital formats; you really do not need more than an APS-C in most cases. Of course, you still get better result with a full-frame or a medium format; if you have the money for them. 

Even Smaller

So, what if you cram all that you need in an even smaller sensor, a sensor you can fit into a smartphone. You are getting a sensor smaller than your modern MicroSD cards, smaller than the NanoSIM format. The light captured from such a small sensor is even less. That also means that you are really not getting any kind of significant details from a single photo. The only way for the software in your smartphone to produce any significant photos you can use is to mash a couple of photos of the same things and fill the details in with those photos. In essence, you are super sampling your photos. That can be quite taxing on your smartphone’s processors though, and that is why your smartphone’s camera slows down and fails after a while (my own Samsung Galaxy Note9 has done it a few times).

The worst part is that the small sensors are not supposed to do any good in low-light photography. The only way you are going to see good low-light photos on a sensor as small as the ones in a modern smartphone is thanks to some software trickery within your smartphone and its processing chip. Technically, that is what your smartphone does anyway; again, that is why your smartphone’s camera slows down after a year or two.  

Photography Essential? Or Snob Photography? 

We are not pointing out any single camera mind you, we are talking about proper cameras in general. There are good ones, and there are bad ones that you can buy in the market. Generally, you will not go wrong with the reputable ones like Sony, or Canon, or Nikon, or Fujifilm. There are other brands in the market obviously, like Leica for example, who makes stellar cameras as well; for a price. There are also people like Hasselblad and Mamiya that does professional grade, medium format stuff. If you are looking into videography, there are brands like RED or BlackMagic that does their stuff very well too. Let us stick to photography for now though. 

Control is Everything

Photo by Kelly Sikkema on Unsplash

While many may argue that the smartphones’ cameras have caught up to DSLRs; I respectfully disagree. Getting a proper camera gives you plenty more control over your shots, you get a larger ISO range, larger aperture range, higher exposure control, more control over shutter speeds, and more control over your image focus. You get to play with more lenses too, although you have to fork out plenty more money for that (they are worth it, trust me). On a smartphone camera, while you get to shoot in RAW and have more control in ‘Pro’ mode, the ranges of control are just not enough, even the latest Xiaomi Mi Note 10 has its own limitations.  

On a DSLR, or a mirrorless system that is ever so popular right now, if you need a larger lens opening, you can swap your lens out to another lens with larger aperture, which incidentally gives you better depth of field effect too (bokeh). Need low-light shots? Find a tripod, slow down the shutter speed, open up the lens aperture, push the ISO higher and you get a nice photo at night. Some cameras are equipped with backlight boost these days too. Need to zoom in a little closer than normal? There are zoom lenses equipped for that. Need to focus on a subject that is off-center? Sure, you can manually adjust the focus or let the autofocus do its job; plain and simple. 

The Ends Justifies The Means

You most likely get better results from proper DSLRs too. You get better details in any lighting conditions comparatively. Depending on manufacturers, you get better colours too, and they are consistent. Thanks to better control over your settings, you also get the same results every time, anytime. You have more control over your photos, means you can take more photos and just choose the ones that you like most.  

The memory card you have in your camera is dedicated to taking in photos and videos from the camera too, so there is no need to worry that your photos are taking up more space that it should. If you need to colour correct, there are tools on your smartphones to do that; since most modern cameras are equipped with Bluetooth and WiFi for image transfer and shutter remote.  

Size Still Matters

The only downside in all these is the fact that a dedicated camera, even a mirrorless camera is still much larger than a modern smartphone. They are much heavier too, these cameras. If you consider a regular set up for most photographers (one camera body with up to two prime lenses and a single zoom lens), you need a proper bag to carry them. A smartphone just needs your pocket. Still, if you do have a gear bag for your camera and its gears, you have some more space for a notebook PC to work with and more than just a smartphone.  

Essentially

Photo by Andrik Langfield on Unsplash

In our humble opinions then, a proper camera still has its place in photography. In fact, if you are getting into photography and is considering to get a high-end smartphone or a camera, we will always recommend you to get a cheaper smartphone and a proper camera set-up instead. A proper camera will always give you better results and more creative freedom and control than any smartphone camera. It is true now, and it should still stay true through 2020 and a few more years to come. We might revisit this topic again way later though. For now, the proper camera is still photography essential. What do you think though? We would love to hear thoughts in the comments!