Whenever you go about choosing a camera system to buy for yourself. You are always stuck in a dilemma of some sorts. You must choose between the full frame format or the APS-C cropped sensor format. Generally, cropped sensor cameras are way cheaper because the sensor is smaller (hence, cropped sensor), and therefore the materials required to cocoon the sensors are less. There are differences and compromises for both APS-C sensors and full frame sensors, obviously, but we are not going to get into that for today.

There is plenty of reason why you want to go for an APS-C sensor other than its cost. Because they tend to be smaller and more compact, they are more versatile in different conditions. Even their lenses can be made smaller and more compact because APS-C sensors technically capture less light than full frame sensors. Thanks to that, APS-C specific lenses are cheaper to make and purchase as well. Of course, if you are into film making, the APS-C sensor size is perfect for Super 35mm film format.

There is a problem, however. Because everyone is so focused on bringing in more lenses for the full frame format option, the APS-C cameras get a little less attention. Sure, you can technically use full frame lenses with APS-C cameras, but they tend to get a little expensive. Sony has not forgotten that they offer a variety of APS-C mirrorless cameras too, thankfully. They have just announced three APS-C lenses that videographers and landscape photographers can enjoy.

E PZ 10-20mm F4 G

Yes, it is a G Lens. How do you tell? There is a ‘G’ behind the name, obviously.

It is a very short lens though at 10mm-20mm. For photographers, this is quite perfect for wide-angle photography. It allows you to capture more in an environment than regular lenses, perfect for landscape photography. Sure, you can capture portraits too, you do have to move rather close to the subject though. That said, a good selfie never hurts anyone.

At 35mm, the lens becomes a sort of 15-30mm lens, which is still rather short and wide. For video work, this is the perfect lens when space is a constraint, and you need to move rather close to your subjects. It is also a perfect vlogger camera in a lot of sense. The short focal distance allows you to use the camera at an arm’s length and you still get to capture the large canvas behind you.

It is also the lightest lens of its kind in its class. It weighs just 178 grams, 20% lighter than the SEL1018 lens it replaced. Thanks to internal zoom and focus mechanisms, there should not be any focus breathing while the camera changes its focus too.

E 15mm F1.4 G

The F4 offered by the 10-20mm zoom lens may not offer very deep ‘bokeh’ for your photos and videos. For that, you need a fast lens with large aperture. You need a 15mm F1.4 G lens.

Wide lenses are known to have some distortions on the outer edges of the images they capture. Sony’s know how in lens making though effectively compensates the distortion. At the same time, the three aspherical elements in their optics also allow the corners to be captured in detail reducing blurs and resolution loss at the corners.

Of course, F1.4 aperture allows photos to be taken with beautiful ‘bokeh’ in the background, especially in low-light photography or film making. With a focusing distance at just 170mm away from the subject, your ‘bokeh’ can really shine.

For video work, it is important that the focal length does not change even when the camera is focus hunting. Like the zoom lens, the internal focus mechanism allows the 15mm lens to focus hunt while eliminating focus breathing effects.

It is a heavier prime lens over the zoom 10-20mm. It weighs in at 219g, which is still technically not a lot of weight. It is still perfect for vlogging if you just want one focal length and be done with it. It is also wide enough for you to capture most of what you see in the background as well, so your vlogs get a little more flavour from the background.

E 11mm F1.8

If 15mm is not wide enough for you though, you can get your hands on an 11mm lens instead. It features all the same construction feature as the 15mm, which also means you get less focus breathing. The same aspherical elements also eliminate distortion and improve resolution in the corners of the photos taken with the 11mm lens.

At 35mm, you are shooting at 16.5mm focal length, which is still quite a perfect distance as a vlogging lens. At the same time, it is the perfect lens when space is an even bigger constraint in shoot locations. It is lighter than the 15mm as well at 181g, perfect for a quick ‘run-and-gun’ shoot condition.

While the aperture is not as large as the 15mm lens at F1.8, it is still quite a significant opening. The large opening allows the lens to capture plenty of light in low-light conditions and still produce beautiful looking ‘bokeh’. You can go even closer to your subject too at a minimal focus distance of 120mm.

Price and Availability

The three lenses that Sony has just announced are now available in Malaysia via Sony’s authorised retailers and concept stores nationwide. The E PZ 10-20mm F4 G will set you back MYR 3,299, the E 15mm F1.4 G will set you back MYR 3,299, while the E 11mm F1.8 will set you back MYR 2,399). More information on the new Sony lenses can be found on their website.