Canon has announced quietly that they are going to be focusing more on the mirrorless market segment than the traditional DSLR. While this does not mean that the DSLR format is dead, it is a significant sign that the photography and film making industry is moving forward and championing mirrorless technology, after many years in the making that is. It is also quite hard to believe that Canon, the largest camera brand that has championed DSLR and made countless lenses for the market, would move to mirrorless systems completely. The newly launched Canon EOS R100 should make you believe that Canon is really moving toward the mirrorless direction.
Unlike their higher end EOS R series of cameras, the EOS R100 is an APS-C format camera and is meant to be one of the more compact options in their mirrorless line-up. It is, in effect, Canon’s lightest camera at merely 356g (body only). Unlike their old M-series of mirrorless cameras, the EOS R100 is compatible with Canon’s latest RF and RF-S lenses, which also means that this camera will have plenty of future support still. Of course, you can still adapt it to older EF lenses with the EF-EOS R mount adapter if you already have some EF mount lenses on hand.
Source: Canon
The APS-C CMOS sensor found in the EOS R100 is a 24.2-Megapixel unit that is also capable of shooting videos at 4K (24p) resolution and up to 120p Full HD high speed videos. The new EOS R100 also offers Eye and Face Detection even in video recording mode to ensure that your subject is always in focus. With compatible lenses, you also get the highly acclaimed in-body stabilization features for both your videos and photos. While there is a high-resolution EVF and a 1.04 million dot LCD for you to work with, the built-in LCD display is fixed in its place, meaning that you might want to think about getting a secondary monitor when it comes to video work. It is also not a touch sensitive display, which means you do not get touch focus functions here.
Content creators might enjoy the EOS R100 still though. There is a Hybrid Auto mode that puts together a bunch of your phones and video snippets into an easy to digest movie of the day of some sorts. There is also a 4K Timelapse video mode for you to quickly and easily shoot a timelapse video with pre-determined intervals for a smooth looking, high-resolution timelapse video that usually takes hours to stitch together. On top of all of that, the camera offers plenty of Creative Assist modes that offers you things like ‘background blur’ for that desired portrait effect. You can even quickly change your ‘brightness’ and ‘saturation’ settings without messing about with things like ISO, shutter speeds, and aperture; the camera does it for you. If not, there is Scene modes and Scene Intelligent Auto that automatically adjusts your camera to whatever it thinks is best for your frame. To complete the look, there are Creative filters for you to play around with too.
Price and Availability
Currently, at US$ 480 (MYR 2,379*) onward, the Canon EOS R100 is Canon’s most affordable mirrorless EOS R series to date. There are no mentions of any other colour option currently except for black, as usual. They are also no mentions of the official arrival of the camera in Malaysia currently. Based on the quoted official price in Malaysia though, we can expect the camera to be coming to Malaysia soon. More on the Canon EOS R100 can be found on their website.
They say if you are looking for a desktop PC, you do not buy a pre-built desktop set. While that may generally be true, we think that there are some exceptions. We think Acer’s Predator Orion gaming towers are part of that exception.
Pre-built desktop towers do have their place still in the personal computing market. It is for those who want the convenience of a PC tower without the hassle and knowledge of picking the right parts at the right prices and putting them together yourself. A pre-built gaming PC like the Orion set-up is made for those who just want the best plug-and-play gaming solution so that they can focus on the gaming instead of the whole process of putting a PC together.
Most of the time, when you buy a pre-built gaming tower though, you get a mid-size tower that can take up a little bit of space on your desktop. Not the new Predator Orion X that Acer has just introduced in their next@Acer 2023 though.
The Power of Orion
Source: Acer
Welcome to what is probably the most advanced Predator desktop tower ever made, the Predator Orion X. It is Acer’s most powerful gaming PC to date, and it is not hard to see why. It packs Intel’s very rare and very powerful Intel Core i9-13900KS Special Edition. Alongside the most powerful Intel processor you can buy today is also the most powerful GPU you can find on the market today – the NVIDIA GeForce RTX 4090 GPU. You get up to 32GB in RAM and up to 2TB in storage. Those components are not just what made the Orion X the most advanced and unique Predator desktop to date though. It is the size of the Orion X that makes it the most unique Predator product to date.
It is packed in a rather small case, smaller than the outgoing Orion 3000, half of the Orion 3000 in fact. While small form factor PCs are not something new, how clever the Predator is though, the compact desktop industry could learn a thing or two from the construction of the Predator Orion X. The way Predator constructs the Predator Orion X allows easy access to the components for future upgrades and even cooling avenues for the powerful hardware.
No, the Founder’s Edition NVIDIA GeForce RTX 4090 GPU will not fit into this little case. Yes, the Founder’s Edition NVIDIA GeForce RTX 4090 is the smallest air-cooled RTX 4090 card there is. Who said anything about air cooling the graphics card though?
Advanced Cooling Solution
Source: Acer
The Predator Orion X’s CPU and GPU are both liquid-cooled, a first in the Predator Orion line-up. The custom liquid-cooling solution allows the graphics card package to be a lot more compact than even the Founder’s Edition card for a package as small as the Orion X. It also keeps the CPU running happily to its limits without the worry of restricted airflow in a smaller case.
Predator’s think tanks have designed the chassis to have three distinct “zones” as they put it. They divided the chassis into three different compartments for both easy access and optimum airflow to each powerful component. Zone 1, or the first compartment, at the right side of the chassis is where you find the main motherboard and CPU components. Easy access to the mother board also allows you to conveniently replace or upgrade your SSD. You can also easily swap out your PSU (Power Supply Unit) from Zone 1. Then you have Zone 2, right behind Zone 1 where you can easily access the GPU unit. There are also 2.5-inch SATA SSD trays and slots here for you to add even more storage to the compact PC. Zone 3 sits at the top of the desktop tower. There, you get access to the fan and 240mm radiator for the custom liquid-cooled loop. The pump for this radiator set-up sits on top of the CPU cooling block to keep things even more compact.
Sci-Fi Level Access
Source: Acer
They say that the Predator Orion X is inspired by Sci-fi, more specifically a space capsule. The entire thing, including the liquid cooling system weighs only 9kg. With “sci-fi” in mind, they used plenty of aluminium on the chassis; the top and side panels are made of aluminium. The front has some aluminium that houses some RGB strips to create that signature Predator logo. It is covered by a glass panel just to add to the drama and sci-fi feel and look. To make it even cleverer though, all the essential panels can be disassembled without tools. The latches holding on to the top and side panels are conveniently and cleverly numbered, accessible from the front panel. The only thing holding the latches in place is the glass cover that attaches to the front panel via magnets, so that is tool-less too.
It is not like you are sacrificing much in terms of connectivity with the compact Predator Orion X too. The motherboard packs Killer Wi-Fi with Wi-Fi 6E support so that you can place the Predator Orion X anywhere in your house and game online without the fear of unstable connections. It is also especially useful for LAN parties, if we must point out. There are two USB 3.2 Gen1 USB Type-A and Type-C ports easily accessed at the front panel. The front panel also offers a 3.5mm combo jack in case you want a robust headphone set-up to go with your Orion X. Of course, if you prefer a more wired interface for the internet, theres is the usual RJ45 port at the back alongside three USB 3.2 Gen2 Type-A ports, and a USB 3.2 Gen2x2 Type-C port.
Price and Availability
The Predator Orion X will be available in the North American markets in September 2023 onward. No colour options to choose from here, just the signature black that any Predator Orion products come with. Prices will start at US$ 2,999 (MYR 13,310*). There are no confirmations on its availability date just yet in Malaysia. For more information on Predator Orion X, you can head over to their website.
*Approximately based on exchange rate of US$ 1= MYR 4.44 as of 22/04/2023 on xe.com
We are fans of Sony’s products. There is hardly a product in their stables we do not like or would not recommend. This one, we find a little difficult to recommend. It is not that we do not like it; we do. We think that it is a product targeted toward a rather niche group of people.
Welcome to the Sony ZV-1F, a compact camera from Sony that comes with a fixed lens. It is based on Sony’s rather brilliant and highly popular ZV-1. The most interesting thing about the ZV-1F, we think, is that it features a 20mm fixed lens.
It will set you back MYR 2,599, about MYR 800 less than the ZV-1, making it more accessible. It is still a premium product though. While the ZV-1F lacks a few features, it is lighter than the camera it is based on too, which is always welcome even for compact cameras.
Other than having a fixed lens with large aperture, it seems like there is little else that is special about this ZV-1F. In that case, why bother with the Sony ZV-1F? Should you pay attention to it? We dive in to find out.
Design
The ZV-1F looks strikingly similar to Sony’s ZV-1, which should not come as a surprise at all. The only difference is that the Sony ZV-1F packs a fixed lens that does not tuck in or unpack when you turn it on.
It is a compact camera, there is not much to say in terms of design here. It is a rectangular aluminum box with a bump in front for a grip mound, and a short tube that houses the lens. For the money you pay, you get a tiny light package. While it is a little on the lighter end, it still feels like a quality product.
We appreciate the swiveling display. It is useful if you plan to use the camera for vlogs, replace your webcam, and even take self-portraits. Since it is based on the ZV-1, it takes on all the accessories that the ZV-1 works with as well, that includes the remote grip. While the test unit you see here is black in colour, there is also a white colour option if you want.
Hardware
Internally, you get mostly the same components from the Sony ZV-1. You get the same image processor, the same 1-inch sensor, and even the same battery and memory card slot configuration. You can charge the camera with USB Type-C cable too. There is more to the USB Type-C port to just charging too.
Specifications
Sony ZV-1F
As tested
Sensor
1.0-type Exmor RS CMOS 3:2 aspect ratio Approx. 20.1-Megapixel
Electronic Shutter (1/4″ – 1/32000) Contrast-detection AutoFocus ISO125-ISO6400 (up to ISO12800) up to 16fps continuous shooting
Video Recording
XAVC S 4K: 30p 100M/60M, 24p 100M/60M XAVC S HD (Full HD): 60p 50M/25M, 30p 50M/16M, 24p 50M, 120p 100M/60M
Miscellaneous
USB Type-C charging/data transfer Battery Pack NP-BX1 Bluetooth 4.1 WiFi 802.11b/g/n 2.4GHz Band
Features
Everything on the ZV-1F is simplified to ensure that you get access to its most important features. There is still a zoom toggle on the camera. It is not optical zoom though, just digital zoom.
4K 30p Video Recording
The Sony ZV-1F is made for vloggers. The sensor captures videos at up to 4K 30p, just not at 10-bit 4:2:2 colours, though that is nothing to complain about. Having 4K capability also means that you are getting more details in your videos for great looking vlogs.
One Less Frame to Think About with Fixed Lens
While most consensus would say that having a fixed lens on a compact camera is a bad thing, we think there are some benefits. Having a fixed 20mm lens means you know how your frame looks every time you turn on your camera. In that case, you just know where to stand to get the right image through.
At its native zoom length, your frame is perfect for selfies at an arm’s length. If you find that the frame is too tight, you can invest in a cheap selfie stick, or get the remote grip attachment from Sony. Your vlogs are even more instantaneous than ever before since there is no zoom to mess with.
The Might of Sony’s Accessories
Sony has various mic attachments that work with the proprietary hot shoe mount on top of the camera. The hot shoe mount is a blessing in modern compact cameras. It allows you to play with all sorts of attachments that may not even be from Sony.
Of course, if you do not want your set-up to be a cable mess, you go with Sony’s various clever accessories. We mentioned that you can work with Sony’s remote grip that is connected via Bluetooth. You can have a shotgun mic too for better directionality. You can even work with Sony’s XLR expansions too if you want.
The Webcam Replacement You Want
The ZV-1F’s USB Type-C port is your charger and data outlet. Here is where the ZV-1F becomes one of the best tools for content creators too. You can turn the Sony ZV-1F into a 4K webcam without a capture card.
It is also rather simple to work with. You only need to connect the ZV-1F to your PC via USB cable. On the camera itself you select streaming mode. You do not even need to have Sony’s proprietary software for this to work. You can even turn the camera into your designated microphone for clearer audio.
Obviously, using the ZV-1F as a streaming camera or webcam offers better image quality over regular webcams. It is also significantly more expensive than regular webcams. It is an investment to get better quality images and streams.
Sony Imaging Edge
Using the Sony Imaging Edge suite on PC allows you to control your camera remotely and transfer photos and videos off your camera without ever pulling the SD card from your camera. If all you want from the ZV-1F is a webcam replacement, you can go ahead and skip the software for your PC. For your smartphone though, Sony’s Imaging Edge can be quite useful.
On the smartphone, you can use the app to control your camera and use it as a remote display, a rather nifty and useful feature when you just want to place your camera on a tripod and record away from the camera. Using the Imaging Edge app as well, you can take photos using the camera directly saved to your smartphone device. Same goes for 4K videos.
Made for Social Media
Within the camera itself, you can technically shoot videos that are optimized for social media. Well, there is shooting vertically, which is nothing special technically. There is something else you can do on the camera.
Before you transfer your video clips into your smartphone, you can choose and cut out 15-, 30-, and 60-seconds clips within the camera itself. You not only save storage space on your SD card, but you also cut out all editing nuances from your smartphone itself. It allows you to easily pick out clips and put them together before posting them on TikTok, Instagram, or even Facebook.
Performance
You get a 1-inch sensor that shoots at 20.1 Megapixels. You can also record videos in 4K resolution. The lens shoots at 20mm wide angle. The image quality from the ZV-1F is very similar to what you get from Sony’s ZV-1. This should not come as a surprise though; they share the same imaging sensor and even the same image processor. The only difference between the two is the lens on the ZV-1F.
Imaging
Without the zoom lens, you lose the flexibility of adjusting your frame from where you stand. In that sense, some might struggle with it when you need a larger or smaller frame for their photos. For self-portraits, the frame is tight enough to properly frame your face within that arm-length. if you do want to capture a self-portrait with a larger group, you might want to space your friends out a bit behind you.
Still, once familiar with your frame, you can get the ZV-1F to work very nicely for you. The images you get from the compact camera are detailed enough that it will look good on any social media platform. If you dig deeper and zoom in on the photos, you can see that the photos are much sharper in the central region, where Autofocus works. At the edges, the focus seems to be a little softer. With portraits, you get a natural looking depth-of-field (bokeh) effect, which is always nice.
In terms of colours, in auto mode, photos produce rich colours. There is a very slight orange tinge to the photos though. It adds to the vividness of the images and colours, but it does take away some neutrality to the photos. While it means that your photos are ready for social media almost immediately taken by the camera, you might have a slightly harder time if you are looking to colour grade your photos. You can still take RAW photos though.
Small Camera, Big Videos
One of the biggest attractions to this camera is its 4K video capabilities, though only at up to 30p. You can also get those crisp slow-motion videos in Full HD at 120p. That also means that you get an extra layer of flexibility in terms of your creative shots for your vlogs.
While you are not getting 4:2:2 10-bit colours from the ZV-1F, you are not missing out on too much especially if you share your contents on social media. Most of the time, shooting vlogs is a run and gun thing. In that sense, the colours look good and accurate enough without colour grading.
At the same time, recording 4K videos with the ZV-1F gives you a clean crisp image with plenty of details. You even get a nice depth-of-field effect that you get from more expensive lens. It is a fast lens though at f/2.0 allowing that cinematic bokeh in your background and putting the focus on the subject.
AF, but no Eye-AF
We find this a little disappointing. Not because the AutoFocus function is not great. It is a fast autofocus system they have here that easily keeps up with you in a shoot. It lacks the eye-AF system that is so useful on the ZV-1.
Without eye-AF, you only get a regular autofocus system that can reasonably keep up with you. In most vlogging situations, the AF system is clever enough to detect your face and follow it. It is fast enough though for you to work with once it gets a lock-on.
It is not perfect. We had some trouble getting it to focus on our test subject, a toy car. Since the focal distance is at a minimum of 7.6mm, we thought we could get the toy car to be in focus even when we close the distance between the camera and the subject. We had to pull away from the subject most of the time to get the subject in proper focus. We also had to tap on the screen to get it to focus on our subject when it is off center.
At MYR 2,599, the ZV-1F compact camera is not exactly a budget option. While it is more accessible than the ZV-1, it is still a lot of money for what some might describe as nothing more than a glorified 4K webcam. It does not pack Eye-AF, it does not have a zoom lens, and the lack of weight might not inspire plenty of confidence.
The thing is, there is still plenty to like about the ZV-1F. The ZV-1F is ridiculously light. It is not much more compact than the camera it is derived from, it is about the same size and therefore just as compact.
Because it is lighter than the camera it is based on, it feels quicker to work with. You do not need to spend on heavy duty tripods too. Since there are no zoom lenses to unpack, you are quicker to get to your photos or videos. It is an excellent webcam and mic combo replacement too.
At the same time, you are getting everything that is also great about the ZV-1. The ZV-1F can record videos at 40K 30p. It takes photos at the same 20.1 Megapixel as the ZV-1. If you think the ZV-1 takes great photos, you will be pleased with this one too.
In the right hands, the ZV-1F is a powerful entry-level and compact content creation tool. As a webcam replacement, the ZV-1F offers a much higher quality feed over regular webcams, even if you stick with 720p streaming over USB. It is also your mic replacement, on a budget. At the same time, taking the camera out for a vlog or taking a quick photo is easy. Since it connects to your smartphone wirelessly too, you can make quick work of any photos or videos you take on the ZV-1F before posting it on social media. You even cut an entire editing process out of your workflow with the built-in modes made specially for social media format contents. It is content creation made super easy.
FUJIFILM has been making strides in the camera market as of late. They just launched the FUJIFILM GFX100S, a 102-megapixel medium format camera that you can easily work with on the field. The GFX100S is a sort of evolution or shrinking (depending on how you look at it) of the impressive GFX100 they launched last year. The Japanese firm also launches the GF80mm with f/1.7, making it one of the fastest medium format lens money can buy.
They now also launch their new X-E4 mirrorless camera. The X-E4 camera, in contrast to the medium format GFX100S, is a compact shooter that weighs in three times less than the 102-megapixel monster. It is also the most compact of its series in its fourth-generation form at 364g (body only).
Source: FUJIFILM
Of course, how compact it is also depending on you, the user. The X-E4 is still an interchangeable lens mirrorless camera with FUJIFILM’s proprietary X Mount lenses. You can pair the X-E4 to FUJIFILM’s latest XF27mm f/2.8 pancake lens to make this real compact or go for a little more versatility with FUJIFILM’s extensive X Mount zoom lenses.
The X-E4 employs a 26.1-megapixel X-Trans CMOS 4 APS-C cropped sensor as expected from FUJIFILM. They are still the only major modern camera manufacturer that does not have a full-frame camera in their line-up. But the 26.1-Megapixel sensor is also packed with FUJIFILM’s latest X-Processor 4 for fast autofocus, 100% frame coverage area for autofocus, and even better tracking autofocus.
Of course, a compact camera needs to be versatile too. The FUJIFILM X-E4 shots videos at 4K 30p. It is not a regular 4K video though. The camera shoots at 6K to be oversampled into 4K 4:2:0 8-bit videos. It can also record videos at 4K 4:2:2 10-bit, but not internally. You can also shoot slow motion videos at Full HD 1080p resolution at 240fps if you need to.
Source: FUJIFILM
Source: FUJIFILM
Source: FUJIFILM
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Source: FUJIFILM
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Source: FUJIFILM
Source: FUJIFILM
Source: FUJIFILM
Source: FUJIFILM
Source: FUJIFILM
The FUJIFILM X-E4 will be available in Malaysia late February 2021 onward. It will also be available in two colour choices of Black and Silver, pretty much expected from FUJIFILM. The FUJIFILM X-E4 will also launch alongside the FUJINON Lens XF27mm f/2.8 R WR also available later in February 2021. There are no official pricing yet to be revealed for Malaysia at this time.
There is a reason why you hardly see a medium format camera out in the wild or used by street photographers. For one, they are quite humongous compared to the modern full-frame DSLR. That size also comes with some heft to lug around and that affects your mobility greatly. But thanks to bigger sensors, you cannot use your regular lenses made for the full-frame format. They are exorbitantly expensive as well, technically.
But there are some benefits to a larger sensor size like the medium format camera. One of them is the better photo quality thanks to the larger pixel size within the sensor. Because of the larger images produced by the bigger sensor as well, the photos can be printed to a larger poster format with no detail loss too. That is why most photos you see in an art gallery are taken with medium format cameras. Thanks to the larger sensor and pixel size too, the depth of field you get from the camera is quite incredible.
Source: FUJIFILM
Of course, they could make the cameras smaller today thanks to the mirrorless technology. The FUJIFILM GFX50S was one of the few options in the medium format segment with a sensor that fits into a smaller form factor of the full-frame DSLR camera body. In fact, it is a little smaller than some of the flagship class DSLR cameras. That said, it is still not a small piece of kit, nor is it light.
They managed to squeeze more performance into a tighter body with the brand-new FUJIFILM GFX100S though. Get this too, it packs a doubly powerful sensor than before. It packs 102-Megapixel from the same sized sensor from the 50-Megapixel GFX50S. We are entering large format category here.
That medium format 102-megapixel sensor is crammed into a camera body that weighs just 900g, like most full-frame camera bodies. This is way smaller than the FUJIFILM GFX100 launched last year. You also get a five-axis in body image stabilisation mechanics with the GFX100S with up to 6 stops. Thanks to medium format and FUJIFILM’s colour know how, you get incredible images from the FUJIFILM GFX100S.
Source: FUJIFILM
Of course, you need a very powerful image processor to work with more than 100 million pixels as fast as a regular full-frame DSLR camera. For that, they back the medium format sensor with their in-housed developed X-processor 4 CPU that features four cores to work with. The result is stunning 16-bit images with up to 281 trillion colours. Of course, those colours will not translate to it videos.
It is still a capable video shooter with 4K 30fps to work with though and at 10-bit colour colours. While it can shoot at 4K 30p with F-Log, we would recommend you to go with a different sort of camera if you are going to sink a lot of money into video camera workflow. This is a photography beast, a different sort of imaging hardware.
The new image processor also allows the GFX100S to have an even faster auto focus and even wider focus coverage area than before at 100%. The auto focus now tracks moving subjects even better than before for sports photography. You can get up to 5 frames a second in continuous shooting. It might not sound as impressive as Sony’s new mirrorless full-frame contender that can shoot at 30fps. Think about it though, this has a sensor nearly twice as big as the Sony’s sensor.
Source: FUJIFILM
Source: FUJIFILM
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Source: FUJIFILM
Source: FUJIFILM
Source: FUJIFILM
The FUJIFILM GFX100S will be available in Malaysia toward the end of February 2021. The FUJIFILM GFX100S will also be launching alongside the GF80mm f/1.7 G-Mount prime lens. The GF80mm is also currently FUJIFILM’s fastest medium format lens to date. There are no official local pricings for the new camera or the lens just yet. The FUJIFILM GFX100S will be available soon in the North American market (body only) for US$ 5,999 (MYR 24,255*) though, which is a little more expensive than the older FUJIFILM GFX50S.
*Approximate conversion rate based on US$ 1 = MYR 4.043 on xe.com on 2nd February 2021
