Tag Archives: ART

Last Chance to Register for NFTs of the digital Kiss by Gustav Klimt for Valentine’s Day

VIENNA, Feb. 9, 2022The Belvedere museum in Vienna and the NFT investment fund artèQ are in the process of launching an exceptional NFT drop: Whitelisting ends on Thursday, 10 February, midnight (Central European Time), Gustav Klimt’s masterpiece The Kiss will be available for sale in a limited number of 10,000 digital excerpts.

A high-resolution digital copy of the most famous depiction of a pair of lovers has been divided into a 100 x 100 grid, resulting in 10,000 inimitable individual pieces that are currently offered as non-fungible tokens, or NFTs. The "whitelisting" phase, when interested parties can register to purchase on the thekiss.art platform, started 26 January 2022 and will close this Thursday night, 10 February, at midnight or 00.00 am, Central European Time. If the sale is oversubscribed, allocation of the 10,000 NFTs will be decided by lottery. From 11 February, whitelisted buyers can complete the transaction within 24 hours. If any pieces are left after the whitelisting phase, they may be purchased from 12 February at thekiss.art. Each NFT can be purchased at an retail price of 1,850 euros (incl. minting costs and VAT), respectively 0.65 Ethereum (excl. minting costs, incl. VAT). The drop, or official release of the NFTs, will take place on Valentine’s Day, 14 February. The NFT may be dedicated to a loved one on the official site – a most romantic digital declaration of love!

The press kit is available here for download.

For more information please contact: presse@belvedere.at.

Picture is available at AP Images (http://www.apimages.com)

Contact
Belvedere Press
T: +43 (01) 795 57-185
M: presse@belvedere.at
www.belvedere.at

‘Non Fungible Penny’ A New Gold Penny of Henry III*

SINGAPORE, Jan. 22, 2022 — Metaverse Blockchain Fusion NFT company, Coinllectibles, a wholly owned subsidiary of Cosmos Group Holdings, Inc. (OTC: COSG) is pleased to announce that it has partnered with Spink to offer the First Ever Collectible NFT Coin to be offered by an international auction house. This will also be the first NFT ever issued by Spink, a renowned collectors’ auction house dating back to 1600s.

Like the yellow petals of the broom plant adorning the cap of the Plantagenets, the powerful immutability of this almost pure gold coin has remained untarnished and unexposed for centuries. That was until a chance signal on Sunday 26 September 2021 rediscovered its beauty, a beauty that has caused a viral media sensation across the globe in the days prior to auction at Spink.

About the ‘Non Fungible Penny’

This specially commissioned virtual moving graphic, to be minted into a similarly immutable Hybrid NFT, commemorates that unique moment, as the Hemyock soil is finally removed after 765 years to unearth the most important single coin find made in Britain for over a decade, and the first time a new coin of this type has been placed in the archaeological record for almost 260 years. Where once the coin fell from the pocket of Lord of the Manor John de Hidon, it lands in all its beauty not just in our hands but our combined consciousness. And why would our embattled and emboldened King Henry, enthroned for centuries not wish to give us a cheery wink as he is once more exposed to the world?

*In 1257 King Henry III of England launched a gold coinage. It was not a success and only seven of the coins are known to have survived, that is until September 2021 when an eighth was discovered by a metal detector in a field at Hemyock in Devon. It is the image of this eighth coin that is the subject of the present auction. Henry’s coinage was the first minted in gold since the Norman Conquest, all the Norman and Angevin kings having confined themselves to minting silver pennies. A series of questions naturally arise. Why did Henry mint his coinage? Where did the gold come from? Why did the coin have a unique design? How many coins were minted, and what happened to them? Why did the enterprise fail? Fortunately, the source material allows at least some answer to these questions. It also permits a suggestion as to how one of the coins ended up at Hemyock. 

Read the full story here: 
https://d3ums4016ncdkp.cloudfront.net/auction/catalogue/22104/22104.pdf  (lot 220 that precedes sale of NFT lot 221)

How to bid for the ‘Non Fungible Penny’ on Coinllectibles’ MetaMall

The h-NFT (Hybrid NFT) contains the ownership title to the private and commercial licences described therein with respect to the video Mp4 4k UHD file. Proceeds from the auction will be split over charities chosen by the vendor and Spink, specifically The Rodney Cook Memorial Fund and the Himal Foundation. 

To bid for the h-NFT, please visit Coinllectibles’ MetaMall, click on the project details and transfer your bids to the digital auction wallet. The details of the digital auction wallet will be made available at 7.00am UTC on http://www.coinllectibles.art/.

Bidders can bid for the h-NFT in either Binance Coin (BNB) or Colligo Tokens (COTK). A bid is considered when someone transfers BNB/COTK to the digital auction wallet and each bidder will be recognised by the unique digital wallet address. To illustrate, if Bidder A makes a bid for 2,000,000 COTK while Bidder B holds 2 wallets and makes bids at 1,600,000 COTK and 1,700,000 COTK respectively, Bidder A will be deemed the winner. While Bidder B made a total bid amounting to 3,300,000 COTK, they are deemed to be separate bidders due to the different wallet addresses.  

There is no limit to the number of bids and/or counterbids each wallet can make. 

To reconcile the different digital currencies, the conversion rates at 5.15pm UTC will be taken.  For the avoidance of doubt the winning bid on the Coinllectibles platform will be integrated in the Spink live auction, minus the 20% buyers’ premium charged by Spink, so all bidders are treated pari passu, and the Coinllectibles winner does not pay more than original bid.

If, in the live auction, no bids exceed the Coinllectibles winning bid, then the NFT will be transferred to the Coinllectibles highest bidder.

If, in the live auction, the winning bid is above the Coinllectibles winning bid (minus the 20% Buyers premium), then the NFT will be transferred to the live auction highest bidder.  Once the winner is announced, the h-NFT will be transferred to the auction winner while the rest of the tokens will be refunded.

Starting price for the h-NFT is GBP5 (USD6.70 or COTK2900, based on current exchange rates). and the auction will close at 5:15pm UTC on Sunday 23 January 2022.

Forward Looking Statements
This press release contains forward-looking statements. All statements other than statements of historical fact are forward-looking statements, which are often indicated by terms such as "anticipate," "believe," "could," "estimate," "expect," "goal," "intend," "look forward to," "may," "plan," "potential," "predict," "project," "should," "will," "would" and similar expressions. These forward-looking statements may include, but are not limited to, statements regarding future business activities including the expansion into the decentralized financing space. These forward-looking statements are not promises or guarantees and involve substantial risks and uncertainties. Among the factors that could cause actual results to differ materially from those described or projected herein include uncertainties associated with operating a business in Singapore and Hong Kong, risk of interference by the PRC government, ability to compete, that financial resources do not last for as long as anticipated, and that COSG is a holding company that may not realize the expected benefits of NFT’s offered by Coinllectibles™️. A further list and description of these risks, uncertainties and other risks can be found in COSG’s regulatory filings with the U.S. Securities and Exchange Commission, including in its current report on Form 8-K  filed on September 17, 2021. Existing and prospective investors are cautioned not to place undue reliance on these forward-looking statements, which speak only as of the date hereof. COSG undertakes no obligation to update or revise the information contained in this press release, whether as a result of new information, future events or circumstances or otherwise.

For media queries, please contact:

Ms Rachel Lim
Director, Marketing & PR
Rachel.Lim@Coinllectibles.Art 

About Cosmos Group Holdings Inc

Cosmos is a business group that operates in two business segments:

  • Arts and Collectibles  
  • Financing

Through Coinllectibles, the group provides authentication, valuation and certification (AVC) service, sale and purchase, hire purchase, financing, custody, security and exhibition (CSE) services to art buyers through traditional channels, as well as through leveraging blockchain technology through the creation of non-fungible tokens (NFTs).

With subsidiaries licensed under Hong Kong’s Money Lenders Ordinance, the group currently primarily provides unsecured personal loan to private individuals, with a small portfolio of mortgage loans.

The group is integrating the two business segments by offering secured financing services to prospective art and collectibles purchasers to provide a one-stop arts and collectibles purchasing and financing experience.

About the Company – Coinllectibles

Coinllectibles is an ACT (Arts and Collectibles Technology) company, which is redefining how the world thinks about art and collectible ownership in the digital age. 

Their minted curated Fusion NFTs, capture all the rights and independent valuation and ownership of physical arts and collectibles securely underpinned by smart contracts stored on the blockchain.

Coinllectibles™️ Fusion NFTs bridge the physical and virtual dimensions of the arts and collectibles market, providing a pleasurable, transparent, and frictionless experience to customers from all walks of life.

About Coinllectibles Fusion NFT
Coinllectibles prides the Fusion NFT as the industry "Gold Standard".  Being a Gold Standard, a Fusion NFT contains the following on the blockchain – (1) a sale and purchase agreement reflecting the purchase, by the person minting the Fusion NFT, of the underlying asset at a fair value with all rights and restrictions clearly detailed, (2) bailment terms governing the rights to possession whilst the underlying asset remains with Coinllectibles, (3) a transfer deed reflecting the transfer of the ownership of the underlying asset (together with all rights and restrictions) by the transferor to the holder of the Fusion NFT™️, (4) ownership title deed written into the description of the Fusion NFT and (5) the unequivocal identification file of the underlying asset, whose ownership is reflected in the title deed represented by the Fusion NFT. In summary, a Fusion NFT is a Digital Ownership Title (DOT) to the physical collectible it represents.

About Spink
Spink is the world’s leading auctioneer of Stamps, Coins, Banknotes, Medals, Bonds & Shares, Autographs, Wine & Spirits, Books and Handbags & Accessories. Since its foundation in 1666, the Spink name has become synonymous with tradition, experience and integrity. Holder of royal warrants and numerous records for prices achieved at auction, Spink offers an unparalleled range of services to collectors worldwide. Headquartered in London, with offices in New York, Hong Kong, Singapore and Switzerland, Spink holds over 70 auctions a year. Catalogues can be accessed through the Spink website (www.spink.com), Spink Live online bidding platform (www.live.spink.com) or via the Spink App for mobile phones and tablets.

Thousands of Music Lovers Join the HGC “Go Ahead, Performers!” Music Live

Riding on this huge success, more performers from around the world expected to join the campaign, encouraging youngsters to pursue their dreams

HONG KONG, Jan. 16, 2022 — HGC Global Communications Limited (HGC), a leading fixed-line operator and information and communications technology (ICT) solutions provider, announced the HGC "Go Ahead, Performers!" Music Live was successfully held virtually on 14 January. Various talented musicians and bands took part and delivered stellar performances, demonstrating an extraordinary start for the 2022 campaign.

Local singer Endy Chow
Local singer Endy Chow

In line with HGC’s belief in embracing a new era of diversity for Hong Kong through technology, the event confirmed the value of the branding campaign’s direction to inspire young people to be bold, pursue their dreams and let their uniqueness shine.  

To cope with the latest anti-epidemic measures and ensure the safety of the audience and staff, HGC "Go Ahead, Performers!" Music Live was an all virtual concert, however the performances were all highly enjoyable and just as memorable.

Local singer Endy Chow and the band ToNick were among the evening’s highlights, delighting fans with some of their most popular songs. Joining them for the virtual gig were The Black Sheepee, Wondergarl and Chonotenki who also delivered exciting performances and a vibrant positive energy.

Besides local performers and bands, HGC "Go Ahead, Performers!" Music Live also invited two street performers – Xiaohainan who always perform at Shenzhen, Guangzhou and Tyler Tseng from Tamsui, to perform virtually, sharing their unique music styles and initiating interaction opportunities with the online audience in Hong Kong.

Having set the scene for its upcoming campaign with the online concert, HGC is now even more dedicated to inspiring local youngsters to pursue their dreams, embrace new challenges, and strive for innovation. Support for young people and musicians is more important than ever and in the future, HGC will continue to organize thought-provoking events, inviting performers from around the world, such as London, Manila, Singapore and Bangkok, to cheer up young people and enable them to shine bright on stage.

About HGC Global Communications Limited

HGC Global Communications Limited (HGC) is a leading Hong Kong and international telecom operator and ICT solution provider. The company owns an extensive network and infrastructure in Hong Kong and overseas and provides various kinds of services. HGC has 23 overseas offices, with business over 5 continents. It provides telecom infrastructure service to other operators and serves as a service provider to corporate and households. The company provides full-fledged telecom, data centre services, ICT solutions and broadband services for local, overseas, corporate and mass markets. HGC owns and operates an extensive fibre-optic network, five cross-border telecom routes integrated into tier-one telecom operators in mainland China and connects with hundreds of world-class international telecom operators. HGC is one of Hong Kong’s largest Wi-Fi service providers, running over 29,000 Wi-Fi hotspots in Hong Kong. The company is committed to further investing and enriching its current infrastructure and, in parallel, adding on top the latest technologies and developing its infrastructure services and solutions. HGC is a portfolio company of I Squared Capital, an independent global infrastructure investment manager focusing on energy, utilities and transport in North America, Europe and selected fast-growing economies.

To learn more, please visit HGC’s website at: www.hgc.com.hk

 

The first edition of AlUla Art Residency closes with artists premiering contemporary works inspired by the historic oasis of AlUla


– After eleven-weeks of exploration and experimentation, the first AlUla Art Residency programme, under the theme of ‘The Oasis Reborn’, has successfully concluded this weekend.

– During three days of open studios, artists‘ works – ranging from experimental sculptures to large-scale site specific or multimedia installations – were displayed in Mabiti AlUla and its surrounding palmgrove, inviting visitors to immerse themselves in the historical and cultural oasis of AlUla.

– The artworks of the artists will also be displayed at the AlUla Arts festival taking place in AlUla from February 13 to February 26, 2022.

ALULA, Saudi Arabia, Jan. 14, 2022 — Following eleven-weeks of exploration and experimentation, six artists in residence have revealed their works in response to the cultural oasis in three days of open studios at the artists base in Mabiti AlUla.

To view the Multimedia News Release, please click: 
https://www.multivu.com/players/English/9005451-first-edition-alula-art-residency-closes-artists-inspired-by-historic-oasis/

Centred on the theme ‘The Oasis Reborn’, the artworks have been inspired by collaborations with technical and scientific experts and the local community, including artisans and cultural practitioners – giving artists dynamic insights into one of AlUla’s most prominent and storied landscapes. These perspectives have been regularly shared with the public throughout the residency, including 14 workshops & talks, 7 artists public programmes, 12+ site visits and 20+ expert interactions in 11-weeks.

During the three days celebrating the closing of the AlUla Art Residency, a dynamic public programming featured the six prominent artists’ work, through their creation and research, to the AlUla residents and community of experts, giving a fresh look on how to give a new lease of life to the oasis and to make sure it is connected to its fabled history and future legacy.

The final artworks of the engaged artists will be exhibited to the public during the AlUla Arts festival from February 13 to February 26, 2022.

They are:

Recalling a past that now seems far away, Rashed AlShashai‘s Thuraya reflects on links between our present — one that is supposedly witnessing unprecedented scientific progress — and the ancient worlds. Through a conceptual approach, the large-scale site specific installation combines the history and the nomenclature of things and the environmental materials of the oasis that dwellers have used to make furniture pieces for daily life.

The Oasis is a Wadi Raised to the Sky developed by Sara Favriau in AlUla takes three forms, three distinct steps corresponding to three related moments: small sculptures "Les Petits Riens" ("Trifles and Trinkets"), a filmed performance "Un jour sans fin" ("A Never-Ending Day") and an installation "Ruban de Möbius" ("Möbius Strip"). These three forms question the notion of garden of the desert, and particularly of the oasis – our planet is a vast garden, after all, and the realms of the human and the animal are one.

Through a process of locating, sharing and collecting narrative, Talin Hazbar‘s Earth Readings explores various relationships between the past and the present, the imperceptible and the material and focuses on map-making and mark-making narratives to embody the materiality and meaning of the land.

Exploring individual, collective and scientific memories, Laura SelliesPeuplé de feuilles qui bougent ("Populated by Moving Leaves") is an installation combining sculptures, sounds and texts. Invoking a palace of memories, these metal structures invite visitors to listen to the voices of the oasis: real or fictional, performed or recorded, voices of women and men, birds, camels, winds, water, rocks, and sand.

As a ritualistic catafalque, Muhannad Shono‘s On this Sacred Day represents the cycle of death and renewal unfolding among the living oasis. From the smoke that rises are stories of comings and goings, loss, and remembrance.

Analysing the oasis as a motherly environment nurturing human presence through time, Sofiane Si Merabet‘s It’s Not Early Anymore establishes a parallel on the recent development of the oasis of AlUla and the excitement around wedding celebrations. Both being rhythmed by seasons and affected by human actions, the idea of celebrations and the lifecycle of the palm tree as observed in the oasis are explored in this multimedia installation.

Quotes

Nora AlDabal, RCU Arts & Creative Planning Director, said:

"We believe culture is indispensable to our quality of life, and we are successfully spearheading an environment which supports creativity, unleashing new and inspiring forms of expression that will interact with AlUla’s residents. Embracing the landscape and surroundings, the AlUla Art Residency programmes are a key aspect in the long-term endeavour of nurturing a flourishing creative industry and cultural economy in AlUla, marking the beginning of a destination inspired and built by and for artists and arts professionals. It is a continuum of AlUla’s legacy as a living oasis for art."

Jean-François Charnier, Afalula Scientific Director / Arnaud Morand, Head of Creation and Innovation commented:

"We are delighted to unveil the research and work of the first artists in residency in AlUla. Through a variety of mediums and approaches, hand in hand with experts and the local community, they are offering a fresh outlook on the revival initiatives currently being deployed in the oasis. With this programme, we are calling upon contemporary creation to pay tribute to the beauty and significance of AlUla while also contributing to the development of the destination through art specific intelligence."

Laure Confavreux-Colliex, Manifesto Executive Director noted:

"The first edition of the AlUla Art Residency is the beginning of a story, creating a long-term link between artists and AlUla’s local community. It already transcribes in their work restitution as the six artists got time to be thoroughly involved and to collaborate with local artisans and experts of AlUla. We hope it will impact on their own practice, drive their future works while having a significant effect on AlUla’s urban overall transformation."

Note:

It is always AlUla / not Al-Ula

About the Royal Commission for AlUla
https://www.rcu.gov.sa/en

About the French Agency for AlUla development (Afalula)
https://www.afalula.com/en/

About Manifesto
http://manifesto.paris/en/

For media enquiries:
For the Royal Commission for AlUla
Public Relations Team
publicrelations@rcu.gov.sa

Logo – https://techent.tv/wp-content/uploads/2022/01/the-first-edition-of-alula-art-residency-closes-with-artists-premiering-contemporary-works-inspired-by-the-historic-oasis-of-alula.jpg

Logo – https://techent.tv/wp-content/uploads/2022/01/the-first-edition-of-alula-art-residency-closes-with-artists-premiering-contemporary-works-inspired-by-the-historic-oasis-of-alula-1.jpg

 

 

 

Delta’s Display Solutions Enable 360o Immersive Installation of “Ukiyo-e Theater from Paris” Exhibition at the Kadokawa Culture Museum in Japan

TAIPEI, Dec. 14, 2021 — Delta, a global leader in power management and thermal solutions and pioneer in display technologies, today announced its state-of-the-art display solutions are facilitating a large 360-degree seamless immersive installation of dynamic and enchanting video images for the "Ukiyo-e Theater from Paris" exhibition, held to commemorate the first anniversary of the Kadokawa Culture Museum in the suburbs of Tokyo, Japan. The aforementioned solution includes over 30 high-end projectors E-Vision 10000 from Delta’s associate company Digital Projection.

Mr. Miyashita, general manager of Kadokawa Culture Museum, remarked, "We chose the E-Vision Laser 10000 series projectors from Delta’s Digital Projection this time because they provide laser light for better stability and reliability while they also support 100V input and offer sufficient brightness and contrast, all essential for projection cases in large venues. Above all, Delta’s team provided fantastic support for our art exhibition".

Mr. C.H. Ko, executive director of Delta Electronics (Japan), said, "We are honored and truly glad to cooperate with Kadokawa Culture Promotion Foundation and support Kadokawa Culture Museum in the commemoration of its first anniversary. Delta is in fact celebrating its 50th anniversary this year. Creating this exquisite immersive installation of Ukiyo-e art with our display solutions has been a rewarding experience as we have collaborated with our partners to preserve these artistic treasures for different generations to appreciate in this memorable exhibition. We look forward to expanding the reach of Delta’s advanced display solutions in Japan to support art exhibitions, sport broadcasting events as well as films with revolutionary images and colors."

The "Ukiyo-e Theater from Paris" exhibition is being held from October 30, 2021 to April 10, 2022 at the 1st floor Grand Gallery of the Kadokawa Culture Museum in the suburbs of Tokyo, Japan. Over 30 Digital Projection projectors E-Vision Laser 10000 series projectors display 12 different video scenes of traditional and contemporary Ukiyo-e art created by Danny Rose Studio, a digital art creation team in France, over a 360-degree 1000-sqm area with superior brightness, sharpness and color accuracy.

Delta’s display solutions have built a remarkable track record in Japan for over 20 years. Recent success cases include the Mori Museum in Tokyo, which selected Delta’s 8K projection technology to display AI-based visual art. Moreover, public outdoor viewing by Japan leading broadcasting stations of world-class sporting events, art and culture exhibitions were also carried out with Delta’s 8K projectors.

About Delta

Delta, founded in 1971, is a global leader in switching power supplies and thermal management products with a thriving portfolio of smart energy-saving systems and solutions in the fields of industrial automation, building automation, telecom power, data center infrastructure, EV charging, renewable energy, energy storage and display, to nurture the development of smart manufacturing and sustainable cities. As a world-class corporate citizen guided by its mission statement, "To provide innovative, clean and energy-efficient solutions for a better tomorrow," Delta leverages its core competence in high-efficiency power electronics and its CSR-embedded business model to address key environmental issues, such as climate change. Delta serves customers through its sales offices, R&D centers and manufacturing facilities spread over close to 200 locations across 5 continents.

Throughout its history, Delta has received various global awards and recognition for its business achievements, innovative technologies and dedication to CSR. Since 2011, Delta has been listed on the DJSI World Index of Dow Jones Sustainability™ Indices for 10 consecutive years. In 2020, Delta was also recognized by CDP with two "A" leadership level ratings for its substantial contribution to climate change and water security issues and named Supplier Engagement Leader for its continuous development of a sustainable value chain

For detailed information about Delta, please visit: www.deltaww.com

Media Contacts:

Corporate Communications
Johnny Shih, Project Manager
Tel: 886-2-8797-2088 Ext: 5182
Mobile: +886-922-820-302
E-mail: johnny.shih@deltaww.com

Artmarket.com: Pak allows thousands of collectors to buy part of a work whose total price reaches $91.8 million


PARIS, Dec. 11, 2021 — The idea of buying an artwork collectively goes back a long way and has been entertained in various schemes and formats. But the problem of how to resell your ‘shares’ was always a complicated obstacle.

However, according to Artprice, this problem has finally found a solution with NFTs. Anonymous artist Pak put "mass units" up for sale on Nifty Gateway for 48 hours. The final work, titled The Merge, is made up of 266,445 "units" that can be sold separately and instantly on the blockchain. 

Invader - Rubik Mona Lisa (2005), sold for $520,000 by Artcurial on February 23, 2020
Invader – Rubik Mona Lisa (2005), sold for $520,000 by Artcurial on February 23, 2020

thierry Ehrmann, CEO and Founder of Artmarket.com and its Artprice department: "

Blockchain and NFTs have at last made it possible to design properly effective forms of securitization on the art market. Non-fungible tokens open up endless possibilities for the acquisition of shares in a work, as Pak has demonstrated with this extraordinary sale. This represents a veritable paradigm shift for the art market".

28,000 collectors

From now on, the unknown factor is no longer the sale price (fixed in advance) but rather the number of units purchased. Moreover, Pak and Nifty Gateway developed a whole strategy to boost demand during the 48 hours that the sale lasted:

  • initial price of $299 for loyal collectors of Pak and $400 for new entrants
  • increasing price by $25 every six hours
  • for 10 units purchased an eleventh is free; for 1,000 units purchased 300 more are free
  • a continuous real-time ranking of the best buyers (under pseudonyms)
  • the work Alpha Mass offered to the largest buyer

In total, 266,445 "mass units" were purchased for $91.8 million by 29,000 different buyers. This makes an average price of $316 per unit and an average of 9 units acquired per buyer. According to Artprice by Artmarket, the result is a genuine ‘community’ that the artist has brought together to create a gigantic and dematerialized work, in which everyone is free to resell their shares at any time.

Typically, works of art are auctioned off as one-offs rather than as a series. Jeff Koons’ Rabbit sculpture (1986) made Koons the most expensive living artist in 2019 when it sold for $91.12 million.

One or more works?

In April 2021, Pak organized a sale with Sotheby’s called The Fungible Collection. For three days, for only 15 minutes each day, anyone could acquire "cubes" at a fixed price:

  • 1st day: 19,737 cubes sold at $500 = $9,868,500
  • 2nd day: 3,268 cubes sold at $1,000 = $3,268,000
  • 3rd day: 593 cubes sold at $1,500 = $718,500

While the cubes in each buyer’s wallet were linked, the 23,598 cubes did not make a total work per se: each purchaser acquired his own set of cubes with an average purchase price of $587. Similarly, Beeple’s The first 5,000 days (sold at Christie’s in March 2021 for $ 69.4 million), is theoretically made up of 5,000 full works, the average price of which is therefore around $14,000.

By way of comparison, the sale of the Macklowe Collection on 15 November 2021 at Sotheby’s New York raised $676 million from 35 works; that’s an average value of $19.3 million per lot. The comparison doesn’t make a lot of sense except from the point of view of the homogeneity of the works and their securitization. Imagine you’d been given the opportunity of acquiring a share in Mark Rothko’s No. 7 (which entered the Macklowe Collection in 1987) for $500. After its sale for $82.5 million, you would own a 165,000th part of the painting.

However, Pak’s approach is the opposite since the work, The Merge, did not yet exist at the time of the sale. No-one knew what it was going to look like. By buying a part of this unknown work, each collector contributes to it. Encouraged by a low starting price but also encouraged to acquire the largest number of units in order to receive a reward, The Merge is a game that brings together technology buffs, cryptocurrency and NFT devotees and art enthusiasts increasingly fascinated by this universe. 

Artists have now moved into the primary position around which the art market revolves.

According to Artmarket.com, NFTs represent a genuine grassroots movement that has created its own ecosystem, with a virtuous economy and exponential growth potential.

Indeed, the turnover generated by NFTs so far this year (to 9 December 2021) – as measured by ERC 721 and ERC 1155 Ethereum smart contracts relating to the art market and collections – is 26.9 billion dollars (source Chainalysis).

Copyright 1987-2021 thierry Ehrmann www.artprice.com – www.artmarket.com

About Artmarket:

Artmarket.com is listed on Eurolist by Euronext Paris, SRD long only and Euroclear: 7478 – Bloomberg: PRC – Reuters: ARTF.

Discover Artmarket and its Artprice department on video: www.artprice.com/video

Artmarket and its Artprice department was founded in 1997 by its CEO, thierry Ehrmann. Artmarket and its Artprice department is controlled by Groupe Serveur, created in 1987.

See certified biography in Who’s who ©:
Biographie_thierry_Ehrmann_2022_WhosWhoInFrance.pdf

Artmarket is a global player in the Art Market with, among other structures, its Artprice department, world leader in the accumulation, management and exploitation of historical and current art market information in databanks containing over 30 million indices and auction results, covering more than 770,000 artists.

Artprice by Artmarket, the world leader in information on the art market, has set itself the ambition through its Global Standardized Marketplace to be the world’s leading Fine Art NFT platform.

Artprice Images® allows unlimited access to the largest Art Market image bank in the world: no less than 180 million digital images of photographs or engraved reproductions of artworks from 1700 to the present day, commented by our art historians.

Artmarket with its Artprice department accumulates data on a permanent basis from 6300 Auction Houses and produces key Art Market information for the main press and media agencies (7,200 publications). Its 5.4 million (‘members log in’+social media) users have access to ads posted by other members, a network that today represents the leading Global Standardized Marketplace® to buy and sell artworks at a fixed or bid price (auctions regulated by paragraphs 2 and 3 of Article L 321.3 of France’s Commercial Code).

Artmarket with its Artprice department, has been awarded the State label "Innovative Company" by the Public Investment Bank (BPI) (for the second time in November 2018 for a new period of 3 years) which is supporting the company in its project to consolidate its position as a global player in the market art.

Artprice’s 2020/21 Contemporary Art Market Report by Artmarket.com:
https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2021

Artprice by Artmarket’s 2020 Global Art Market Report published in March 2021:
https://www.artprice.com/artprice-reports/the-art-market-in-2020

Index of press releases posted by Artmarket with its Artprice department:
serveur.serveur.com/Press_Release/pressreleaseEN.htm

Follow all the Art Market news in real time with Artmarket and its Artprice department on Facebook and Twitter:
www.facebook.com/artpricedotcom/ (over 5,4 million followers)
twitter.com/artmarketdotcom
twitter.com/artpricedotcom

Discover the alchemy and universe of Artmarket and its artprice department https://www.artprice.com/video headquartered at the famous Organe Contemporary Art Museum "The Abode of Chaos" (dixit The New York Times): https://issuu.com/demeureduchaos/docs/demeureduchaos-abodeofchaos-opus-ix-1999-2013

L’Obs – The Museum of the Future: https://youtu.be/29LXBPJrs-o

www.facebook.com/la.demeure.du.chaos.theabodeofchaos999 
(4.4 million followers)

https://vimeo.com/124643720

Contact Artmarket.com and its Artprice department – Contact: ir@artmarket.com

Artmarket.com: Ahead of Art Basel Miami 2021, Art Market Gender Parity is Still Wanting; But Could NFTs Change That?


PARIS, Dec. 1, 2021 — Despite the big result for an exceptional (and relatively small) painting by Frida Kahlo, the Mexican artist was still only 18th in Artprice’s ranking of artists by auction turnover for the month of November 2021, behind 17 male artists. And while this trend was completely reversed for the generation of artists born after 1985 (the 8 top-selling signatures were all young women!), we ask: what is the gender parity situation on the NFT market?

Frida Khalo - Courtesy of Organ Museum / Abode of Chaos
Frida Khalo – Courtesy of Organ Museum / Abode of Chaos

thierry Ehrmann, CEO and Founder of Artmarket.com and its Artprice department: "The creation of the NFTs market should be an opportunity to achieve some sort of gender parity on the art market. The technology is revolutionizing an entire industry, as shown by Art Basel Miami Beach which opens its doors this year to Tezos ("home to one of the fastest growing NFT artist communities") and Scope Miami which has decided to issue its VIP invitations in the form of non-fungible tokens".

"World of Women"

It’s only a few years since NFTs first appeared on the web, and only a few months since the general public discovered non-fungible digital tokens; but some have already commented the lack of a female presence in this new world. Several projects have nevertheless been developed to try to correct this imbalance, starting with a collection of exclusively female PFPs (profile pictures) by World of Women: https://opensea.io/collection/world-of-women-nft

"World of Women was created to bring more diversity and inclusiveness to the NFT space while bridging the gap between collectibles and single edition art worlds".

Considering the traditional art market’s long-standing gender disparity, fears of a male-dominated digital world seem perfectly rational. New York’s prestige sales in November – driven by the Macklowe Collection at Sotheby’s and the Cox Collection at Christie’s – were once again dominated by the likes of Warhol, Van Gogh, Picasso, Monet, Twombly, Rothko, Giacometti, Richter, etc.

But things are changing…

Frida Kahlo was the top-selling female artist at the November auctions this year, but she was behind eighteen men. A study published by Ken Bromley Art Supplies in 2020 revealed that the Mexican painter ranked second among the world’s most searched artists on Google (first in 29 countries) behind Leonardo Da Vinci.

Diego y yo (1949) is one of the most important paintings by Frida Kahlo that doesn’t belong to a museum. On 16 November 2021 it fetched $34 million at Sotheby’s, 22 times its previous value in 1990. Although it was a very impressive result for the Mexican artist, Frida Kahlo is still not competing with Andy Warhol, whose signature generated $165 million at the November 2021 prestige auctions.

Top 10 female artists at auction in November 2021

Global ranking – Artist – Auction Turnover

18th – Frida KAHLO (1907-1954):                          

$34,883,000

28th – Agnes MARTIN (1912-2004):                       

$21,765,500

30th – Cecily BROWN (1969- ):                               

$20,706,150

32nd –  Joan MITCHELL (1926-1992):                   

$20,053,500

41st – Georgia O’KEEFFE (1887-1986):                  

$14,561,300

52nd – Yayoi KUSAMA (1929-):                             

$9,198,600

53rd  – Lee BONTECOU (1931-):                            

$9,176,500

58th – Helen FRANKENTHALER (1928-2011):    

$8,177,100

59th – Cindy SHERMAN (1954-):                           

$8,162,100

62nd – Tamara DE LEMPICKA (1898-1980):         

$7,896,300

Over the past decade, female artists under 40 have nevertheless established themselves as the most successful artists of their generation on the auction market. In 2013 – 2014, collectors became enamoured with the work of Tauba Auerbach (1981) represented by the Paula Cooper gallery. This trend has gradually intensified to the point where the turnover ranking of artists born after 1985 (for November 2021) is heavily dominated by female painters.

Top 10 artists born after 1985 at auction in November 2021

Global ranking – Artist – Auction turnover

1st –  Avery SINGER (1987-):                                  

$4,638,900

2nd – Toyin Ojih ODUTOLA (1985-):                     

$2,235,900

3rd – Flora YUKHNOVICH (1990 -):                     

$1,951,100

4th – Jadé FADOJUTIMI (1993-):                           

$1,053,400

5th – Christina QUARLES (1985-):                          

$948,000

6th – Jordan CASTEEL (1989-):                               

$806,500

7th – Issy WOOD (1993-):                                        

$768,750

8th – Allison ZUCKERMAN (1990-):                      

$636,600

9th – Ismail ISSHAQ (1989-):                                  

$589,300

10th – Oscar MURILLO (1986-):                             

$432,900

Copyright 1987-2021 thierry Ehrmann www.artprice.com – www.artmarket.com

About Artmarket:

Artmarket.com is listed on Eurolist by Euronext Paris, SRD long only and Euroclear: 7478 – Bloomberg: PRC – Reuters: ARTF.

Discover Artmarket and its Artprice department on video: www.artprice.com/video

Artmarket and its Artprice department was founded in 1997 by its CEO, thierry Ehrmann. Artmarket and its Artprice department is controlled by Groupe Serveur, created in 1987.

See certified biography in Who’s who ©:
Biographie_thierry_Ehrmann_2022_WhosWhoInFrance.pdf

Artmarket is a global player in the Art Market with, among other structures, its Artprice department, world leader in the accumulation, management and exploitation of historical and current art market information in databanks containing over 30 million indices and auction results, covering more than 770,000 artists.

Artprice by Artmarket, the world leader in information on the art market, has set itself the ambition through its Global Standardized Marketplace to be the world’s leading Fine Art NFT platform.

Artprice Images® allows unlimited access to the largest Art Market image bank in the world: no less than 180 million digital images of photographs or engraved reproductions of artworks from 1700 to the present day, commented by our art historians.

Artmarket with its Artprice department accumulates data on a permanent basis from 6300 Auction Houses and produces key Art Market information for the main press and media agencies (7,200 publications). Its 5.4 million (‘members log in’+social media) users have access to ads posted by other members, a network that today represents the leading Global Standardized Marketplace® to buy and sell artworks at a fixed or bid price (auctions regulated by paragraphs 2 and 3 of Article L 321.3 of France’s Commercial Code).

Artmarket with its Artprice department, has been awarded the State label "Innovative Company" by the Public Investment Bank (BPI) (for the second time in November 2018 for a new period of 3 years) which is supporting the company in its project to consolidate its position as a global player in the market art.

Artprice’s 2020/21 Contemporary Art Market Report by Artmarket.com:
https://www.artprice.com/artprice-reports/the-contemporary-art-market-report-2021

Artprice by Artmarket’s 2020 Global Art Market Report published in March 2021:
https://www.artprice.com/artprice-reports/the-art-market-in-2020

Index of press releases posted by Artmarket with its Artprice department:
serveur.serveur.com/press_release/pressreleaseen.htm

Follow all the Art Market news in real time with Artmarket and its Artprice department on Facebook and Twitter:

www.facebook.com/artpricedotcom/ (over 5,4 million followers)
twitter.com/artmarketdotcom
twitter.com/artpricedotcom

Discover the alchemy and universe of Artmarket and its artprice department https://www.artprice.com/video headquartered at the famous Organe Contemporary Art Museum "The Abode of Chaos" (dixit The New York Times): https://issuu.com/demeureduchaos/docs/demeureduchaos-abodeofchaos-opus-ix-1999-2013

L’Obs – The Museum of the Future: https://youtu.be/29LXBPJrs-o
www.facebook.com/la.demeure.du.chaos.theabodeofchaos999

(4.4 million followers)
https://vimeo.com/124643720

Contact Artmarket.com and its Artprice department – Contact: Thierry Ehrmann, ir@artmarket.com 

 

Come to Dalian to experience “New Future”

DALIAN, China, Nov. 29, 2021 — The experiential variety show "Brave New Future" was premiered on Nov. 19, 2021. The short video of the "space-time dialogue" between the guest and his bionic robot has been widely concerned by the audience. People focused their attention on the EX Future Science and Technology Museum in Jinshitan (also known as Golden Pebble Beach), Dalian, a coastal city of Northeast China’s Liaoning Province. Earlier, the museum’s Einstein bionic robot was impressive at the 2021 World Robot Conference in Beijing.

The EX Future Science and Technology Museum in Dalian Jinshitan
The EX Future Science and Technology Museum in Dalian Jinshitan

The EX Future Science and Technology Museum is located in Jinshitan Science and Technology Expo Square in Dalian, which is composed of the Dalian Jinshi Wax Image Hall and the EX Future Science and Technology Museum, with an exhibition area of nearly 20,000 square meters, according to Dalian Jinshitan National Tourism Resort Administrative Committee. The museum integrates high-tech achievements such as bionic humanoid robots, 5G cloud robots, interactive science and technology products, etc. Many application scenarios of artificial intelligence in future life are simulated, where tourists come into close contact with future-oriented high and new technologies, visit the research and development and production process of bionic robots, and experience an unprecedented future life of man-machine symbiosis. The whole museum adopts robot one-stop service, including bionic experimental module, artificial intelligence robot research center, bionic robot manufacturing center and other scientific and technological scenes.

At present, the EX Future Science and Technology Museum is popularizing scientific knowledge through the combination of scientific, intellectual and interesting exhibition content and immersive experience, cultivate visitors’ scientific thinking imperceptibly and realize the organic integration of science, culture and art.

Image Attachments Links:

Link: http://asianetnews.net/view-attachment?attach-id=408991
Caption: The EX Future Science and Technology Museum in Dalian Jinshitan

Oriental Culture Holding LTD Announces First Half Year of 2021 Unaudited Financial Results

HONG KONG, Nov. 2, 2021 — Oriental Culture Holding LTD. ("OCG" or the "Company") (NASDAQ: OCG), a leading online provider of collectibles and artwork e-commerce services, today announced its unaudited financial results for the six months ended June 30, 2021.

First Half Year of 2021 Financial Highlights

  • Total revenues were approximately $24.5 million for the six months ended June 30, 2021, representing an increase of 891.1 % compared with the total revenues of approximately $2.5 million for the six months ended June 30, 2020.
  • Gross profit was approximately $23.1 million for the six months ended June 30, 2021, representing an increase of 1,011.2% compared with approximately gross profit of $2.1 million for the six months ended June 30, 2020.
  • Gross margin was 94.3% for the six months ended June 30, 2021, representing an increase of 10.2 % points compared with a gross margin of 84.1% for the six months ended June 30, 2020.
  • Income from operations was approximately $9.7 million for the six months ended June 30, 2021, representing an increase of 3,750.6 % compared with income from operations of approximately $0.3 million for the six months ended June 30, 2020.
  • Net income was approximately $10.1 million for the six months ended June 30, 2021, representing an increase of 2,601.8 % compared with net income of approximately $0.4 million for the six months ended June 30, 2020.

Mr. Yi Shao, Chief Executive Officer of the Company, commented "We are very excited to report that our revenues in the first half of 2021 increased by 891.1% year over year to $24.5 million and our net income in the first half of 2021 increased by 2,601.8% year over year to $10.1 million. We have seen a strong first half of this year comparing to the same period of last year as the art and collectible market has bounced back and our business operation has returned to normal as COVID-19 pandemic has mostly been under control in China. During the first half of 2020, our business and operation suffered material negative impact by the outbreak of COVID-19 with the closure of our offices, especially the closure of our warehouse which prevented us from taking in new collectibles and artwork products as well as the traffic control and logistics restrictions in China during the outbreak which delayed delivery of collectibles and artwork from clients for appraisal and listing on our platform."

Mr. Shao continued: "In addition, economic activities are returning to normal and new measures are introduced to stimulate domestic consumption in China which have strengthened art and collectible traders’ confidence. Internationally, the positive global financial market, encouraging signs of economic recovery, and continuing government stimulus measures, fueled investment market, including the investment in arts and collectibles. The rapid increase in new customers and our marketing activities helped driving up the number of new listings, volume of transactions as well as our revenue and profit." 

Results of Operations

The tables in the following discussion summarize our unaudited interim condensed consolidated statements of operations for the periods indicated. The operating results in any period are not necessarily of the results that may be expected for any future period.

For the Six Months Ended
June 30,

Variance

2021

2020

Amount

%

(Unaudited)

(Unaudited)

Net Revenues

$

24,331,668

$

2,373,250

$

21,958,418

925.2%

Net Revenues – related parties

129,071

94,713

34,358

36.3%

Cost of revenues

(1,397,828)

(392,424)

(1,005,404)

256.2%

Gross profit

23,062,911

2,075,539

20,987,372

1011.2%

Operating expenses

(13,339,262)

(1,823,019)

(11,516,243)

631.7%

Income from operations

9,723,649

252,520

9,471,129

3,750.6%

Other income

356,504

120,567

235,937

195.7%

Income before income taxes

10,080,153

373,087

9,707,066

2,601.8%

Provision for income taxes

Net income

10,080,153

373,087

9,707,066

2,601.8%

Foreign currency translation adjustment

(69,596)

(177,875)

108,279

(60.9)%

Comprehensive income

$

10,010,557

$

195,212

9,815,345

5,028.0%

Weighted average number of ordinary shares outstanding –
   basic and diluted

20,444,712

15,190,000

5,254,712

34.6%

Basic and diluted earnings per share

$

0.49

$

0.02

$

0.47

1,907.4%

Revenues:

The following table sets forth the principal components of our net revenues by amounts and percentages of our net revenues for the periods indicated:

For the Six Months Ended June 30,

Variance

2021

2020

Amount

%

(Unaudited)

(Unaudited)

Revenues

%

Revenues

%

Listing services fees (1)

$

4,487,953

18.3

$

466,668

18.9

$

4,021,285

861.7%

Transaction fee (2)

16,265,107

66.5

1,353,532

54.8

14,911,575

1101.7%

Marketing service fees (3)

3,416,630

14.0

387,407

15.7

3,029,223

781.9%

Other revenues(4)*

291,049

1.2

260,356

10.6

30,694

11.8%

Total operating revenues, net

$

24,460,739

100.0

$

2,467,963

100.0

$

21,992,776

891.1%

 

* Including $129,071 and $94,713 from related parties for the six months ended June 30, 2021 and 2020, respectively

(1) Listing service fees: Our performance obligation is to provide listing on our platform. Listing service fees are calculated based on a percentage of the listing value of collectibles and artwork. Listing value is the total offering price of the collectible, artwork or commodities when the ownership units are initially listed on our trading platform. We utilize an appraised value as a basis to determine the appropriate listing value for each piece of collectible or artwork, or portfolio of collectibles or artwork or commodities. In general, listing service fees are recognized upon completion of our performance obligation. Our standard listing fees range from 2.3% to 5.3% for artwork and collectibles and 1% to 6% for commodities of the initial listing value, the rate is dependent on the type of listings and is negotiated on a case by case basis. The average listing period is around three months.

Total listing service fees increased by approximately $4.0 million or 861.7% from $466,668 for the six months ended June 30, 2020 to $4,487,953 for the same period in 2021. The increase was due to large amount of newly listed artwork and collectibles which increased in the listing value and listing service fees. The number of types in collectibles/artwork and commodities were successfully listed on our platforms increased from 25 for the six months ended June 30, 2020 to approximately 187 for the six months ended June 30, 2021. Our total listing value of listed collectible/artwork increased from approximately $0.4 billion during the six months ended June 30, 2020 to approximately $1.8 billion for the same period in 2021.

(2) Transaction fee revenue: Transaction fee revenue is generally calculated based on the transaction value of collectibles or artwork per transaction for our services to facilitate the trading transactions. Transaction value is the dollar amount of the purchase and sale of the ownership units of the collectibles or artwork after they are listed on our platform. We typically charge from 0.15% to 0.3% of the transaction value per transaction from both the purchase and sale side of the transaction resulting in an aggregate of 0.3% to 0.6% of total transaction value. Sometimes, we charge a predetermined transaction rate, which is negotiated on a case by case basis, for selected traders with specific large transactions. Transaction fee revenue also includes predetermined monthly transaction fees, which are negotiated case by case for selected traders with high trading volume, and is recognized and earned over the specified service period.

Total transaction fee revenue increased by approximately $14.9 million or 1,101.7% from $1,353,532 for the six months ended June 30, 2020 to $16,265,107 for the same period in 2021. The increase was primarily due to the increasing number of traders that participated in trading on the platform as our customers and potential customers increased their expenditures and investment because of recovering economic activities from the pandemic in China. Our active traders increased from 27,020 for the six months ended June 30, 2020 to 116,709 active traders for the six months ended June 30, 2021. The increase in active trader led to increase in number of transactions. Our number of transactions increased from approximately 16.8 million for the six months ended June 30, 2020 to approximately 94.5 million for the same period in 2021. During the six months ended June 30, 2021 and 2020, total transaction value amounted to approximately $10.8 billion and $847 million respectively. Our current system could support up to 120,000 active  traders with over one billion transactions.

(3) Marketing service fees: Marketing service fee revenue is a fee that we charge for promoting and marketing our customers’ collectibles or artwork. The services include assisting our customers in connection with their listings and trading of their collectibles/artwork on our platform, which mainly include consulting and supporting services of the marketability for the collectibles/artwork; assessing their market value and market acceptance for the collectibles/artwork; and assisting in the application and legal protection required for the customers’ collectibles/artwork to be approved for listing on our platform. For marketing service contracts in which the related performance obligations can be completed within a short period of time, the Company recognizes the related revenue upon the completion of its performance obligations.

Marketing service agreements also includes providing promotion services for customers’ items as where to place ads on well-known cultural and/or art exchange websites in China, to provide online and offline marketing services including cooperation with auction houses and participate in industry-related exhibitions and fairs. The marketing service fees are charged on various fixed fee basis, which are based on the type of the listing session that the customer applies for and whether the customer has listed and sold its collectible on other platforms before, and they were not tied to the type or value of the underlying collectible/artwork. Marketing service contracts and fees are recognized upon the completion of all performance obligations. 

Marketing service fees increased by approximately $3.0 million or 781.9% from $387,407 for the six months ended June 30, 2020 to $3,416,631 for the same period in 2021. The increase was due to increase of types of collectibles/ artwork we promoted for customers. During the six months ended June 30, 2021 and 2020, 187 and 25 types of collectibles/artwork were successfully listed on our platforms, of which we promoted 51 and 4 types of newly listed collectibles and artwork for our customers, respectively.  

(4) Other revenues: Other revenues primarily includes services fees for IT technical support and revenue from termination of a cooperation agreement. IT technical support fee is negotiated on a case by case basis and is recognized when the related services have been performed based on the specific terms of the contract. Total other revenues increased by approximately $31,000 or 11.8% from $260,356, including $94,713 from providing technological services to our related parties for the six months ended June 30, 2020 to $291,049, including $129,071 from providing technological services to our related parties for the same period in 2021. In addition, we recognized approximately $69,000 other revenue when a third party terminated a cooperation agreement with us in developing an online platform for niche market. The deposit with us is recognized as revenue as we have no further obligation under the contract to develop the platform.

Cost of Revenues

Cost of revenues increased by approximately $1.0 million or 256.2% from $392,424 for the six months ended June 30, 2020 to $1,397,828 for the same period in 2021. The increase in cost of revenues was primarily due to the increase in storage fees of approximately $0.5 million due to the increase in the listing value of products. The warehouse storage fees were charged based on certain percentage of listing value of products. The increase in cost of revenues was also due to the increase in salary, cloud services fees and outside service fees for referral of products to the Company of approximately $0.5 million.

Gross Profit

Gross profit for the six months ended June 30, 2021 and 2020 amounted to $23,062,911 and $2,075,539, respectively. Gross profit increased by approximately $21.0 million or 1011.2%.  Gross margin for the six months ended June 30, 2021 and 2020 were 94.3% and 84.1%, respectively. The increase in gross margin was due to increase in higher transaction fee revenue when the cost (mainly salary and cloud services fees) generally did not increase proportionately with the increase in revenue.

Selling and Marketing Expenses

Selling expenses increased by approximately $9,387,751 or 1,104% from $850,462 including $57,935 to related party for the six months ended June 30, 2020 to $10,238,213 including $341,952 to related party for the same period in 2021. The increase was primarily due to the increase in marketing expenses of approximately $8,930,000 as we paid more commission to third parties to get more referral of traders. In addition, advertising expense with Kashi Jinwang Art Purchase E-commerce Co., Ltd.("Jinwang"), a related party, increased about $0.3 million due primarily to the increase in initial listing value of products advertised. Our marketing expenses was charged based on 1.5% of initial listing value of products advertised on the third party’s website. We expect our selling and marketing expenses to increase further as we recover from COVID-19 and we will continue to promote our products listed and getting more referral for traders.

General and Administrative Expenses

Our general and administrative expenses increased by approximately $2,128,492 or 219% from $972,557 including $27,059 to related party for the six months ended June 30, 2020 to $3,101,049 including $78,716 to related party for the same period in 2021. The increase in our general and administrative expenses was primarily due to the increase in professional fees and consulting fee of approximately $1.5 million, which included approximately $0.3 million for professional fees such as legal, audit, insurance and public relations as we became a public company in December 2020. The increase was also due to consulting fee for development for our new business of approximately $1.2 million including overseas business development and development in digital assets. The rest of the increase came mainly from increase in employee salary/benefits, office rent which totaled approximately $0.6 million. We expect our general and administrative expenses, including but not limited to, compensation, rent, depreciation and amortization to continue to increase in the foreseeable future as our business grows further.

Other Income

Total other income increased by approximately $0.2 million, or 195.7%, from $120,567 for the six months ended June 30, 2020 to $356,504 for the same period in 2021. Other income consists mainly of gain from short-term investment, interest income and other income. The increase was mainly due to the receipt of approximately $0.2 million of government grant for our business development.

Provision for Income Taxes

Our provision for income taxes amounted to nil for both the six months ended June 30, 2020 and 2021, respectively. We did not have any income taxes due to our preferential tax rate reduction from our profitable variable interest entities (VIEs), which were formed and registered in Kashi in Xinjiang Provence, China and they are not subject to income taxes for 5 years ending in 2023. We also have provided 100% allowance on net operating losses from our VIEs which incurred losses.

Net Income

Our net income increased by approximately $9.7 million, or 2,601.8%, from $373,087 for the six months ended June 30, 2020 to $10,080,153 for the same period in 2021. Such change was the result of the combination of the changes as discussed above.

Basic and diluted earnings per share

Basic and diluted earnings per share were $0.49 and $0.02 for the six months ended June 30, 2021 and 2020, respectively, representing a 1,907.4% increase.

Cash and cash equivalents, short-term investments

As of June 30, 2021, we had cash and cash equivalents as well as short-term investments in an aggregate amount of $45.1 million, compared to $25.1 million as of December 31, 2020.

Leases

The Company adopted ASU 2016-02 on January 1, 2021 and recognized operating lease liabilities of approximately $21,000, with corresponding right-of-use assets of approximately $23,000 based on the present value of the remaining minimum rental payments for existing operating leases with a remaining term longer than 12 months.

About Oriental Culture Holding LTD

Oriental Culture Holding LTD is an online provider of collectibles and artwork e-commerce services, which allow collectors, artists, art dealers and owners to access an art and collectibles trading market with a wider range of collectibles and artwork investors. Through its subsidiaries in Hong Kong, the Company provides trading facilitation for individual and institutional customers of all kinds of collectibles, artwork and certain commodities on its online platforms, as well as online and offline integrated marketing, storage and technical maintenance service to customers through its VIE and the subsidiaries of its VIE in China. For more information about the Company, please visit: www.ocgroup.hk.

Safe Harbor Statement

This press release contains forward-looking statements as defined by the Private Securities Litigation Reform Act of 1995. Forward-looking statements include statements concerning plans, objectives, goals, strategies, future events or performance, and underlying assumptions and other statements that are other than statements of historical facts. When the Company uses words such as "may, "will, "intend," "should," "believe," "expect," "anticipate," "project," "estimate" or similar expressions that do not relate solely to historical matters, it is making forward-looking statements.  Forward-looking statements are not guarantees of future performance and involve risks and uncertainties that may cause the actual results to differ materially from the Company’s expectations discussed in the forward-looking statements. These statements are subject to uncertainties and risks including, but not limited to, the following:  the Company’s goals and strategies; the Company’s future business development; financial condition and results of operations; product and service demand and acceptance; reputation and brand; the impact of competition and pricing; changes in technology; government regulations; fluctuations in general economic and business conditions in China and assumptions underlying or related to any of the foregoing and other risks contained in reports filed by the Company with the SEC.  For these reasons, among others, investors are cautioned not to place undue reliance upon any forward-looking statements in this press release. Additional factors are discussed in the Company’s filings with the SEC, which are available for review at www.sec.gov. The Company undertakes no obligation to publicly revise these forward-looking statements to reflect events or circumstances that arise after the date hereof.

For more information, please contact:

IR Department
Email: IR@ocgroup.hk
Phone: +852- 21103909

 

 

ORIENTAL CULTURE HOLDING LTD AND SUBSIDIARIES

UNAUDITED INTERIM CONDENSED CONSOLIDATED STATEMENTS OF INCOME AND
COMPREHENSIVE INCOME

For the Six Months
Ended
June 30,

2021

2020

(Unaudited)

(Unaudited)

OPERATING REVENUES:

Net revenues

$

24,331,668

$

2,373,250

Net revenues – related parties

129,071

94,713

Total operating revenues

24,460,739

2,467,963

COST OF REVENUES:

Cost of revenues

(789,302)

(274,477)

Cost of revenues – related party

(608,526)

(117,947)

Total cost of revenues

(1,397,828)

(392,424)

GROSS PROFIT

23,062,911

2,075,539

OPERATING EXPENSES:

Selling and marketing

(9,896,261)

(792,527)

Selling and marketing – related party

(341,952)

(57,935)

General and administrative

(3,022,333)

(945,498)

General and administrative – related parties

(78,716)

(27,059)

Total operating expenses

(13,339,262)

(1,823,019)

INCOME FROM OPERATIONS

9,723,649

252,520

OTHER INCOME

Gain from short-term investment

45,466

30,445

Interest income

87,251

84,156

Other income, net

223,787

5,966

Total other income, net

356,504

120,567

INCOME BEFORE INCOME TAXES

10,080,153

373,087

PROVISION FOR INCOME TAX

NET INCOME

$

10,080,153

$

373,087

OTHER COMPREHENSIVE LOSS

Foreign currency translation adjustment

(69,596)

(177,875)

COMPREHENSIVE INCOME

$

10,010,557

$

195,212

WEIGHTED AVERAGE NUMBER OF ORDINARY SHARES

Basic and diluted

20,444,712

15,190,000

EARNINGS PER SHARE

Basic and diluted

$

0.49

$

0.02

 

 

ORIENTAL CULTURE HOLDING LTD AND SUBSIDIARIES

UNAUDITED INTERIM CONDENSED CONSOLIDATED BALANCE SHEETS

June 30,

December 31,

2021

2020

(Unaudited)

ASSETS

CURRENT ASSETS

Cash and cash equivalents

$

42,631,671

$

24,036,174

Short-term investment

2,426,184

1,056,286

Accounts receivable, net

667,331

402,428

Account receivable – related parties

21,827

Other receivables and prepaid expenses

1,418,488

199,515

Deposit

13,333,538

Total current assets

47,165,501

39,027,941

PROPERTY AND EQUIPMENT, NET

731,755

372,215

OTHER ASSETS

Prepayment

928,778

Escrow

600,000

600,000

Investment

540,990

535,617

Right-of-use assets

23,050

Intangible assets, net

479,496

572,992

Total other assets

2,572,314

1,708,609

Total assets

$

50,469,570

$

41,108,765

LIABILITIES AND SHAREHOLDERS’ EQUITY

CURRENT LIABILITIES

Accounts payable

$

3,120,176

$

4,831,394

Accounts payable – related parties

106,263

1,229,381

Deferred revenue

3,109,528

243,355

Other payables and accrued liabilities

330,878

1,043,383

Lease liabilities

20,995

Other payables – related parties

6,707

7,312

Taxes payable

195,220

184,694

Total current liabilities

6,889,767

7,539,519

Total liabilities

6,889,767

7,539,519

COMMITMENTS AND CONTINGENCIES

SHAREHOLDERS’ EQUITY

Preferred shares, $0.00005 par value, 100,000,000 shares authorized, no shares
  issued and outstanding as of June 30,2021 and December 31, 2020, respectively

Ordinary shares, $0.00005 par value, 900,000,000 shares authorized,

30,054,712 shares issued, 20,444,712  shares outstanding

as of June 30, 2021 and December 31, 2020, respectively

1,503

1,503

Treasury shares, at cost, 9,610,000 shares issued

as of June 30,2021 and December 31, 2020, respectively

(481)

(481)

Additional paid-in capital

18,884,992

18,884,992

Statutory reserves

112,347

112,347

Retained earnings

23,727,923

13,647,770

Accumulated other comprehensive income

853,519

923,115

Total shareholders’ equity

43,579,803

33,569,246

Total liabilities and shareholders’ equity

$

50,469,570

$

41,108,765

 

 

Related Links :

http://www.ocgroup.hk

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THE SEYCHELLES, Sept. 28, 2021Mandala Exchange, powered by Binance Cloud, is thrilled to announce Vabble as its first premiere listing. VAB will be the first project listed on Mandala Exchange outside of the Binance ecosystem. VAB will be listed alongside 1,000+ trading pairs available on Mandala that share liquidity, order books, and security with Binance. Vabble plans to merge the best aspects of in-theater experience for movie goers with a state of the art production launchpad for scriptwriters, producers and filmmakers to fund and produce content on a global scale.

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Mandala is the first privately owned exchange powered by the Binance Cloud platform. Mandala aims to be the most trusted digital asset exchange on the market. This allows their users to trade cryptocurrency with confidence on an industry-leading exchange platform with access to the largest liquidity pool in the world and fees as low at 0.05%. Mandala currently has over 1,000+ active trading pairs with full Binance liquidity and security, making Mandala one of the largest exchanges on the market today.

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Media contact: pr@mandala.exchange

Related Links :

http://mandala.exchange